Science Fictions PDF Download

Author: Stuart Ritchie
Publisher: Arrow
ISBN: 9781529110647
Category : Errors, Scientific
Languages : en
Pages : 368

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Author: John Crewdson
Publisher: Back Bay Books
ISBN: 9780316090049
Category : Science
Languages : en
Pages : 704

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A Pulitzer Prize-winning journalist describes the competition between scientists--including Robert Gallo of the National Cancer Institute--over credit for the discovery of the HIV virus in a study that offers a revealing look at how big scientific and research laboratories really work. Reprint. 20,000 first printing.

Author: Steven Shaviro
Publisher: MIT Press
ISBN: 1912685876
Category : Literary Criticism
Languages : en
Pages : 202

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Book Description
An examination of science fiction narratives and the light they shed on human life, the unknowable future, and the vagaries of unforeseeable change. With this book, Steven Shaviro offers a thought experiment. He discusses a number of science fiction narratives: three novels, one novella, three short stories, and one musical concept album. Shaviro not only analyzes these works in detail but also uses them to ask questions about human, and more generally, biological life: about its stubborn insistence and yet fragility; about the possibilities and perils of seeking to control it; about the aesthetic and social dimensions of human existence, in relation to the nonhuman; and about the ethical value of human life under conditions of extreme oppression and devastation. Shaviro pursues these questions through the medium of science fiction because this form of storytelling offers us a unique way of grappling with issues that deeply and unavoidably concern us but that are intractable to rational argumentation or to empirical verification. The future is unavoidably vague and multifarious; it stubbornly resists our efforts to know it in advance, let alone to guide it or circumscribe it. But science fiction takes up this very vagueness and indeterminacy and renders it into the form of a self-consciously fictional narrative. It gives us characters who experience, and respond to, the vagaries of unforeseeable change.

Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1789602998
Category : Literary Criticism
Languages : en
Pages : 688

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In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful? Archaeologies of the Future, Jameson's most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age. The relationship between utopia and science fiction is explored through the representations of otherness . alien life and alien worlds . and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson's essential essays, including "The Desire Called Utopia," conclude with an examination of the opposing positions on utopia and an assessment of its political value today.

Author: Roger Elwood
Publisher: Pocket Books
ISBN: 9780671487669
Category : American drama
Languages : en
Pages : 388

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Author: Stefan Weißhampel
Publisher: diplom.de
ISBN: 383661006X
Category : Literary Collections
Languages : en
Pages : 106

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Inhaltsangabe:Abstract: Since Kurt Vonnegut passed away aged 84 earlier this year (11th April 2007), his life and work received considerable media recognition. While FOX-news could not refrain from expressing rather hostile criticism in their Vonnegut obituary, admirers of Vonnegut's works reacted with angry comments to the aforementioned programme. All over the internet bloggers expressed their regrets and wrote their own obituaries commenting on Vonnegut's life as well as his books. Why does the death of an 84 year old author leaving a body of 14 novels, three collections of short stories, one compilation of fictitious interviews with dead celebrities, four works of non-fiction, five plays and one requiem lead to public reactions which differ so widely? How can the works of an author who persisted to write his last book on an old typewriter be so relevant for the technophiles of the blogosphere? These questions alone justify the continuation of an academic discourse on the works of Kurt Vonnegut which has been going on four almost forty years following the publication of Slaughterhouse-Five in 1969. Ever since that novel, critics rarely fail to mention the considerable influence of science fiction on Vonnegut's writing. Man's relationship to technology and the effects of technology on inter-human communication are central motifs in science fiction: hence, the web 2.0 generation's reaction to Vonnegut's death provides an extraordinary indication that the problems pondered upon in Vonnegut's science fiction are still relevant today. However, it has to be said that most critics' references to science fiction elements in Vonnegut's works remain limited to a surface level and evoke the impression that either the scholar is not well informed about the implications of the term 'science fiction' or fails to name his or her references. The effect of such an approach is that the works on the subject will either seem to be apologetic annexions of Vonnegut's novels by science fiction buffs and space opera fans or attempts to minimise the role of science fiction in the works of Kurt Vonnegut to mere parody. Neither impression is adequate for a thorough understanding of the role of science fiction in the works of Kurt Vonnegut. Therefore, in this paper a coordinate system discussing the implication of the term science fiction will be set up, in which Vonnegut's works can be located. In order to find a valid reference point, a fixed set of aspects will be [...]

Author: George Slusser
Publisher: Rowman & Littlefield
ISBN: 1666905364
Category : Literary Criticism
Languages : en
Pages : 367

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In what N. Katherine Hayles describes as "this enormously ambitious posthumous volume," renowned scholar George Slusser offers a definitive version of the argument about the history of science fiction that he developed throughout his career: that several important ideas and texts, routinely overlooked in other critical studies, made significant contributions to the creation of modern science fiction as it developed into a truly global literature. He explores how key thinkers like René Descartes, Benjamin Constant, Thomas DeQuincey, Guy du Maupassant, J.D. Bernal, and Ralph Waldo Emerson influenced and are reflected in twentieth-century science fiction stories from the United States, Great Britain, France, Germany, Poland, and Russia. The conclusion begins with Slusser’s overview of global science fiction in the twenty-first century and discusses recent developments in countries like China, Romania, and Israel. Hayles’s foreword provides a useful summation of the book’s contents, while science fiction writer Gregory Benford contributes an afterword providing a personal perspective on the life and thoughts of his longtime friend. The book was edited by Slusser’s former colleague Gary Westfahl, a distinguished scholar in his own right.

Author: Brian Baker
Publisher: Bloomsbury Publishing
ISBN: 1137474459
Category : Fiction
Languages : en
Pages : 192

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Book Description
This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.

Author: Brian M. Stableford
Publisher: Taylor & Francis
ISBN: 0415974607
Category : Fiction
Languages : en
Pages : 758

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Author: Keith M. Johnston
Publisher: Berg
ISBN: 0857850563
Category : Performing Arts
Languages : en
Pages : 193

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Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.