Author: Kevin Conroy Scott
Publisher: Faber & Faber
ISBN: 0571261582
Category : Performing Arts
Languages : en
Pages : 475
Book Description
The secret of writing a successful screenplay is sought after by ever-growing numbers of scribes and enthusiasts. Screenwriters' Masterclass offers state-of-the-art advice in that line, through interviews with nineteen of the leading scriptwriters of our day whose insights are invaluable to any aspirant. Each interview guides the reader entertainingly through the creation process of the film; how the writer handled the painstaking process of creating a three-dimensional world out of their imagination; what worked - and what didn't - in the finished film; and, most importantly, why that was so. In the process, each interview is a valuable case history, offering film buffs an uncommon glimpse behind the scenes of cinema: from Oscar-winner Ted Tally, recounting life on-set with Jodie Foster and Hannibal the Cannibal on The Silence of the Lambs, to Robert Wade and Neil Purvis coming up with new ways for James Bond to Die Another Day. Represented alongside the Hollywood pros are the leading screenwriters from the US independent and European scenes, including some of the most inspiring new talents in film: from Carlos Cuarón ( Y Tu Mamá También) and Chris Weitz ( About a Boy) to Wes Anderson ( Rushmore) and Alex Garland ( 28 Days Later).
Screenwriters' Masterclass
Author: Kevin Conroy Scott
Publisher: Faber & Faber
ISBN: 0571261582
Category : Performing Arts
Languages : en
Pages : 475
Book Description
The secret of writing a successful screenplay is sought after by ever-growing numbers of scribes and enthusiasts. Screenwriters' Masterclass offers state-of-the-art advice in that line, through interviews with nineteen of the leading scriptwriters of our day whose insights are invaluable to any aspirant. Each interview guides the reader entertainingly through the creation process of the film; how the writer handled the painstaking process of creating a three-dimensional world out of their imagination; what worked - and what didn't - in the finished film; and, most importantly, why that was so. In the process, each interview is a valuable case history, offering film buffs an uncommon glimpse behind the scenes of cinema: from Oscar-winner Ted Tally, recounting life on-set with Jodie Foster and Hannibal the Cannibal on The Silence of the Lambs, to Robert Wade and Neil Purvis coming up with new ways for James Bond to Die Another Day. Represented alongside the Hollywood pros are the leading screenwriters from the US independent and European scenes, including some of the most inspiring new talents in film: from Carlos Cuarón ( Y Tu Mamá También) and Chris Weitz ( About a Boy) to Wes Anderson ( Rushmore) and Alex Garland ( 28 Days Later).
Publisher: Faber & Faber
ISBN: 0571261582
Category : Performing Arts
Languages : en
Pages : 475
Book Description
The secret of writing a successful screenplay is sought after by ever-growing numbers of scribes and enthusiasts. Screenwriters' Masterclass offers state-of-the-art advice in that line, through interviews with nineteen of the leading scriptwriters of our day whose insights are invaluable to any aspirant. Each interview guides the reader entertainingly through the creation process of the film; how the writer handled the painstaking process of creating a three-dimensional world out of their imagination; what worked - and what didn't - in the finished film; and, most importantly, why that was so. In the process, each interview is a valuable case history, offering film buffs an uncommon glimpse behind the scenes of cinema: from Oscar-winner Ted Tally, recounting life on-set with Jodie Foster and Hannibal the Cannibal on The Silence of the Lambs, to Robert Wade and Neil Purvis coming up with new ways for James Bond to Die Another Day. Represented alongside the Hollywood pros are the leading screenwriters from the US independent and European scenes, including some of the most inspiring new talents in film: from Carlos Cuarón ( Y Tu Mamá También) and Chris Weitz ( About a Boy) to Wes Anderson ( Rushmore) and Alex Garland ( 28 Days Later).
The Anatomy of Story
Author: John Truby
Publisher: Farrar, Straus and Giroux
ISBN: 1429923709
Category : Performing Arts
Languages : en
Pages : 405
Book Description
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are so fundamental they are applicable—and essential—to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.
Publisher: Farrar, Straus and Giroux
ISBN: 1429923709
Category : Performing Arts
Languages : en
Pages : 405
Book Description
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are so fundamental they are applicable—and essential—to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.
Screenwriting Tricks of the Trade
Author: William Froug
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
Book Description
Unlocks the mysteries of commercially successful screen drama.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
Book Description
Unlocks the mysteries of commercially successful screen drama.
