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Author: Robert S. Birchard Publisher: Gremese Editore ISBN: 9780738547305 Category : Art Languages : en Pages : 134
Book Description
Between 1910 and 1921, the American Film Company was one of the fledgling movie industry’s most successful studios, with production facilities in Santa Barbara and business offices in Chicago. Nicknamed for its distinctive winged “A” logo, the “Flying A” produced nearly 1,200 films, starring such favorites of the day as Mary Miles Minter, J. Warren Kerrigan, Wallace Reid, and King Baggot. The company’s rather patriotic motto invited patrons to “See Americans first.” The studio’s films also documented the picturesque and developing Pacific seaside community of Santa Barbara and served as a training ground for some of Hollywood’s greatest directors, including Allan Dwan, Henry King, Victor Fleming, Frank Borzage, George Marshall, William Desmond Taylor, and Marshall Neilan.
Author: Robert S. Birchard Publisher: Gremese Editore ISBN: 9780738547305 Category : Art Languages : en Pages : 134
Book Description
Between 1910 and 1921, the American Film Company was one of the fledgling movie industry’s most successful studios, with production facilities in Santa Barbara and business offices in Chicago. Nicknamed for its distinctive winged “A” logo, the “Flying A” produced nearly 1,200 films, starring such favorites of the day as Mary Miles Minter, J. Warren Kerrigan, Wallace Reid, and King Baggot. The company’s rather patriotic motto invited patrons to “See Americans first.” The studio’s films also documented the picturesque and developing Pacific seaside community of Santa Barbara and served as a training ground for some of Hollywood’s greatest directors, including Allan Dwan, Henry King, Victor Fleming, Frank Borzage, George Marshall, William Desmond Taylor, and Marshall Neilan.
Author: Blair Miller Publisher: McFarland ISBN: 1476609802 Category : Performing Arts Languages : en Pages : 291
Book Description
Many movie genres developed during the silent era, but none was as lasting as comedies. Actors and actresses stood in front of crude, hand-cranked cameras and invented a style that made people laugh and forget their troubles. This is an encyclopedic work to persons, institutions and terms associated with silent film comedy. For people, there is a capsule biography and a summary of their contribution. For studios and companies, there is a brief history and for terms, a full definition is given.
Author: Barbara Tepa Lupack Publisher: Lexington Books ISBN: 1666913979 Category : Performing Arts Languages : en Pages : 345
Book Description
In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.
Author: Vanda Krefft Publisher: HarperCollins ISBN: 0062680676 Category : Biography & Autobiography Languages : en Pages : 1501
Book Description
A riveting story of ambition, greed, and genius unfolding at the dawn of modern America. This landmark biography brings into focus a fascinating brilliant entrepreneur—like Steve Jobs or Walt Disney, a true American visionary—who risked everything to realize his bold dream of a Hollywood empire. Although a major Hollywood studio still bears William Fox’s name, the man himself has mostly been forgotten by history, even written off as a failure. Now, in this fascinating biography, Vanda Krefft corrects the record, explaining why Fox’s legacy is central to the history of Hollywood. At the heart of William Fox’s life was the myth of the American Dream. His story intertwines the fate of the nineteenth-century immigrants who flooded into New York, the city’s vibrant and ruthless gilded age history, and the birth of America’s movie industry amid the dawn of the modern era. Drawing on a decade of original research, The Man Who Made the Movies offers a rich, compelling look at a complex man emblematic of his time, one of the most fascinating and formative eras in American history. Growing up in Lower East Side tenements, the eldest son of impoverished Hungarian immigrants, Fox began selling candy on the street. That entrepreneurial ambition eventually grew one small Brooklyn theater into a $300 million empire of deluxe studios and theaters that rivaled those of Adolph Zukor, Marcus Loew, and the Warner brothers, and launched stars such as Theda Bara. Amid the euphoric roaring twenties, the early movie moguls waged a fierce battle for control of their industry. A fearless risk-taker, Fox won and was hailed as a genius—until a confluence of circumstances, culminating with the 1929 stock market crash, led to his ruin.
