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Author: Alan Galey Publisher: Cambridge University Press ISBN: 1316061264 Category : Literary Criticism Languages : en Pages : 349
Book Description
Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
Author: Alan Galey Publisher: Cambridge University Press ISBN: 1316061264 Category : Literary Criticism Languages : en Pages : 349
Book Description
Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
Author: MacDonald Pairman Jackson Publisher: ISBN: 0198704410 Category : Literary Criticism Languages : en Pages : 289
Book Description
Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.
Author: Brian Vickers Publisher: Cambridge University Press ISBN: 1139435353 Category : Literary Criticism Languages : en Pages : 600
Book Description
Brian Vickers examines the issue of what Shakespeare actually wrote, and how this is determined. Shakespeare's authorship has been claimed for two poems, 'Shall I die?' and A Funerall Elegye. Vickers shows that neither has the requisite stylistic and imaginative qualities. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He identifies John Ford as author of the Elegye.
Author: MacDonald Pairman Jackson Publisher: University of Delaware Press ISBN: 9780874138689 Category : Drama Languages : en Pages : 300
Book Description
These essays by leading scholars of early modern attribution, editing, theater, and versification (including Andrew Gurr, Gary Taylor, and Brian Vickers) focus on questions of authorship, authority, and ownership in Marlowe, Peele, Shakespeare, Middleton, Webster and others. Some essays take MacDonald P. Jackson's pioneering work in these fields a stage further, by looking at the critical consequences; others develop new methods, principles, or theoretical positions in determining authorship; still others use new data to extend or challenge Jackson's findings. the University of Auckland.
Author: Alexa Alice Joubin Publisher: Taylor & Francis ISBN: 1040014275 Category : Literary Criticism Languages : en Pages : 222
Book Description
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time. Contributions are solicited from scholars across the field and from both hemispheres of the globe who represent diverse career stages and linguistic traditions. Both new and ongoing trends are examined in comparative contexts, and emerging voices in different cultural contexts are featured alongside established scholarship. Each volume features a collection of articles that focus on a theme curated by a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in global Shakespeare scholarship and performance practice worldwide.
Author: C. Radhakrishna Rao Publisher: World Scientific ISBN: 9812384952 Category : Mathematics Languages : en Pages : 213
Book Description
This book presents a theoretical treatment, as well as a summary ofpractical methods of computation, of the forces and moments that acton marine craft. Its aim is to provide the tools necessary for theprediction or simulation of craft motions in calm water and inwaves. In addition to developing the required equations, the authorgives relations that permit at least approximate evaluation of thecoefficients so that useful results can be obtained. The approachbegins with the equations of motion for rigid bodies, relative tofixed- and moving-coordinate systems; then, the hydrodynamic forcesare examined, starting with hydrostatics and progressing to the forceson a moving vehicle in calm water and (after a review of water-wavetheory) in waves. Several detailed examples are presented, includingcalculations of hydrostatics, horizontal- and vertical-planedirectional stability, and wave-induced motions. Also included areunique discussions on various effects, such as fin?hullinteractions, numerical stability of integrators, heavy torpedoes, andthe dynamics of high-speed craft. The book is intended to be anintroductory-level graduate text and a reference for the practicingprofessional.
Author: Alan Galey
Author: Alan Galey
Author: MacDonald Pairman Jackson
Author: Appleton Morgan
Author: Brian Vickers
Author: 
Author: MacDonald Pairman Jackson
Author: Alexa Alice Joubin
Author: Appleton Morgan
Author: James Appleton Morgan
Author: C. Radhakrishna Rao