Self-portraits: from the Fifteenth Century to the Present Day PDF Download

Author: Manuel Gasser
Publisher: New York : Appleton-Century
ISBN:
Category : Artists
Languages : en
Pages : 314

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Author: Joanna Woods-Marsden
Publisher: Yale University Press
ISBN: 0300075960
Category : Art
Languages : en
Pages : 310

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An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.

Author: Anthony Bond
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228

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This text celebrates the lives of artists and their unique perspective on themselves and their work. An impressive array of self-portraits is presented in this major survey of the genre from the fifteenth century to the present day.

Author: Omar Calabrese
Publisher: National Geographic Books
ISBN: 0789208946
Category : Art
Languages : en
Pages : 0

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Book Description
In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times. The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists—Rembrandt, van Gogh, Munch, and Dali, for instance—as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas. Among the 300 pictures featured here are examples by such artists as Albrecht Dürer, Velazquez, Elisabeth Vigée-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein. This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.

Author: Sean Kelly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162

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Exhibition "The Self-Portrait: a Modern View" organised by Artsite Gallery, Bath International Festival, 1987.

Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226449999
Category : Art
Languages : en
Pages : 574

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Book Description
So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.

Author: H. Perry Chapman
Publisher:
ISBN: 9780691002965
Category : Art
Languages : en
Pages : 189

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H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. Prevailing scholarship has tried to discredit the idea that the self-portraits stemmed from any particular inner need, but Chapman counters by presenting fascinating evidence that they represent a conscious and progressive quest for individual identity in a truly modern sense. "H. Perry Chapman, in my view, gives us the Rembrandt we need in the 1990s. . . . [Her] sensitivity to questions of style and expression, combined with original research, leads to a conclusion . . . that `Rembrandt's lifelong preoccupation with self-portraiture can be seen as a necessary process of identity formation or self-definition'--in short, autobiography."--Walter Liedtke, The Journal of Art "Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued. . . . The publication of this book is cause for gratitude and joy."--Thomas D'Evelyn, Christian Science Monitor

Author: Gabriella Giannachi
Publisher: Taylor & Francis
ISBN: 0429887825
Category : Art
Languages : en
Pages : 197

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Book Description
This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production. Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their ‘self’. This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

Author: Michael Baxandall
Publisher: Oxford Paperbacks
ISBN: 9780192821447
Category : Art
Languages : en
Pages : 200

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Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.

Author: Michel Beaujour
Publisher: NYU Press
ISBN: 9780814711927
Category : Biography & Autobiography
Languages : en
Pages : 436

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Book Description
Investigates the literary self-portrait genre. From St Augustine to Montaigne, and from Nietzsche to Barthes, individual self-portraits are analyzed along with the cultural matrix from which self-portrayal derives its non-narrative structure, and many of its recurrent topics.