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Author: Willard Farnham Publisher: Literary Licensing, LLC ISBN: Category : Biography & Autobiography Languages : en Pages : 312
Book Description
Shakespeare's Tragic Frontier: The World Of His Final Tragedies is a book written by Willard Farnham that explores the themes and settings of William Shakespeare's final tragedies. Farnham argues that Shakespeare's last plays, including Macbeth, King Lear, and Antony and Cleopatra, are set in a frontier world where traditional values and structures are breaking down. He examines the ways in which Shakespeare uses this frontier setting to explore themes of power, ambition, betrayal, and redemption.Farnham also delves into the historical context of Shakespeare's final plays, looking at the political and social upheavals of the time and how they may have influenced the playwright's work. He explores the role of gender and sexuality in these plays, as well as the complex relationships between characters.Throughout the book, Farnham provides close readings of key scenes and passages from Shakespeare's final tragedies, offering insights into the language, symbolism, and themes of these works. He also draws on contemporary critical theory to illuminate Shakespeare's use of genre, narrative structure, and other literary techniques.Overall, Shakespeare's Tragic Frontier offers a fresh and insightful perspective on some of Shakespeare's most enduring works, shedding new light on their themes, settings, and cultural context.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Author: Willard Farnham Publisher: Literary Licensing, LLC ISBN: Category : Biography & Autobiography Languages : en Pages : 312
Book Description
Shakespeare's Tragic Frontier: The World Of His Final Tragedies is a book written by Willard Farnham that explores the themes and settings of William Shakespeare's final tragedies. Farnham argues that Shakespeare's last plays, including Macbeth, King Lear, and Antony and Cleopatra, are set in a frontier world where traditional values and structures are breaking down. He examines the ways in which Shakespeare uses this frontier setting to explore themes of power, ambition, betrayal, and redemption.Farnham also delves into the historical context of Shakespeare's final plays, looking at the political and social upheavals of the time and how they may have influenced the playwright's work. He explores the role of gender and sexuality in these plays, as well as the complex relationships between characters.Throughout the book, Farnham provides close readings of key scenes and passages from Shakespeare's final tragedies, offering insights into the language, symbolism, and themes of these works. He also draws on contemporary critical theory to illuminate Shakespeare's use of genre, narrative structure, and other literary techniques.Overall, Shakespeare's Tragic Frontier offers a fresh and insightful perspective on some of Shakespeare's most enduring works, shedding new light on their themes, settings, and cultural context.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Author: Nicholas Grene Publisher: Springer ISBN: 0230379192 Category : Literary Criticism Languages : en Pages : 321
Book Description
The world of Macbeth, with its absolutes of good and evil, seems very remote from the shifting perspectives of Antony and Cleopatra, or the psychological and political realities of Coriolanus. Yet all three plays share similar thematic concerns and preoccupations: the relation of power to legitimating authority, for instance, or of male and female roles in the imagination of (male) heroic endeavour. In this acclaimed study, Nicholas Grene shows how all nine plays written in Shakespeare's main tragic period display this combination of strikingly different milieu balanced by thematic interrelationships. Taking the English history play as his starting point, he argues that Shakespeare established two different modes of imagining: the one mythic and visionary, the other sceptical and analytic. In the tragic plays that followed, themes and situations are dramatised, alternately, in sacred and secular worlds. A chapter is devoted to each tragedy, but with a continuing awareness of companion plays: the analysis of Julius Caesar informing that of Hamlet, discussion of Troilus and Cressida counterpointed by the critique of Othello and the treatment of King Lear growing out from the limitations of Timon of Athens. The aim is to resist homogenising the plays but to recognise and explore the unique imaginative enterprise from which they arose.
Author: Larry S. Champion Publisher: University of Georgia Press ISBN: 0820338443 Category : Literary Criticism Languages : en Pages : 288
Book Description
This work directs attention to the various structural devices by which Shakespeare creates and sustains anticipation in his audience whil simultaneously provoking them to participate in the tragic protagonist's anguish.
Author: Kenneth Muir Publisher: Routledge ISBN: 1136568603 Category : Literary Criticism Languages : en Pages : 224
Book Description
First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune.
Author: Andy Amato Publisher: Bloomsbury Publishing ISBN: 1350373583 Category : Literary Criticism Languages : en Pages : 219
Book Description
What is the tragic imagination? And what role does it play in the works of William Shakespeare and Ralph Waldo Emerson? Explaining the tragic imagination as a creative faculty employed to answer the perennial Riddle of the Sphinx a theory of the world that advances human freedom and dignity in the face of historical injustice, cruelty and violence Andy Amato seeks to recover and rehabilitate this concept by revealing its significance to both key works of philosophy and literature and our contemporary world. This book begins with a close and careful reading of Emerson's first major work, Nature, in conversation with nineteenth and 20thcentury continental philosophy, critical theory and post-structuralism. Uncovering neglected elements of Emerson's philosophy, beyond his reputation as the philosopher of 'cheer', this book explores how Emersonian transcendentalism affirms rather than denies the tragic sense of life tragic idealism and makes a substantial contribution to philosophy's perpetual endeavour to solve the Riddle. In the second part of the book, Amato then employs Emerson's theoretical lens to interpret Shakespeare's tragedy, King Lear. In doing so, he innovatively reframes the central themes of suffering, vision, nature, nothing, foolishness and silence toward achieving liberation. By pairing these two giants of literature and philosophy, The Tragic Imagination in Shakespeare and Emerson not only offers fresh interpretations of Nature and King Lear, but also makes the case for the renewed deployment of tragic imagination, in creative redress, to our current social-political situation.
Author: Dieter Mehl Publisher: Cambridge University Press ISBN: 9780521316903 Category : Drama Languages : en Pages : 286
Book Description
Twelve plays are examined individually regarding their origins, stage and critical histories and the problems associated with their categorization as tragedy.
Author: Willard Farnham
Author: Willard Farnham
Author: Willard Edward FARNHAM
Author: Nicholas Grene
Author: Larry S. Champion
Author: Kenneth Muir
Author: Lily Bess Campbell
Author: Lily Bess Campbell
Author: Andy Amato
Author: Dieter Mehl
Author: Urmilla Khanna