Author: Charles R. Acland
Publisher: Duke University Press
ISBN: 9780822331636
Category : Performing Arts
Languages : en
Pages : 356
Book Description
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
Screen Traffic
Author: Charles R. Acland
Publisher: Duke University Press
ISBN: 9780822331636
Category : Performing Arts
Languages : en
Pages : 356
Book Description
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
Publisher: Duke University Press
ISBN: 9780822331636
Category : Performing Arts
Languages : en
Pages : 356
Book Description
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
City of Screens
Author: Jasmine Nadua Trice
Publisher: Duke University Press
ISBN: 147802125X
Category : Performing Arts
Languages : en
Pages : 204
Book Description
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
Publisher: Duke University Press
ISBN: 147802125X
Category : Performing Arts
Languages : en
Pages : 204
Book Description
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
The Traffic World
Firewalls For Dummies
Author: Brian Komar
Publisher: John Wiley & Sons
ISBN: 9780764544286
Category : Computers
Languages : en
Pages : 428
Book Description
What an amazing world we live in! Almost anything you can imaginecan be researched, compared, admired, studied, and in many cases,bought, with the click of a mouse. The Internet has changed ourlives, putting a world of opportunity before us. Unfortunately, ithas also put a world of opportunity into the hands of those whosemotives are less than honorable. A firewall, a piece of software orhardware that erects a barrier between your computer and those whomight like to invade it, is one solution. If you’ve been using the Internet for any length of time,you’ve probably received some unsavory and unsolicitede-mail. If you run a business, you may be worried about thesecurity of your data and your customers’ privacy. At home,you want to protect your personal information from identity thievesand other shady characters. Firewalls ForDummies® will give you the lowdown onfirewalls, then guide you through choosing, installing, andconfiguring one for your personal or bus iness network. Firewalls For Dummies® helps youunderstand what firewalls are, how they operate on different typesof networks, what they can and can’t do, and how to pick agood one (it’s easier than identifying that perfect melon inthe supermarket.) You’ll find out about Developing security policies Establishing rules for simple protocols Detecting and responding to system intrusions Setting up firewalls for SOHO or personal use Creating demilitarized zones Using Windows or Linux as a firewall Configuring ZoneAlarm, BlackICE, and Norton personalfirewalls Installing and using ISA server and FireWall-1 With the handy tips and hints this book provides, you’llfind that firewalls are nothing to fear – that is,unless you’re a cyber-crook! You’ll soon be able tokeep your data safer, protect your family’s privacy, andprobably sleep better, too.
Publisher: John Wiley & Sons
ISBN: 9780764544286
Category : Computers
Languages : en
Pages : 428
Book Description
What an amazing world we live in! Almost anything you can imaginecan be researched, compared, admired, studied, and in many cases,bought, with the click of a mouse. The Internet has changed ourlives, putting a world of opportunity before us. Unfortunately, ithas also put a world of opportunity into the hands of those whosemotives are less than honorable. A firewall, a piece of software orhardware that erects a barrier between your computer and those whomight like to invade it, is one solution. If you’ve been using the Internet for any length of time,you’ve probably received some unsavory and unsolicitede-mail. If you run a business, you may be worried about thesecurity of your data and your customers’ privacy. At home,you want to protect your personal information from identity thievesand other shady characters. Firewalls ForDummies® will give you the lowdown onfirewalls, then guide you through choosing, installing, andconfiguring one for your personal or bus iness network. Firewalls For Dummies® helps youunderstand what firewalls are, how they operate on different typesof networks, what they can and can’t do, and how to pick agood one (it’s easier than identifying that perfect melon inthe supermarket.) You’ll find out about Developing security policies Establishing rules for simple protocols Detecting and responding to system intrusions Setting up firewalls for SOHO or personal use Creating demilitarized zones Using Windows or Linux as a firewall Configuring ZoneAlarm, BlackICE, and Norton personalfirewalls Installing and using ISA server and FireWall-1 With the handy tips and hints this book provides, you’llfind that firewalls are nothing to fear – that is,unless you’re a cyber-crook! You’ll soon be able tokeep your data safer, protect your family’s privacy, andprobably sleep better, too.
Department of Transportation and Related Agencies Appropriations for Fiscal Year 1993: Architectural and Transportation Barriers Compliance Board
Author: United States. Congress. Senate. Committee on Appropriations. Subcommittee on Transportation and Related Agencies
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 906
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 906
Book Description
Department of Transportation and Related Agencies Appropriations for Fiscal Year 1993
Author: United States. Congress. Senate. Committee on Appropriations. Subcommittee on Transportation and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 900
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 900
Book Description
Traffic World and Traffic Bulletin
Public Roads
Screening the World
Author: Stuart Hanson
Publisher: Springer
ISBN: 3030189953
Category : Performing Arts
Languages : en
Pages : 292
Book Description
This book charts the development of the multiplex cinema as the pre-eminent form of film exhibition across the world. Going from its origins in the USA in the 1960s to its expansion overseas from the mid-1980s across Europe, Australia and other parts of Asia-Pacific, the book considers the emergence of a series of initially regional, then national and then international exhibition circuits. However, more than a consideration of US overseas expansion on the part of companies, this book examines the hegemony of the multiplex as a cultural and business form, arguing for its significance as a phenomenon that has transcended national and global boundaries and which has become the predominant venue for film viewing. Implicit in this analysis is a recognition of the domination of US media multi-nationals and Hollywood cinema, and the development of the multiplex cinema as symbolic of the extension and maintenance of the USA’s cultural and economic power. With case studies ranging from European countries such as Belgium, France, Germany and The Netherlands, to Pacific-Asian countries such as Australia, China, Japan and South Korea, this book is the first to explore the development of multiplexes on a global scale.
Publisher: Springer
ISBN: 3030189953
Category : Performing Arts
Languages : en
Pages : 292
Book Description
This book charts the development of the multiplex cinema as the pre-eminent form of film exhibition across the world. Going from its origins in the USA in the 1960s to its expansion overseas from the mid-1980s across Europe, Australia and other parts of Asia-Pacific, the book considers the emergence of a series of initially regional, then national and then international exhibition circuits. However, more than a consideration of US overseas expansion on the part of companies, this book examines the hegemony of the multiplex as a cultural and business form, arguing for its significance as a phenomenon that has transcended national and global boundaries and which has become the predominant venue for film viewing. Implicit in this analysis is a recognition of the domination of US media multi-nationals and Hollywood cinema, and the development of the multiplex cinema as symbolic of the extension and maintenance of the USA’s cultural and economic power. With case studies ranging from European countries such as Belgium, France, Germany and The Netherlands, to Pacific-Asian countries such as Australia, China, Japan and South Korea, this book is the first to explore the development of multiplexes on a global scale.
InfoWorld
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.