Author: Linda Paterson
Publisher: D. S. Brewer
ISBN: 9781843846000
Category :
Languages : en
Pages : 352

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Book Description
A full-scale survey of crusading lyrics in Old French and Occitan.

Author: Simon Thomas Parsons
Publisher: D. S. Brewer
ISBN: 9781843844587
Category : Crusades
Languages : en
Pages : 224

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Book Description
An interdisciplinary approach to sources for our knowledge of the crusades.

Author: Thomas Asbridge
Publisher: Simon and Schuster
ISBN: 1849837694
Category : History
Languages : en
Pages : 497

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Book Description
'A nuanced and sophisticated analysis... Exhilarating' Sunday Telegraph Nine hundred years ago, one of the most controversial episodes in Christian history was initiated. The Pope stated that, in spite of the apparently pacifist message of the New Testament, God actually wanted European knights to wage a fierce and bloody war against Islam and recapture Jerusalem. Thus was the First Crusade born. Focusing on the characters that drove this extraordinary campaign, this fascinating period of history is recreated through awe-inspiring and often barbaric tales of bold adventure while at the same time providing significant insights into early medieval society, morality and mentality. The First Crusade marked a watershed in relations between Islam and the West, a conflict that set these two world religions on a course towards deep-seated animosity and enduring enmity. The chilling reverberations of this earth-shattering clash still echo in the world today. '[Asbridge] balances persuasive analysis with a flair for conveying with dramatic power the crusaders' plight' Financial Times

Author: Thomas W. Smith
Publisher: University of Wales Press
ISBN: 1786835061
Category : History
Languages : en
Pages : 168

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Book Description
This book contributes to the flourishing interest in memory and the crusades. It offers a nuanced understanding of how medieval authors presented the crusades. It opens up new avenues for research into medieval texts and songs about the crusading movement.

Author: Andrew Holt
Publisher: Bloomsbury Publishing USA
ISBN: 1440854629
Category : History
Languages : en
Pages : 886

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Book Description
Unlike traditional references that recount political and military history, this encyclopedia includes entries on a wide range of aspects related to daily life during the medieval crusades. The medieval crusades were fundamental in shaping world history and provide background for the conflict that exists between the West and the Muslim world today. This two-volume set presents fundamental information about the medieval crusades as a movement and its ideological impact on both the crusaders and the peoples of the East. It takes a broad look at numerous topics related to crusading, with the goal of helping readers to better understand what inspired the crusaders, the hardships associated with crusading, and how crusading has influenced the development of cultures both in the East and the West. The first of the two thematically arranged volumes considers topics such as the arts, economics and work, food and drink, family and gender, and fashion and appearance. The second volume considers topics such as housing and community, politics and warfare, recreation and social customs, religion and beliefs, and science and technology. Within each topical section are alphabetically arranged reference entries, complete with cross-references and suggestions for further reading. Selections from primary source documents, each accompanied by an introductory headnote, give readers first-hand accounts of the crusades.

Author: Rachel May Golden
Publisher: Oxford University Press, USA
ISBN: 0190948612
Category : Music
Languages : en
Pages : 303

