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Author: Joseph L. Arena Publisher: ISBN: Category : Languages : en Pages :
Book Description
The argument is supported by examples drawn from an extensive review of recent journalism. The examples cross the traditional boundaries of genre precisely to highlight the shared characteristics that make newspaper journalism and book journalism and television journalism more alike than different, at least in terms of our theoretical interest. The scholarly literature is addressed with a framework for measuring the likely contribution to journalism (and thus democracy) of a wide variety of existing prescriptions for its improvement.
Author: Joseph L. Arena Publisher: ISBN: Category : Languages : en Pages :
Book Description
The argument is supported by examples drawn from an extensive review of recent journalism. The examples cross the traditional boundaries of genre precisely to highlight the shared characteristics that make newspaper journalism and book journalism and television journalism more alike than different, at least in terms of our theoretical interest. The scholarly literature is addressed with a framework for measuring the likely contribution to journalism (and thus democracy) of a wide variety of existing prescriptions for its improvement.
Author: Martha Nichols Publisher: Routledge ISBN: 1000475034 Category : Language Arts & Disciplines Languages : en Pages : 187
Book Description
A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content. Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalism—passion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of "voice lessons" with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journalists, including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon, and James Baldwin. Together, the book provides a fresh look at the craft of nonfiction, offering much-needed advice on writing with style, authority, and a unique point of view. Written with a knowledge of the rapidly changing digital media environment, First-Person Journalism is a key text for journalism and media students interested in personal nonfiction, as well as for early-career nonfiction writers looking to develop this narrative form.
Author: Lewis Raven Wallace Publisher: University of Chicago Press ISBN: 0226826589 Category : History Languages : en Pages : 246
Book Description
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
Author: Melissa Dahl Publisher: Penguin ISBN: 0735211639 Category : Business & Economics Languages : en Pages : 306
Book Description
Examines the ways that embracing socially awkward situations, even when they lead to embarrassment and self-conciousness, also provide the opportunity to test oneself and to recognize how people are connected to each other.
Author: Will Storr Publisher: Picador ISBN: 1760554448 Category : Psychology Languages : en Pages : 426
Book Description
A compelling new work about the mysterious power of the self and the danger of our modern obsession with it, from the author of The Heretics. "So interesting I literally couldn't put it down." Sunday Times We live in the age of the individual. We are supposed to be slim, prosperous, happy, extroverted and popular. This is our culture's image of the perfect self. We see this person everywhere: in advertising, in the press, all over social media. We're told that to be this person you just have to follow your dreams, that our potential is limitless, that we are the source of our own success. But this model of the perfect self can be extremely dangerous. People are suffering under the torture of this impossible fantasy. Unprecedented social pressure is leading to increases in depression and suicide. Where does this ideal come from? Why is it so powerful? Is there any way to break its spell? To answer these questions, Selfie takes us from the shores of Ancient Greece, through the Christian Middle Ages, to the self-esteem evangelists of 1980s California, the rise of narcissism and the selfie generation, and right up to the era of hyper-individualistic neoliberalism in which we live now. It tells the extraordinary story of the person we all know so intimately - ourselves. MORE PRAISE FOR SELFIE "Will Storr is a versatile, imaginative, committed long-form journalist with a populist touch ... a talented, ambitious writer." Independent "Storr can open chapters like a stage conjurer, and his prose has an easy, laconic style embracing Jon Ronson's taste for the fabulously weird and Louis Theroux's ability to put his subjects at ease. He is a funny and companionable guide" Guardian "It's easy to look at Instagram and "selfie-sticks" and shake our heads at millennial narcissism. But Will Storr takes a longer view. He ignores the easy targets and instead tells the amazing 2,500-year story of how we've come to think about our selves. A top-notch journalist, historian, essayist, and sleuth, Storr has written an essential book for understanding, and coping with, the 21st century" Nathan Hill, author of The Nix "Moving, wise, compelling and timely, this brilliant and absorbing book investigates the faultline between our oldest human needs and the terrible pressures of technology" Marcel Theroux "Selfie also has shades of Jon Ronson in its subversive humour and investigative spirit ... Selfie, without being remotely fluffy, just might be the ultimate in post-truth comfort reading" Bookseller "I've come to consider Will Storr the best writer out there in terms of writing about human experience and the concepts and complexities of psychology. I've never seen such a well-thought-through and well-argued piece of work as Selfie, really taking ideas around self-esteem back to their philosophical and historical origins - and pulling them all to pieces. I loved it." Professor Sophie Scott, Deputy Director, Institute of Cognitive Neuroscience, University College London "You'll find yourself repeating entire sections of Selfie to your friends, and passing them off as your own." Cosmopolitan
Author: Shelton A. Gunaratne Publisher: Routledge ISBN: 1317527682 Category : Language Arts & Disciplines Languages : en Pages : 252
Book Description
This book aims to be the first comprehensive exposition of "mindful journalism"—drawn from core Buddhist ethical principles—as a fresh approach to journalism ethics. It suggests that Buddhist mindfulness strategies can be applied purposively in journalism to add clarity, fairness and equity to news decision-making and to offer a moral compass to journalists facing ethical dilemmas in their work. It comes at a time when ethical values in the news media are in crisis from a range of technological, commercial and social factors, and when both Buddhism and mindfulness have gained considerable acceptance in Western societies. Further, it aims to set out foundational principles to assist journalists dealing with vulnerable sources and recovering from traumatic assignments.
Author: Dan Gillmor Publisher: "O'Reilly Media, Inc." ISBN: 0596102275 Category : Computers Languages : en Pages : 336
Book Description
Looks at the emerging phenomenon of online journalism, including Weblogs, Internet chat groups, and email, and how anyone can produce news.
Author: Phyllis Frus Publisher: Cambridge University Press ISBN: 0521443245 Category : Literary Criticism Languages : en Pages : 318
Book Description
The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it 'makes' reality.
Author: Michael Schudson Publisher: John Wiley & Sons ISBN: 1509528067 Category : Language Arts & Disciplines Languages : en Pages : 224
Book Description
Can we talk about the news media without proclaiming journalism either our savior or the source of all evil? It is not easy to do so, but it gets easier if we put the problems and prospects of journalism in historical and comparative perspective, view them with a sociological knowledge of how newsmaking operates, and see them in a political context that examines how political institutions shape news as well as how news shapes political attitudes and institutions. Adopting this approach, Michael Schudson examines news and news institutions in relation to democratic theory and practice, in relation to the economic crisis that affects so many news organizations today and in relation to recent discussions of “fake news.” In contrast to those who suggest that journalism has had its day, Schudson argues that journalism has become more important than ever for liberal democracies as the keystone institution in a web of accountability for a governmental system that invites public attention, public monitoring and public participation. For the public to be swayed from positions people have already staked out, and for government officials to respond to charges that they have behaved corruptly or unconstitutionally or simply rashly and unwisely, the source of information has to come from organizations that hold themselves to the highest standards of verification, fact-checking, and independent and original research, and that is exactly what professional journalism aspires to do. This timely and important defense of journalism will be of great value to anyone concerned about the future of news and of democracy.
Author: Rosemary Huisman Publisher: Cambridge University Press ISBN: 9781139447201 Category : Social Science Languages : en Pages : 348
Book Description
Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.
Author: Joseph L. Arena
Author: Joseph L. Arena
Author: Martha Nichols
Author: Lewis Raven Wallace
Author: Melissa Dahl
Author: Will Storr
Author: Shelton A. Gunaratne
Author: Dan Gillmor
Author: Phyllis Frus
Author: Michael Schudson
Author: Rosemary Huisman