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Author: Yuichi Tsukada Publisher: Bloomsbury Publishing ISBN: 1350067237 Category : Literary Criticism Languages : en Pages : 232
Book Description
In 1603, Queen Elizabeth I died and King James I inherited the English throne. During James's reign, England continued to hark back to Elizabeth, comparing him with his predecessor – not always in a way that was either flattering or pleasing to James. Critics have traditionally assumed that Shakespeare avoided involving himself in this discourse. In this study of Shakespeare's Jacobean plays, however, Yuichi Tsukada demonstrates that, far from not involving himself in the phenomenon of nostalgia for Elizabeth, Shakespeare interacted closely with retrospective writings on Elizabeth and illuminated the complex politics behind the nostalgia. Based upon close readings of Macbeth, Antony and Cleopatra, Coriolanus, Cymbeline and Henry VIII, together with a range of plays by Shakespeare's contemporaries, including Thomas Heywood, Thomas Dekker, George Chapman, John Marston, Thomas Middleton and Ben Jonson, the book traces the ongoing cultural negotiation of the memory of Elizabeth. Yuichi Tsukada offers fresh insights into enigmatic aspects of Shakespeare's Jacobean drama. For instance, what was the original significance of the two contentious prophecies – 'none of woman born' and the march of Birnam Wood – in Macbeth? Or that of the seemingly out-of-place triumphal procession of Volumnia near the tragic end of Coriolanus? Although her memory recurred in all forms of discourse throughout the first decade of James's reign, the impact of this cultural undercurrent on Shakespeare's Jacobean drama has been ignored or underestimated. Shakespeare and the Politics of Nostalgia reveals the unnoticed richness of Shakespeare's Jacobean drama by focusing on the growing cultural and political nostalgia for England's dead queen.
Author: Yuichi Tsukada Publisher: Bloomsbury Publishing ISBN: 1350067237 Category : Literary Criticism Languages : en Pages : 232
Book Description
In 1603, Queen Elizabeth I died and King James I inherited the English throne. During James's reign, England continued to hark back to Elizabeth, comparing him with his predecessor – not always in a way that was either flattering or pleasing to James. Critics have traditionally assumed that Shakespeare avoided involving himself in this discourse. In this study of Shakespeare's Jacobean plays, however, Yuichi Tsukada demonstrates that, far from not involving himself in the phenomenon of nostalgia for Elizabeth, Shakespeare interacted closely with retrospective writings on Elizabeth and illuminated the complex politics behind the nostalgia. Based upon close readings of Macbeth, Antony and Cleopatra, Coriolanus, Cymbeline and Henry VIII, together with a range of plays by Shakespeare's contemporaries, including Thomas Heywood, Thomas Dekker, George Chapman, John Marston, Thomas Middleton and Ben Jonson, the book traces the ongoing cultural negotiation of the memory of Elizabeth. Yuichi Tsukada offers fresh insights into enigmatic aspects of Shakespeare's Jacobean drama. For instance, what was the original significance of the two contentious prophecies – 'none of woman born' and the march of Birnam Wood – in Macbeth? Or that of the seemingly out-of-place triumphal procession of Volumnia near the tragic end of Coriolanus? Although her memory recurred in all forms of discourse throughout the first decade of James's reign, the impact of this cultural undercurrent on Shakespeare's Jacobean drama has been ignored or underestimated. Shakespeare and the Politics of Nostalgia reveals the unnoticed richness of Shakespeare's Jacobean drama by focusing on the growing cultural and political nostalgia for England's dead queen.
Author: Yuichi Tsukada Publisher: Bloomsbury Publishing ISBN: 1350067245 Category : Literary Criticism Languages : en Pages : 232
Book Description
In 1603, Queen Elizabeth I died and King James I inherited the English throne. During James's reign, England continued to hark back to Elizabeth, comparing him with his predecessor – not always in a way that was either flattering or pleasing to James. Critics have traditionally assumed that Shakespeare avoided involving himself in this discourse. In this study of Shakespeare's Jacobean plays, however, Yuichi Tsukada demonstrates that, far from not involving himself in the phenomenon of nostalgia for Elizabeth, Shakespeare interacted closely with retrospective writings on Elizabeth and illuminated the complex politics behind the nostalgia. Based upon close readings of Macbeth, Antony and Cleopatra, Coriolanus, Cymbeline and Henry VIII, together with a range of plays by Shakespeare's contemporaries, including Thomas Heywood, Thomas Dekker, George Chapman, John Marston, Thomas Middleton and Ben Jonson, the book traces the ongoing cultural negotiation of the memory of Elizabeth. Yuichi Tsukada offers fresh insights into enigmatic aspects of Shakespeare's Jacobean drama. For instance, what was the original significance of the two contentious prophecies – 'none of woman born' and the march of Birnam Wood – in Macbeth? Or that of the seemingly out-of-place triumphal procession of Volumnia near the tragic end of Coriolanus? Although her memory recurred in all forms of discourse throughout the first decade of James's reign, the impact of this cultural undercurrent on Shakespeare's Jacobean drama has been ignored or underestimated. Shakespeare and the Politics of Nostalgia reveals the unnoticed richness of Shakespeare's Jacobean drama by focusing on the growing cultural and political nostalgia for England's dead queen.