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Book Description
"In his song, Lanqan li jorn, the early-twelfth-century troubadour Jaufre Rudel expresses a sense of wonder and uncertainty about the future, one that he maps onto his perception of geography as complex, interwoven, and often unknowable. The song proclaims Jaufre's intention to travel eastward to the Crusade front as a Christian pilgrim, and to unite there with his beloved Lady (generally understood as the Countess of Tripoli), the object of his amor de loing [love from afar]. Jaufre expresses both ambivalence and a sense of possibility as he prepares to depart outremar. In Jaufre's ideology, distance suggests the multivalent difficulties inherent in this effort--the challenges of geographical travels and unknown roads; the emotional separation between lovers and uncertain pathways; and the subjective distances between the ideals of French courtliness, Christian values, and his imagining of the land of Saracens. Because the pathways that lie before him--the ports and roads--are so many and so unfathomable, Jaufre cannot prophesy the outcome of this journey. As Jaufre contemplated the unknown East, he could not have predicted the impact of the Crusade efforts or the song-making traditions in which he participated. According to his vida, or biographical sketch (although these were often fictionalized), Jaufre would die in the East while on the Crusade venture; having often imagined the Countess of Tripoli, he would become ill on the journey, arriving in the Syrian county only just in time to be embraced his beloved and die in her arms. Jaufre was one of many creators of the Crusade period to contemplate a new world, one marked by Crusading, through song. In doing so, he employed geographical rhetoric in ways that engaged his belief systems about love, politics, religion, and space. In this book, I locate ideologies of early Crusade culture as expressed in the Occitanian song (in the south of modern-day France), particularly in Latin devotional song and troubadour lyric. Such songs engage their Crusading context through text and melody, through metaphors of travel, distance, and geography. I argue that these songs reflect Crusade perspectives, articulate regional beliefs and local identities, and demonstrate the rhetorical and expressive possibilities of music and poetry in combination. Today, in keeping with the concepts of mouvance and re-invention, as articulated by Paul Zumthor and Amelia Van Vleck among others, we understand troubadour song as a site of re-creation rather than fixity. Troubadour songs circulated abundantly in oral transmission, long before they were committed to writing; each performance of a given song was subject to change and reinvention, with performance acting not as repetition, but as an act of re-composition, improvisation, or variation, aided, but not dictated, by memory. Troubadour songs may exist in multiple variant copies across multiple manuscripts, or they may survive today without any written record of their melodies at all, perhaps once so well known that their notation was not needed. Zumthor thus explained, "the 'work' floats, offering not a fixed shape of firm boundaries but a constantly shifting nimbus . . . Although the production of an individual, it [a song] is characterized by the sense of potential incompleteness is caries within itself." As he looked forward uncertainly into his own travels and his future, Jaufre understood his songs as fluid, as templates for further composition, and as sites of communal, rather than individual, creation. Indeed, among the troubadours, Jaufre can be considered an "extremist" (in the words of Amelia Van Vleck) with regard to transmission and re-composition, as he was particularly explicit about inviting others to change and improve upon his song, placing the singer on par with the composer as a creative agent, and rejecting the idea of single or original author with respect to his work. For Jaufre, the audience too played a role in defining the song; the experience of reception essentially contributed to the process of re-creation. Thus Rupert Pickens wrote, regarding his edition of Jaufre's poems: "It soon became apparent . . . that not only can 'authentic' texts not be discovered, much less 'established' . . . but that, given the condition of the manuscripts and the esthetic principles involving textual integrity affirmed by Jaufre himself . . . the question of 'authenticity' . . . was largely irrelevant.""--

Author:
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages :

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Book Description

Author: Lee Manion
Publisher: Cambridge University Press
ISBN: 1107057817
Category : History
Languages : en
Pages : 321

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Book Description
The first study to demonstrate how English literature continued to engage with crusading from medieval romances right through to Shakespeare.

Author: Christopher Tyerman
Publisher: Yale University Press
ISBN: 0300245459
Category : History
Languages : en
Pages : 545

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Book Description
A lively reimagining of how the distant medieval world of war functioned, drawing on the objects used and made by crusaders Throughout the Middle Ages crusading was justified by religious ideology, but the resulting military campaigns were fueled by concrete objectives: land, resources, power, reputation. Crusaders amassed possessions of all sorts, from castles to reliquaries. Campaigns required material funds and equipment, while conquests produced bureaucracies, taxation, economic exploitation, and commercial regulation. Wealth sustained the Crusades while material objects, from weaponry and military technology to carpentry and shipping, conditioned them. This lavishly illustrated volume considers the material trappings of crusading wars and the objects that memorialized them, in architecture, sculpture, jewelry, painting, and manuscripts. Christopher Tyerman’s incorporation of the physical and visual remains of crusading enriches our understanding of how the crusaders themselves articulated their mission, how they viewed their place in the world, and how they related to the cultures they derived from and preyed upon.

Author: Edith L. Blumhofer
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467467588
Category : Religion
Languages : en
Pages : 255

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Book Description
Learn the surprising history shared by some of today’s most popular hymns. How did “How Great Thou Art,” an obscure Swedish hymn, get covered by Elvis? How did “Just as I Am” save Johnny Cash? How did dc Talk sanctify ’90s pop rock? In short: the Billy Graham crusades. Music animated these evangelistic extravaganzas, all of it carefully orchestrated by the “chord of three”: celebrated preacher Billy Graham, Gospel Music Hall of Fame baritone George Beverly Shea, and choral conductor and emcee Clifford Barrows. And the crusades went on to change the larger face of American music, influencing iconic popular artists in the second half of the twentieth century. The crusade songbook also took root in churches, its use spreading beyond evangelical soil into mainline Protestant and Catholic congregations. In Songs I Love to Sing, Edith L. Blumhofer narrates the “biographies” of some of the most beloved songs in modern hymnody with verve and affection. Move beyond mere nostalgia. Discover the fascinating stories behind the soundtrack of American Christianity.