Author: Christopher Alan Long Publisher: Yale University Press ISBN: 0300206275 Category : Design Languages : en Pages : 305
Book Description
The first major look at the renowned industrial designer and architect, who helped to shape the look of American modernism from the 1920s through the early 1950s For German-born Kem Weber (1889-1963), design was not about finding a new expression; it was about responding to "structural, economic, and social requirements . . . characteristic of our daily routine of living." He sought to ensure that each design he produced--whether a piece of furniture or a building or an interior--was an improvement that responded to modern needs and modern life. Weber was a leading figure of modernism on the West Coast from the 1920s through the early 1950s, and his work greatly influenced the California style of the time. His most iconic designs were his Bentlock line, the Air Line chair, the interiors for the Bixby House, and his tubular-steel furniture for Lloyd. This book, a result of significant new primary research in the Weber family's archives, represents the first major study of the life and career of this important designer. Christopher Long details the full range of Weber's contributions, focusing particularly on the part he played in the advancement of American modernism, and his role in heralding a new way of making and living.
Author: Barbara Lupack Publisher: Routledge ISBN: 1317434250 Category : Performing Arts Languages : en Pages : 263
Book Description
The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium, movies reflected the tremendous changes occurring in American society. Unfortunately, since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the "Uncle Tom Show" traditions, early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast, race films—that is, movies that were black-cast, black-oriented, and viewed primarily by black audiences in segregated theaters—attempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema—the years between the turn-of-the-century and 1930, the end of the silent film era—it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture.
Author: Lora Ann Sigler Publisher: McFarland ISBN: 1476673527 Category : Performing Arts Languages : en Pages : 236
Book Description
The heyday of silent film soon became quaint with the arrival of "talkies." As early as 1929, critics and historians were writing of the period as though it were the distant past. Much of the literature on the silent era focuses on its filmic art--ambiance and psychological depth, the splendor of the sets and costumes--yet overlooks the inspiration behind these. This book explores the Middle Ages as the prevailing influence on costume and set design in silent film and a force in fashion and architecture of the era. In the wake of World War I, designers overthrew the artifice of prewar style and manners and drew upon what seemed a nobler, purer age to create an ambiance that reflected higher ideals.
Author: Anthony Slide Publisher: Univ. Press of Mississippi ISBN: 149681598X Category : Performing Arts Languages : en Pages : 417
Book Description
In Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics, author Anthony Slide looks at the way film has dominated the minds and lives of film buffs, film collectors, film academics, and just plain fans of past movies. Based on the author's more than fifty years in the field and his personal, up-front knowledge of the subject, chapters provide unique documentation on film buffs who once created a livelihood from their hobby, including long-forgotten Chaw Mank and the vast array of film clubs that he headed and New York radio and television sensation Joe Franklin. The history of fans and their fan clubs are discussed, as well as the first and only periodical, Films in Review, which catered both to film scholars and film buffs. The histories of several legendary film collectors such as David Bradley and Herb Graff are featured, as is Hollywood's Silent Movie Theatre, where film buffs found a home from the 1940s onwards, sharing it with drug dealers, male prostitutes, fantasists, and hit men. Magnificent Obsession is vast in its approach, discussing the entire history of the phenomenon of the film buff from the early 1910s through the present and documenting the manner in which film buffs have changed--thanks to the internet--from relatively gentle and kind individuals to the obsessive, sometimes overbearing, and often self-important film buffs of today.
Author: Maggie Hennefeld Publisher: Columbia University Press ISBN: 0231547064 Category : Performing Arts Languages : en Pages : 359
Book Description
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
Author: Barbara Tepa Lupack Publisher: Cornell University Press ISBN: 1501748203 Category : Performing Arts Languages : en Pages : 405
Book Description
The first book-length study of pioneering and prolific filmmakers Ted and Leo Wharton, Silent Serial Sensations offers a fascinating account of the dynamic early film industry. As Barbara Tepa Lupack demonstrates, the Wharton brothers were behind some of the most profitable and influential productions of the era, including The Exploits of Elaine and The Mysteries of Myra, which starred such popular performers as Pearl White, Irene Castle, Francis X. Bushman, and Lionel Barrymore. Working from the independent film studio they established in Ithaca, New York, Ted and Leo turned their adopted town into "Hollywood on Cayuga." By interweaving contemporary events and incorporating technological and scientific innovations, the Whartons expanded the possibilities of the popular serial motion picture and defined many of its conventions. A number of the sensational techniques and character types they introduced are still being employed by directors and producers a century later.
Author: Robert S. Birchard
Author: Robert S. Birchard
Author: Blair Miller
Author: Barbara Tepa Lupack
Author: Vanda Krefft
Author: Christopher Alan Long
Author: Barbara Lupack
Author: Lora Ann Sigler
Author: Anthony Slide
Author: Maggie Hennefeld
Author: Barbara Tepa Lupack