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Author: Siegfried Wenzel Publisher: University of Michigan Press ISBN: 0472105213 Category : Foreign Language Study Languages : en Pages : 376
Book Description
Siegfried Wenzel's groundbreaking study seeks to describe and analyze the linguistically mixed, or macaronic, sermons in late fourteenth-century England. Not only are these works of considerable religious interest, they provide extensive information on their literary, linguistic, and cultural milieux. Macaronic Sermons begins by offering a typology of such works: those in which English words offer glosses, or offer structural functions, or offer neither of the two but yet are syntactically integrated. This last group is then examined in detail: reasons are given for this usage and for its origins, based on the realities of fourteenth-century England. Siefriend Wenzel draws valuable conclusions about the linguistic status quo of the era, together with the extent of education, the audiences' expectations, and the ways in which the authors' minds worked. Obviously of interest to scholars and students of early English literature, Macaronic Sermons also contains much valuable information for specialists in language development or oral theory, and for those interested in multicultural societies.
Author: Siegfried Wenzel Publisher: University of Michigan Press ISBN: 0472105213 Category : Foreign Language Study Languages : en Pages : 376
Book Description
Siegfried Wenzel's groundbreaking study seeks to describe and analyze the linguistically mixed, or macaronic, sermons in late fourteenth-century England. Not only are these works of considerable religious interest, they provide extensive information on their literary, linguistic, and cultural milieux. Macaronic Sermons begins by offering a typology of such works: those in which English words offer glosses, or offer structural functions, or offer neither of the two but yet are syntactically integrated. This last group is then examined in detail: reasons are given for this usage and for its origins, based on the realities of fourteenth-century England. Siefriend Wenzel draws valuable conclusions about the linguistic status quo of the era, together with the extent of education, the audiences' expectations, and the ways in which the authors' minds worked. Obviously of interest to scholars and students of early English literature, Macaronic Sermons also contains much valuable information for specialists in language development or oral theory, and for those interested in multicultural societies.
Author: Richard Newhauser Publisher: BRILL ISBN: 9004157859 Category : Religion Languages : en Pages : 325
Book Description
These essays examine the seven deadly sins as cultural constructions in the Middle Ages and beyond, focusing on the way concepts of the sins are used in medieval communities, the institution of the Church, and by secular artists and authors.
Author: Alastair Bennett Publisher: Oxford University Press ISBN: 0192886282 Category : Literary Criticism Languages : en Pages : 277
Book Description
William Langland's Piers Plowman was written and read during a “golden age” of English preaching. The poem describes a world where sermons took many different forms and were delivered in many different contexts, from public events in the life of the realm to pastoral instruction in the parish. It dramatises preaching as part of its allegorical action, showing how sermons shaped their listeners' understanding of the world; it also includes polemical critique of corrupt, self-interested preaching, and offers radical prescriptions for its reform. This book argues that Langland's central insight into the way that sermons moved and engaged their audiences had to do with their characteristic use of narrative. Preachers in the poem address listeners who are absorbed in the concerns of their present moment, and encourage them to new forms of social and spiritual endeavour by locating that moment in a larger, interpreted plot: the story of an individual life, or an emergent community, or of salvation history as a whole. The book employs a critical vocabulary derived from Paul Ricoeur to describe the process by which these narratives are composed, and to show how they mediate and reconfigure their listeners' experiences.
Author: Carolyn Muessig Publisher: BRILL ISBN: 9789004108837 Category : History Languages : en Pages : 392
Book Description
This book demonstrates that monastic preaching was a diverse activity which included preaching by monks, nuns and heretics. The study offers a preliminary step in understanding how preaching shaped monastic identity in the Middle Ages.
Author: J. Arnold Publisher: Springer ISBN: 0230307256 Category : Social Science Languages : en Pages : 862
Book Description
Across history, the ideas and practices of male identity have varied much between time and place: masculinity proves to be a slippery concept, not available to all men, sometimes even applied to women. This book analyses the dynamics of 'masculinity' as both an ideology and lived experience - how men have tried, and failed, to be 'Real Men'.
Author: John A. Alford Publisher: Univ of California Press ISBN: 9780520060074 Category : History Languages : en Pages : 308
Book Description
"Absolutely essential reading for anyone interested in a serious consideration of Piers Plowman and also for anyone planning critical or scholarly investigation on it—in other words, for all students of the poem, all readers of the poem, and all scholars of the poem."—Robert Worth Frank, Jr.
Author: Sarah Wood Publisher: Oxford University Press ISBN: 0191636487 Category : Literary Criticism Languages : en Pages :
Book Description
Conscience and the Composition of Piers Plowman provides a detailed account of one of the central personified figures in William Langland's Piers Plowman. Previous critical accounts of Conscience either focus on discussions of the faculty conscience in scholastic discourse, or eschew personification allegory as a useful category in order to argue for the figure's development or education as a character during the poem. But Conscience only appears to develop as he is re-presented, in the course of Piers Plowman, within a series of different literary modes. And he changes not only during the composition of the various episodes in different modes that make up the single version, but also during the composition of the poem as a series of three different versions. The versions of Piers Plowman form, this book argues, a single continuous narrative or argument, in which revisions to Conscience's role in one version are predicated upon his cumulative 'experiences' in the earlier versions. Drawing on a variety of materials in both Middle English and Latin, Sarah Wood illustrates the wide range of contemporary discourses Langland employed as he composed Conscience in the three versions of the poem. By showing how Langland transformed Conscience as he composed the A, B and C texts, Conscience and the Composition of Piers Plowman offers a new approach to reading the serial versions of the poem. While the versions of Piers Plowman have customarily been presented and read in parallel-text formats, Wood shows that Langland's revisions are newly comprehensible if the three versions are read in sequence.
Author: Lisa H. Cooper Publisher: Routledge ISBN: 1351894617 Category : History Languages : en Pages : 308
Book Description
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.
Author: Siegfried Wenzel
Author: Siegfried Wenzel
Author: Richard Newhauser
Author: Alastair Bennett
Author: Carolyn Muessig
Author: Elizabeth Papp Kamali
Author: J. Arnold
Author: John A. Alford
Author: Sarah Wood
Author: Miri Rubin
Author: Lisa H. Cooper