Sex Drugs Violence Rock N Roll and Politics PDF Download

Author: S. Cagin
Publisher:
ISBN: 9780060152376
Category :
Languages : en
Pages :

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Author: Seth Cagin
Publisher: HarperCollins Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 312

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Author: Steven Jordan Brooks
Publisher: Author House
ISBN: 1477276920
Category : Fiction
Languages : en
Pages : 446

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HOLLYWOOD is a fictional rock band in the 1970s attempting to procure a record deal in the midst of cultural, political, social, and historical changes while dealing with their own issues, beliefs, and pasts. It is an epic tale of hard work and commitment that chronicles the hardships they must endure, the obstacles they must overcome, and the lessons they must learn. It reveals the inner workings of the music business and what it really takes to make it. With a keen sense of time, place, character, and events, it reflects the cultural shift and changing attitudes that defined a generation and influenced generations to come by interweaving issues ranging from sexual attitudes, the drug culture, racial and civil rights issues, politics, womens issues, gay issues, the Viet Nam War, organized crime, alienation, dysfunctional families, and violence. It is a true Hollywood story, where success or failure is often a matter of talent, luck, and sacrifice.

Author: Benjamin Roberts
Publisher: Amsterdam University Press
ISBN: 9089644024
Category : History
Languages : en
Pages : 320

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Sex and Drugs Before the Rock ’n’ Rollis a fascinating volume that presents an engaging overview of what it was like to be young and male in the Dutch Golden Age. Here, well-known cohorts of Rembrandt are examined for the ways in which they expressed themselves by defying conservative values and norms. This study reveals how these young men rebelled, breaking from previous generations: letting their hair grow long, wearing colorful clothing, drinking excessively, challenging city guards, being promiscuous, smoking, and singing lewd songs. Cogently argued, this study paints a compelling portrait of the youth culture of the Dutch Golden Age, at a time when the rising popularity of print made dissemination of new cultural ideas possible, while rising incomes and liberal attitudes created a generation of men behaving badly.

Author: James Combs
Publisher: Routledge
ISBN: 1317929020
Category : Performing Arts
Languages : en
Pages : 271

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Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.

Author: Chuck Klosterman
Publisher: Simon and Schuster
ISBN: 9780743236010
Category : History
Languages : en
Pages : 278

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Now in paperback after six hardback printings, the damn funny...wild collection of bracingly intelligent essays about topics that aren't quite as intelligent as Chuck Klosterman'(Esquire). Following the success of Fargo Rock City, Klosterman, a senior writer at Spin magazine, is back with a hilarious and savvy manifesto for a youth gone wild on pop culture and media, taking on everything from Guns'n'Roses tribute bands to Christian fundamentalism to internet porn. 'Maddeningly smart and funny' - Washington Post'

Author: LeRoy Ashby
Publisher: University Press of Kentucky
ISBN: 0813123976
Category : History
Languages : en
Pages : 713

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With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.

Author: David Savran
Publisher: Princeton University Press
ISBN: 1400822467
Category : Social Science
Languages : en
Pages : 393

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From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity. Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women. Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.

Author: Allan Havis
Publisher: UPA
ISBN: 0761872825
Category : Performing Arts
Languages : en
Pages : 128

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Cult Films: Taboo and Transgression looks at nine decades of cult films history within American culture. By highlighting three films per decade including a brief summary of the decade's identity and sensibility, the book investigates the quality, ironies, and spirit of cult film evolution. The twenty-seven films selected for this study are analyzed for story content and in their respective transgressions regarding social, aesthetic, and political codes. Characteristic of this book is the notion that many exciting genres make up cult films-including horror, sci-fi, fantasy, film noir, and black comedy. Further, the book reaches out to several foreign film directors over the decades in order to view cult films as an intentional art form. Political and ideological controversies are covered; arresting back-story details that lend perspective on a film fill out the analysis and the historic framework for many film titles. The book, by emphasizing the condensed survey over decades and by choosing outstanding titles, differs from other general studies on cult films.

Author: Drew Casper
Publisher: John Wiley & Sons
ISBN: 1444395238
Category : Performing Arts
Languages : en
Pages : 691

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Hollywood 1963-1976 chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces. A broad overview and analysis of one of American film's most important and innovative periods Offers a new, more expansive take on the accepted canon of the era Includes films expressing ideologies contrary to the misremembered leftist slant Explores and fully contextualizes the dominant genres of the 60s and 70s