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Author: Chris Coculuzzi Publisher: Upstart Crow Publishing ISBN: 0973909307 Category : Sports Languages : en Pages : 298
Book Description
It took Shakespeare 25 years to create his legacy of 38 plays and five years for Coculuzzi and Toner to destroy it. Shakespeare?s Sports Canon transforms the Complete Works of William Shakespeare into a hilarious hybrid of improvised sporting play and spectacle theatre. Presented as live UCSN (Upstart Crow Sports Network) broadcasts, the Sports Canon includes:Shakespeare?s Rugby Wars: the Wars of the Roses tetralogy presented as a rugby match as Team Lancaster and Team York scrum it out for the British Crown and Rugby Supremacy;Shakespeare?s World Cup: the famous four Tragedies as Team Denmark, England, Scotland, and Italy kick out the blank verse for Top Tragic Cup;Shakespeare?s Gladiator Games: the Roman and Greek plays as a traditional Roman Ludi where Gladiators vie for the coveted wooden Rudis...and with it their freedom;Shakespeare?s Comic Olympics: all of the Comedies and Romances as Olympic events as Athletes strive to overcome comic feats of timing in their quest for Ring Finger Gold;Shakespeare?s NHL (National History League): the leftover Histories as a tribute to Canadian street hockey and homage to the Original Six as hockey's Historical Heroes faceoff for Lord Stanley's impressive Cup.
Author: Chris Coculuzzi Publisher: Upstart Crow Publishing ISBN: 0973909307 Category : Sports Languages : en Pages : 298
Book Description
It took Shakespeare 25 years to create his legacy of 38 plays and five years for Coculuzzi and Toner to destroy it. Shakespeare?s Sports Canon transforms the Complete Works of William Shakespeare into a hilarious hybrid of improvised sporting play and spectacle theatre. Presented as live UCSN (Upstart Crow Sports Network) broadcasts, the Sports Canon includes:Shakespeare?s Rugby Wars: the Wars of the Roses tetralogy presented as a rugby match as Team Lancaster and Team York scrum it out for the British Crown and Rugby Supremacy;Shakespeare?s World Cup: the famous four Tragedies as Team Denmark, England, Scotland, and Italy kick out the blank verse for Top Tragic Cup;Shakespeare?s Gladiator Games: the Roman and Greek plays as a traditional Roman Ludi where Gladiators vie for the coveted wooden Rudis...and with it their freedom;Shakespeare?s Comic Olympics: all of the Comedies and Romances as Olympic events as Athletes strive to overcome comic feats of timing in their quest for Ring Finger Gold;Shakespeare?s NHL (National History League): the leftover Histories as a tribute to Canadian street hockey and homage to the Original Six as hockey's Historical Heroes faceoff for Lord Stanley's impressive Cup.
Author: William Shakespeare Publisher: Yale University Press ISBN: 9780300066265 Category : Literary Criticism Languages : en Pages : 274
Book Description
Argues the case for naming Shakespeare as the author of "Edward III," and presents the text of the play with an introduction and notes
Author: Emma Depledge Publisher: Cambridge University Press ISBN: 1108670377 Category : Literary Criticism Languages : en Pages : 283
Book Description
Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.
Author: Marina Gerzic Publisher: Routledge ISBN: 1000073122 Category : Literary Criticism Languages : en Pages : 269
Book Description
Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.
Author: Maik Goth Publisher: Peter Lang ISBN: 9783631564653 Category : Literary Criticism Languages : en Pages : 156
Book Description
In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book turns Bloom's observation of influences within the canon of Western literature into a more complex intermedial analysis of dramatic and literary traditions at the waning of the Middle Ages and the dawn of the Renaissance. The discussion of verbal and non-verbal codes in Chaucer's presentation of the Pardoner and Shakespeare's depiction of Iago sheds light on the various strands of the Vice's development, and shows that Chaucer's pilgrim, who descends obliquely from the stage Vices, stands at the very beginning of the Vice tradition, while Iago is a late development of him, who adapts his role to new dramatic challenges.
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: Chris Coculuzzi
Author: William Shakespeare
Author: Emma Depledge
Author: Marina Gerzic
Author: Maik Goth