How to Build a Great Screenplay
Author: David Howard
Publisher: St. Martin's Press
ISBN: 1429994789
Category : Performing Arts
Languages : en
Pages : 468
Book Description
How to Bulid a Great Screenplay is a definitive guide on the mechanics of screenwriting--filled with examples--from the author of The Tools of Screenwriting. Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.
Publisher: St. Martin's Press
ISBN: 1429994789
Category : Performing Arts
Languages : en
Pages : 468
Book Description
How to Bulid a Great Screenplay is a definitive guide on the mechanics of screenwriting--filled with examples--from the author of The Tools of Screenwriting. Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.
Your Creative Writing Masterclass
Author: Jurgen Wolff
Publisher: Nicholas Brealey
ISBN: 1473645301
Category : Language Arts & Disciplines
Languages : en
Pages : 346
Book Description
"Don't tell me the moon is shining; show me the glint of light on broken glass." - Anton Chehkov If you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you'll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov. Jurgen Wolff, bestselling author of Your Writing Coach, helps you translate these insights into action to master your craft and write what only you can write. From Robert Louis Stevenson to Mary Shelley, Alice Munro to Stephen King, Your Creative Writing Masterclass guide you through: finding your style, constructing powerful plots, generating story ideas, overcoming writer's block, creating vivid characters and crafting your ideal writer's life. Brimming with support and suggested activities to develop your writing skills, the book also features unique bonus advice, exercises, resources and sharing capabilities via the website www.YourCreativeWritingMasterclass.com.
Publisher: Nicholas Brealey
ISBN: 1473645301
Category : Language Arts & Disciplines
Languages : en
Pages : 346
Book Description
"Don't tell me the moon is shining; show me the glint of light on broken glass." - Anton Chehkov If you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you'll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov. Jurgen Wolff, bestselling author of Your Writing Coach, helps you translate these insights into action to master your craft and write what only you can write. From Robert Louis Stevenson to Mary Shelley, Alice Munro to Stephen King, Your Creative Writing Masterclass guide you through: finding your style, constructing powerful plots, generating story ideas, overcoming writer's block, creating vivid characters and crafting your ideal writer's life. Brimming with support and suggested activities to develop your writing skills, the book also features unique bonus advice, exercises, resources and sharing capabilities via the website www.YourCreativeWritingMasterclass.com.
The Nutshell Technique
Author: Jill Chamberlain
Publisher: University of Texas Press
ISBN: 1477303731
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Publisher: University of Texas Press
ISBN: 1477303731
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
The Story Solution
Author: Eric Edson
Publisher:
ISBN: 9781615930845
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the ""23 Steps All Great Heroes Must Take."" It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
Publisher:
ISBN: 9781615930845
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the ""23 Steps All Great Heroes Must Take."" It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
Screenwriters and Screenwriting
Author: C. Batty
Publisher: Springer
ISBN: 1137338938
Category : Performing Arts
Languages : en
Pages : 439
Book Description
Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.
Publisher: Springer
ISBN: 1137338938
Category : Performing Arts
Languages : en
Pages : 439
Book Description
Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.
Screenwriting is Filmmaking
Author: Brian Dunnigan
Publisher: The Crowood Press
ISBN: 178500610X
Category : Performing Arts
Languages : en
Pages : 433
Book Description
To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Of great interest to all screenwriters, especially new/aspiring ones; and all those with an interest in the filmmaking world, it is illustrated with 17 colour and 17 black & white photographs. Brian Dunnigan is an award-winning filmmaker and Head of Screenwriting at the London Film School.
Publisher: The Crowood Press
ISBN: 178500610X
Category : Performing Arts
Languages : en
Pages : 433
Book Description
To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Of great interest to all screenwriters, especially new/aspiring ones; and all those with an interest in the filmmaking world, it is illustrated with 17 colour and 17 black & white photographs. Brian Dunnigan is an award-winning filmmaker and Head of Screenwriting at the London Film School.
Licence to Thrill
Author: James Chapman
Publisher: Bloomsbury Publishing
ISBN: 1350211109
Category : Performing Arts
Languages : en
Pages : 329
Book Description
In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.
Publisher: Bloomsbury Publishing
ISBN: 1350211109
Category : Performing Arts
Languages : en
Pages : 329
Book Description
In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.