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Author: Emily Olin Publisher: Scarecrow Press ISBN: 0810881179 Category : Music Languages : en Pages : 257
Book Description
With its unique blend of eastern and western traditions of music and poetry, the world of Russian vocal music is rich in spirituality, intimacy, and passion for singers and their audience. Russian song traditions offer an ideal opportunity for self-expression and the forging of a deep connection with one’s listeners. It also presents formidable challenges to singers at every level, ranging from the complexities native to sung and spoken Russian to the intricacies of diction and interpretation that lie behind the nuanced relationship between Russian music and poetry. Founded on the underlying principle that sung language differs dramatically from spoken language, Singing in Russian offers a comprehensive and accessible approach to understanding, mastering, and performing Russian vocal music. After covering the basics of the Cyrillic alphabet and Russian grammar and diction, author Emily Olin encourages readers to take the innovative step of using the music itself to guide the singer’s pronunciation and interpretation. English sound comparisons, linguistic and musical examples, and multifaceted exercises complement textual explanations, reinforcing the techniques Olin has employed for over three decades. The addition of repertoire lists and practical recommendations further equip singers to confidently go from start to stage. Furthermore, the online audio examples contain exercises that demonstrate and reinforce the correct sound and interpretation of everything from the alphabet to the presentation of vowels, consonants, words, and phrases.These can be found at: https://soundcloud.com/user-869634200/sets/singing-in-russian-a-guide-to-language-and-performance Singing in Russian is an invaluable resource for students, performers, teachers, directors, conductors, and coaches seeking to increase their access to Russian opera and art song, master the challenges they present to performance, and expand their personal, professional, and institutional repertoire on stage.
Author: Emily Olin Publisher: Scarecrow Press ISBN: 0810881179 Category : Music Languages : en Pages : 257
Book Description
With its unique blend of eastern and western traditions of music and poetry, the world of Russian vocal music is rich in spirituality, intimacy, and passion for singers and their audience. Russian song traditions offer an ideal opportunity for self-expression and the forging of a deep connection with one’s listeners. It also presents formidable challenges to singers at every level, ranging from the complexities native to sung and spoken Russian to the intricacies of diction and interpretation that lie behind the nuanced relationship between Russian music and poetry. Founded on the underlying principle that sung language differs dramatically from spoken language, Singing in Russian offers a comprehensive and accessible approach to understanding, mastering, and performing Russian vocal music. After covering the basics of the Cyrillic alphabet and Russian grammar and diction, author Emily Olin encourages readers to take the innovative step of using the music itself to guide the singer’s pronunciation and interpretation. English sound comparisons, linguistic and musical examples, and multifaceted exercises complement textual explanations, reinforcing the techniques Olin has employed for over three decades. The addition of repertoire lists and practical recommendations further equip singers to confidently go from start to stage. Furthermore, the online audio examples contain exercises that demonstrate and reinforce the correct sound and interpretation of everything from the alphabet to the presentation of vowels, consonants, words, and phrases.These can be found at: https://soundcloud.com/user-869634200/sets/singing-in-russian-a-guide-to-language-and-performance Singing in Russian is an invaluable resource for students, performers, teachers, directors, conductors, and coaches seeking to increase their access to Russian opera and art song, master the challenges they present to performance, and expand their personal, professional, and institutional repertoire on stage.
Author: Laura Olson Publisher: Routledge ISBN: 1134341083 Category : Education Languages : en Pages : 295
Book Description
This book examines folk music and dance revival movements in Russia showing how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
Author: Pamela A. Jordan Publisher: Rowman & Littlefield ISBN: 1442247746 Category : History Languages : en Pages : 381
Book Description
Stalin’s Singing Spy follows the remarkable life of NadezhdaPlevitskaya, a Russian peasant girl who achieved fame as one of Tsar Nicholas II’s favorite singers and infamy as one of Stalin’s agents. Pamela A. Jordan traces Plevitskaya’s life from her childhood in an isolated village to national stardom. She always declared that she was foremost an artist who sang for all people, regardless of their ideological leanings or socioeconomic background. She claimed throughout her career to be fundamentally apolitical, yet decades later in Europe, Plevitskaya was unmasked as one of Joseph Stalin’s secret agents along with her husband, White Russian General Nikolai Skoblin. Their experiences in exile shed light on Stalin’s covert operations and the hardships Russian émigrés faced in interwar Europe, an era of great political and economic turmoil. In addition, this book uncovers the roles that the couple played in one of the Soviets’ major intelligence coups—the 1937 kidnapping of White Russian General Evgeny Miller in Paris. Jordan recreates Plevitskaya’s sensationalized 1938 criminal trial in the Palace of Justice, where she was accused of conspiring to kidnap Miller and portrayed as a Red femme fatale. The first Western biography of Plevitskaya and the first to reconstruct her dramatic trial, this book provides a fascinating window into Soviet-era espionage in interwar Europe.
Author: Gary Ansdell Publisher: Jessica Kingsley Publishers ISBN: 1846420490 Category : Psychology Languages : en Pages : 322
Book Description
Music therapists from around the world working in conventional and unconventional settings have offered their contributions to this exciting new book, presenting spirited discussion and practical examples of the ways music therapy can reflect and encourage social change. From working with traumatized refugees in Berlin, care-workers and HIV/AIDS orphans in South Africa, to adults with neurological disabilities in south-east England and children in paediatric hospitals in Norway, the contributors present their global perspectives on finding new ways forward in music therapy. Reflecting on traditional approaches in addition to these newer practices, the writers offer fresh perceptions on their identity and role as music therapists, their assumptions and attitudes about how music, people and context interact, the sites and boundaries to their work, and the new possibilities for music therapy in the 21st century. As the first book on the emerging area of Community Music Therapy, this book should be an essential and exciting read for music therapists, specialists and community musicians.
Author: Natalie K. Zelensky Publisher: Indiana University Press ISBN: 0253041201 Category : Music Languages : en Pages : 254
Book Description
An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.
Author: Irene Cooper Willis Publisher: ISBN: Category : Press Languages : en Pages : 432
Book Description
"The three little books making up this volume were originally published in England in 1919, 1920, and 1921, under the respective titles of 'How we went into the war, ' 'How we got on with the war, ' and 'How we came out of the war.'--Pref." Bibliography: p. 379.
Author: Emily Olin
Author: Emily Olin
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Author: Laura Olson
Author: Pamela A. Jordan
Author: Maurice Baring
Author: Gary Ansdell
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Author: Natalie K. Zelensky
Author: Robert Sears
Author: Irene Cooper Willis