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Author: Eva Grubinger Publisher: ISBN: Category : Art Languages : en Pages : 132
Book Description
This reader, based on a symposium at the Department of Sculpture, Transmedial Space, University of Art and Design, Linz, poses profound questions about contemporary sculpture.
Author: Eva Grubinger Publisher: ISBN: Category : Art Languages : en Pages : 132
Book Description
This reader, based on a symposium at the Department of Sculpture, Transmedial Space, University of Art and Design, Linz, poses profound questions about contemporary sculpture.
Author: Franz Schultheis Publisher: transcript Verlag ISBN: 3839432960 Category : Social Science Languages : en Pages : 265
Book Description
Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say.
Author: Alissa Bennett Publisher: Sternberg Press ISBN: 9783956793004 Category : Violence in art Languages : en Pages : 0
Book Description
For her first solo museum exhibition, New Yorkbased emerging artist Darja Bajagic (b. 1990) turns to the murky terrain where real and staged violence bleed into each other with an ease that is both unsettling and alluring. Published on the occasion of her 2016 show, this slender softcover catalog, Unlimited Hate, presents a practice that spans painting, photography, collage, video and installation in full-color illustrations with texts by curators Alissa Bennett, Franklin Melendez and Natalia Sielewicz. Following the lure of the fringes, the artist culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums and hidden chat rooms tucked away in the darker reaches of the Web. She handles these disparate source materials with a dose of humor, working them into densely layered compositions that are at once confrontational and poetically fragile. Bajagic explores loaded questions of embodiment, viewership and power relations, all the while interrogating our need to hold images accountable.
Author: Dan Adler Publisher: Routledge ISBN: 135104916X Category : Art Languages : en Pages : 190
Book Description
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Author: Eva Grubinger Publisher: ISBN: 9783956791024 Category : Art and technology Languages : en Pages : 0
Book Description
This reader, based on a symposium at the Department of Sculpture, Transmedial Space, University of Art and Design, Linz, poses profound questions about contemporary sculpture.
Author: Caroline A. Jones Publisher: Univ of California Press ISBN: 9780520068421 Category : Art Languages : en Pages : 258
Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author: Nicolas Whybrow Publisher: Bloomsbury Publishing ISBN: 1350166987 Category : Art Languages : en Pages : 237
Book Description
Through its examination of five quite different art events in cities across Europe, Contemporary Art Biennials in Europe offers a compelling exploration of how public art takes place in the modern city. Roughly tracing a central horizontal trajectory from the western to the eastern edges of the continent, Nicolas Whybrow considers the Folkestone Triennial in the UK, Sculpture Projects Münster in Germany, the Venice Biennale in Italy, Belgrade's Mikser Festival in Serbia and the Istanbul Biennial in Turkey. Writing within the context of a thirty-year international 'biennial boom', Whybrow interrogates the extent to which biennial events and their artworks seek to engage with the socio-cultural and political complexity of cities, in particular the work that is involved in this relationship. With its focus on Europe, he also tells a composite story of continental difference at a moment of high tension, centering on issues of migration, political populism and uncertainty around the future form of the European Union.
Author: Sarah Van Beurden Publisher: Ohio University Press ISBN: 0821445456 Category : History Languages : en Pages : 505
Book Description
Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.
Author: Eva Grubinger
Author: Eva Grubinger
Author: Franz Schultheis
Author: Alissa Bennett
Author: Dan Adler
Author: Eva Grubinger
Author: Caroline A. Jones
Author: Suzie Attiwill
Author: Nicolas Whybrow
Author: Sarah Van Beurden
Author: Daniel Kunitz