Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 282
Book Description
On Paper
National Gallery of Art
Author: National Gallery of Art (U.S.)
Publisher: National Gallery Washington
ISBN: 9780300253900
Category : Art
Languages : en
Pages : 0
Book Description
A classic, beautifully produced survey of a renowned collection
Publisher: National Gallery Washington
ISBN: 9780300253900
Category : Art
Languages : en
Pages : 0
Book Description
A classic, beautifully produced survey of a renowned collection
Current Index to Journals in Education
Van Gogh Museum Journal
Vincent Van Gogh:
Author: Wilfred Niels Arnold
Publisher: Springer Science & Business Media
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.
Publisher: Springer Science & Business Media
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.
Modern Art, 19th and 20th Centuries
Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
Book Description
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
Book Description
The Newspaper in Art
Author: Garry Apgar
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
An art historian, a newspaperman, and an ad executive team up on this unique and esoteric study of the role that newspapers have played in the development of western art over the past 400 years. In addition to a trio of learned essays, the volume includes 210 outstanding reproductions of art works that include depictions of newspapers, mostly as incidental props, ranging from early etchings to genre paintings to trompe-l'oeil to Cubist papiers colles to commercial art. The authors culled their examples from more than 200 libraries, museums, and galleries worldwide, after sorting through roughly 80,000 works. Nevertheless, the preponderance of tangential examples makes all the more tenuous the authors' labored attempts to promote the appearance of newspapers in art as seminal icons and harbingers of artistic change. -- Amazon.com.
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
An art historian, a newspaperman, and an ad executive team up on this unique and esoteric study of the role that newspapers have played in the development of western art over the past 400 years. In addition to a trio of learned essays, the volume includes 210 outstanding reproductions of art works that include depictions of newspapers, mostly as incidental props, ranging from early etchings to genre paintings to trompe-l'oeil to Cubist papiers colles to commercial art. The authors culled their examples from more than 200 libraries, museums, and galleries worldwide, after sorting through roughly 80,000 works. Nevertheless, the preponderance of tangential examples makes all the more tenuous the authors' labored attempts to promote the appearance of newspapers in art as seminal icons and harbingers of artistic change. -- Amazon.com.
Journal of the Royal Institute of British Architects
RIBA Journal
Author: Royal Institute of British Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 112
Book Description
A Memoir of Vincent van Gogh
Author: Jo van Gogh-Bonger
Publisher: Getty Publications
ISBN: 1606065602
Category : Art
Languages : en
Pages : 193
Book Description
The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.
Publisher: Getty Publications
ISBN: 1606065602
Category : Art
Languages : en
Pages : 193
Book Description
The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.