Shelley and Browning PDF Download

Author: Frederick Albert Pottle
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 122

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Author: Fiona Sampson
Publisher: W. W. Norton & Company
ISBN: 1324002964
Category : Biography & Autobiography
Languages : en
Pages : 291

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Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.

Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 84

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Author: Robert Browning
Publisher:
ISBN:
Category : Literary forgeries and mystifications
Languages : en
Pages : 218

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Author: Sandra Brown
Publisher: Grand Central Publishing
ISBN: 0446548723
Category : Fiction
Languages : en
Pages : 129

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Ten years after sparks first flew between them in a passionate kiss, a recently divorced woman and a college professor meet in another classroom -- but is it too late to explore what could have been? After leaving her disastrous marriage behind, Shelley Browning goes back to college to get her degree and comes face to face with an unforgettable man from her past. Ten years ago, when she was Grant Chapman's student, they shared a single, scorching, unplanned kiss that still haunts Shelley's dreams. Now, as irresistible as ever, Grant has just returned to teaching after a stint as a congressional aide in Washington . . . and sees no impropriety in asking Shelley out. Isn't this what she secretly longs for? Still, Shelly isn't sure what she really wants. But a stunning accusation is about to change all that -- and she must choose to take some dangerous risks or spend the rest of her life filled with regret.

Author: Carl H. Pforzheimer Library
Publisher: Harvard University Press
ISBN:
Category : Authors
Languages : en
Pages : 564

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Author: Curtis Hidden Page
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 502

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Author: Robert Browning
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 716

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Author: Matthew Arnold
Publisher:
ISBN:
Category :
Languages : en
Pages : 216

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Author: Herbert F. Tucker Jr.
Publisher: U of Minnesota Press
ISBN: 081665882X
Category : Literary Criticism
Languages : en
Pages : 271

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Browning's Beginnings was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Browning's Beginnings offers a fresh approach to the poet who, among major Victorians, has proved at once the most congenial and most inscrutable to modern readers. Drawing on recent developments in literary theory and in the criticism of romantic poetry, Herbert F. Tucker, Jr., argues that Browning's stylistic "obscurity" is the result of a principled poetics of evasion. This art of disclosure, in deferring formal and semantic finalities, constitutes an aesthetic counterpart to his open-ended moral philosophy of"incompleteness," Browning's poems, like his enormously productive career, find their motivation and sustenance in his optimistic love of the future—a love that is indistinguishable from his lifelong fear that there will be nothing left to say. The opening chapters trace the workings of Browning's art of disclosure with extensive and original interpretations of the unduly neglected early poems, Pauline, Paracelsus, and Sordello, and place special emphasis on Browning's attitudes toward poetic tradition and language. A chapter on Browning's attitudes toward poetic tradition and language. A chapter on Browning's plays identifies dynamics of representation in Pippa Passes, Strafford,and King Victor and King Charles. Tucker discusses the pervasive analogy between Browning's ideas about poetic representation and about representation in its erotic and religious aspects, and shows how the early poems and plays illustrate correlative developments in poetics and in the exploration and dramatic rendering of human psychology. The remaining chapters follow the poetic psychology of Browning to its culmination in the great poems of his middle years; exemplary readings of selected dramatic lyrics and monologues suggest that the ways of meaning in Browning's mature work variously bear out the sense of endlessness or perpetual initiation that is central to his poetic beginnings. Tucker thus contends that the "romantic" and the "Victorian" Browning have more in common than is generally supposed, and his book should appeal to students of both periods. Its discussion of general literary issues - poetic influence, closure, representation, and meaning - in application to particular texts should further recommend Browning's Beginnings to the nonspecialist reader interested in poetry and poetic theory.