Author: Yuichi Tsukada Publisher: ISBN: Category : Languages : en Pages : 570
Book Description
This thesis is the first book-length study that seeks to illuminate the relationship between the plays of Shakespeare and the phenomenon of nostalgia for Elizabeth I in the first decade of the reign of James I. Critics often cite Thomas Cranmer's celebratory speech for the birth and christening of Elizabeth in Henry VIII, Shakespeare and John Fletcher's collaboration of 1613, as the starting point of the revival of interest in Elizabeth on the Jacobean stage in the assumption that, after eulogising Elizabeth for a brief nostalgic phase immediately after her death-a phase marked by the performances in 1604-06 of plays by Thomas Heywood and Thomas Dekker which feature Elizabeth as protagonists-Jacobean dramatists began to care less about the dead queen, and that nostalgia for Elizabeth did not reappear on stage until 1613. Accordingly, although the memory of Elizabeth recurred in other forms of discourse throughout the first decade of James 's reign, pre-1613 drama has not been sufficiently examined against this cultural undercurrent. In this thesis, I seek to redress this critical oversight by resituating four Shakespearean plays composed between 1606 and 1610-Macbeth, Antony and Cleopatra, Coriolanus and Cymbeline-together with certain plays of his contemporaries, within the Jacobean discourse of nostalgia for Elizabeth. I analyse the politics of representing a diseased body politic (Chapter 1), a warlike queen (Chapter 2), a peace goddess (Chapter 3) and an imperilled princess (Chapter 4), illustrating the ways in which these representations engaged with the struggle for control of the memory of Elizabeth and both reflected and informed the complexity of contemporary political culture. These chapters illuminate both the sustained theatrical culture of nostalgia for Elizabeth and the extent to which that culture of nostalgia remained a focus for ideological negotiation and competition throughout the first decade of Jame's reign.
Author: Susan Bennett Publisher: Routledge ISBN: 1136128689 Category : Performing Arts Languages : en Pages : 216
Book Description
In this trenchant work, Susan Bennett examines the authority of the past in modern cultural experience and the parameters for the reproduction of the plays. She addresses these issues from both the viewpoints of literary theory and theatre studies, shifting Shakespeare out of straightforward performance studies in order to address questions about his plays and to consider them in the context of current theoretical debates on historiography, post-colonialism and canonicity.
Author: Wen-chin Ouyang Publisher: Edinburgh University Press ISBN: 0748655727 Category : Literary Criticism Languages : en Pages : 256
Book Description
Explores the work of novelists including Naguib Mahfouz, 'Abd al-Khaliq al-Rikabi, Jamal al-Ghitani, Ben Salem Himmich, Ali Mubarak, Adonis, Mahmoud Darwish and Nizar Qabbani to show how the development of the Arabic novel has created a politics of nostal
Author: Philippa Sheppard Publisher: McGill-Queen's Press - MQUP ISBN: 0773550224 Category : Literary Criticism Languages : en Pages : 426
Book Description
From Kenneth Branagh’s groundbreaking Henry V to Justin Kurzel’s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare’s works, Philippa Sheppard’s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors’ choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time’s investigations of filmmakers’ nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.
Author: Susan Bennett Publisher: Routledge ISBN: 1136128603 Category : Performing Arts Languages : en Pages : 208
Book Description
In this trenchant work, Susan Bennett examines the authority of the past in modern cultural experience and the parameters for the reproduction of the plays. She addresses these issues from both the viewpoints of literary theory and theatre studies, shifting Shakespeare out of straightforward performance studies in order to address questions about his plays and to consider them in the context of current theoretical debates on historiography, post-colonialism and canonicity.
Author: Kristine Johanson Publisher: EUP ISBN: 9781474493550 Category : Drama Languages : en Pages : 0
Book Description
Examines dramatic acts of nostalgia as rhetorical moves designed to precipitate future action Diverging from critical paths that have focused on nostalgia as a memorializing practice or on Stuart nostalgia for Elizabeth, this book argues that Shakespeare's Elizabethan history plays stage nostalgia as a future-focused political rhetoric. In doing so, the book suggests new directions for studying nostalgia. Case studies including Richard II and Julius Caesar demonstrate how Shakespeare creates a dramatic argument for nostalgia's power and possibility, even as he represents the fruitlessness of trying to reclaim the past and the fiction of that past's ideal nature. In his dramaturgy, nostalgia functions as a persuasive call for (short-lived) political change. The book provides new interpretations of Shakespeare's contemporaries to illustrate how his use of nostalgia depends on, innovates from and influences his fellow playwrights. By reading literary, religious and political texts alongside Shakespeare's histories, this book attends additionally to the extra-dramatic valences nostalgic rhetoric obtains in Elizabethan England. Kristine Johanson is Senior Lecturer in English Literature at the University of Amsterdam.
Author: Thomas Dodman Publisher: University of Chicago Press ISBN: 022649294X Category : History Languages : en Pages : 288
Book Description
In What Nostalgia Was, historian Thomas Dodman traces the history of clinical "nostalgia" from when it was first coined in 1688 to describe deadly homesickness until the late nineteenth century, when it morphed into the benign yearning for a lost past we are all familiar with today. Dodman explores how people, both doctors and sufferers, understood nostalgia in late seventeenth-century Swiss cantons (where the first cases were reported) to the Napoleonic wars and to the French colonization of North Africa in the latter 1800s. A work of transnational scope over the longue duree, the book is an intellectual biography of a "transient mental illness" that was successively reframed according to prevailing notions of medicine, romanticism, and climatic and racial determinism. At the same time, Dodman adopts an ethnographic sensitivity to understand the everyday experience of living with nostalgia. In so doing, he explains why nostalgia was such a compelling diagnosis for war neuroses and generalized socioemotional disembeddedness at the dawn of the capitalist era and how it can be understood as a powerful bellwether of the psychological effects of living in the modern age.
Author: Yuichi Tsukada
Author: Yuichi Tsukada
Author: Yuichi Tsukada
Author: Yuichi Tsukada
Author: Yuichi Tsukada
Author: Susan Bennett
Author: Wen-chin Ouyang
Author: Philippa Sheppard
Author: Susan Bennett
Author: Kristine Johanson
Author: Thomas Dodman