Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
Book Description
The New Cambridge Bibliography of English Literature
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
Book Description
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Collected Vocal Music, Part 2
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795140
Category : Choruses, Sacred (Mixed voices) with continuo
Languages : en
Pages : 242
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895795140
Category : Choruses, Sacred (Mixed voices) with continuo
Languages : en
Pages : 242
Book Description
Catalogue of the library. [With]
Author: Sacred harmonic society
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Second Series of Bibliographical Collections and Notes on Early English Literature, 1474-1700
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 740
Book Description
Musical Creativity in Restoration England
Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Reading Early Modern Women
Author: Helen Ostovich
Publisher: Psychology Press
ISBN: 9780415966467
Category : History
Languages : en
Pages : 548
Book Description
This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
Publisher: Psychology Press
ISBN: 9780415966467
Category : History
Languages : en
Pages : 548
Book Description
This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
Unwritten Poetry
Author: Scott A. Trudell
Publisher: Oxford University Press
ISBN: 0192571699
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
Publisher: Oxford University Press
ISBN: 0192571699
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
Catalogue of the Music in Fitzwilliam Museum, Cambridge
Author: Fitzwilliam Museum. Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 322
Book Description