Author: Rex Willis
Publisher: Clear Note Publications
ISBN: 1625592051
Category : Music
Languages : en
Pages : 10
Book Description
During a tropical sunset in April of 2007, on the island of Long Boat Key in Florida, I attended a guitar recital in a intimate setting so close to the sea, one could hear the waves in the background. Captivated and inspired, by both the setting and the performance, I wrote "Serenata Del Mar" which is dedicated to the exceptionally gifted guitarist Ana Vidovic. Rex Willis - Bradenton, Florida - 2008
Serenata Del Mar for Classical Guitar
Author: Rex Willis
Publisher: Clear Note Publications
ISBN: 1625592051
Category : Music
Languages : en
Pages : 10
Book Description
During a tropical sunset in April of 2007, on the island of Long Boat Key in Florida, I attended a guitar recital in a intimate setting so close to the sea, one could hear the waves in the background. Captivated and inspired, by both the setting and the performance, I wrote "Serenata Del Mar" which is dedicated to the exceptionally gifted guitarist Ana Vidovic. Rex Willis - Bradenton, Florida - 2008
Publisher: Clear Note Publications
ISBN: 1625592051
Category : Music
Languages : en
Pages : 10
Book Description
During a tropical sunset in April of 2007, on the island of Long Boat Key in Florida, I attended a guitar recital in a intimate setting so close to the sea, one could hear the waves in the background. Captivated and inspired, by both the setting and the performance, I wrote "Serenata Del Mar" which is dedicated to the exceptionally gifted guitarist Ana Vidovic. Rex Willis - Bradenton, Florida - 2008
Classic Guitar, Lute, and Vihuela Discography
Author: Ron Purcell
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 136
Book Description
Recording the Classical Guitar
Author: Mark Marrington
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 453
Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 453
Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Hebraic Rhapsody - Suite of Traditional Jewish Melodies for Solo Guitar
Author: Gregg Nestor
Publisher:
ISBN: 9781625591661
Category :
Languages : en
Pages :
Book Description
Gregg Nestor's arrangements of Hebrew folk songs for solo guitar are a rich reminder of the generations of anonymous musicians whose creativity endures in a wealth of traditional works. This Hebraic Rhapsody comprises melodies that were rooted in everyday living, centered around the Rabbi, the hearth, parents, and the dance, etc.- music and daily routines being inextricably intertwined. Here the emphasis is on community life and family relationships, though dance rhythms and religious cadences are never far away
Publisher:
ISBN: 9781625591661
Category :
Languages : en
Pages :
Book Description
Gregg Nestor's arrangements of Hebrew folk songs for solo guitar are a rich reminder of the generations of anonymous musicians whose creativity endures in a wealth of traditional works. This Hebraic Rhapsody comprises melodies that were rooted in everyday living, centered around the Rabbi, the hearth, parents, and the dance, etc.- music and daily routines being inextricably intertwined. Here the emphasis is on community life and family relationships, though dance rhythms and religious cadences are never far away
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 688
Book Description
National Union Catalog
Panpipes & Ponchos
Author: Fernando Rios
Publisher: Oxford University Press
ISBN: 0190692294
Category : Music
Languages : en
Pages : 297
Book Description
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
Publisher: Oxford University Press
ISBN: 0190692294
Category : Music
Languages : en
Pages : 297
Book Description
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
The Gramophone Classical Catalogue
Classical Fake Book (Songbook)
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458492044
Category : Music
Languages : en
Pages : 1003
Book Description
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.
Publisher: Hal Leonard Corporation
ISBN: 1458492044
Category : Music
Languages : en
Pages : 1003
Book Description
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.