Author: William D. Gudger
Publisher: A-R Editions, Inc.
ISBN: 0895791595
Category : Concertos
Languages : en
Pages : 90
Book Description
6 Concertos
Author: William D. Gudger
Publisher: A-R Editions, Inc.
ISBN: 0895791595
Category : Concertos
Languages : en
Pages : 90
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895791595
Category : Concertos
Languages : en
Pages : 90
Book Description
Six Concertos for the Piano-Forte or Harpsichord ... Op.xiv.,etc.[Parts.]
Six concertos for organ, harpsichord, or fortepiano (opus X)
Author: John Stanley
Publisher: Oxford University Press, USA
ISBN:
Category : Concertos (Harpsichord with string orchestra)
Languages : en
Pages : 64
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Concertos (Harpsichord with string orchestra)
Languages : en
Pages : 64
Book Description
6 Concertos
Author: George Frideric Handel
Publisher: A-R Editions, Inc.
ISBN:
Category : Music
Languages : en
Pages : 104
Book Description
Publisher: A-R Editions, Inc.
ISBN:
Category : Music
Languages : en
Pages : 104
Book Description
Six Concertos for the Harpsichord or Organ, etc. [Organ part.]
Author: George Frideric Handel
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Six Concertos for the Harpsichord or Organ with Accompanyments for Two Violins and a Bass. [Parts.]
Author: Georg Christoph Wagenseil
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Six concerto's for the organ or harpsichord with instrumental parts
Author: William Felton
Publisher:
ISBN:
Category : Concertos (Harpsichord with chamber orchestra)
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Concertos (Harpsichord with chamber orchestra)
Languages : en
Pages : 184
Book Description
The six Brandenburg concertos
Author: Johann Sebastian Bach
Publisher: Courier Corporation
ISBN: 9780486297958
Category : Music
Languages : en
Pages : 196
Book Description
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
Publisher: Courier Corporation
ISBN: 9780486297958
Category : Music
Languages : en
Pages : 196
Book Description
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
The Scoring of Baroque Concertos
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.