Author: Niklaus ManuelPublisher:
ISBN:
Category : German drama
Languages : en
Pages : 730
Book Description
Schauspiele Aus Dem Sechzehnten Jahrhundert
Author: Niklaus ManuelPublisher:
ISBN:
Category : German drama
Languages : en
Pages : 730
Book Description
Schauspiele Aus Dem Sechzehnten Jahrhundert
Author: Julius TittmannPublisher:
ISBN:
Category : German drama
Languages : en
Pages : 344
Book Description
Author: Publisher: BoD – Books on Demand
ISBN: 3385139961
Category :
Languages : en
Pages : 226
Book Description
Bibliotheca Shakspeareaner von 1564-1871. Eine Shakspeare Bibliographie aller Länder der Welt mit bibliographischen Einleitungen in englischer Sprache. 2. Ausg
Author: Franz ThimmShakspeariana from 1564-1864
Author: Franz ThimmBibliotheca Shakespeareana
Author: Franz ThimmPublisher: BoD – Books on Demand
ISBN: 3382172038
Category : Fiction
Languages : en
Pages : 142
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Shakspeariana, from 1564 to 1864 (from 1864 to 1871). An account of the Shakspearian Literature of England, Germany and France during three centuries, with bibliographical introductions
Author: Franz J. L. THIMMThe Rehearsal
Author: George Villiers Duke of BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 122
Book Description
Shakespeare's Tempest
Author: William ShakespearePaul Bekker's Musical Ethics
Author: Nanette NielsenPublisher: Routledge
ISBN: 1317082982
Category : Music
Languages : en
Pages : 459
Book Description
German music critic and opera producer Paul Bekker (1882–1937) is a rare example of a critic granted the opportunity to turn his ideas into practice. In this first full-length study of Bekker in English, Nanette Nielsen investigates Bekker's theory and practice in light of ethics and aesthetics, in order to uncover the ways in which these intersect in his work and contributed to the cultural and political landscape of the Weimar Republic. By linking Beethoven's music to issues of freedom and individuality, as he argues for its potential to unify the masses, Bekker had already in 1911 begun to construct the ethical framework for his musical sociology and opera aesthetics. Nielsen discusses some of the complex (and conflicting) layers of modernism and conservatism in Bekker that would have a continued presence in his work and its reception throughout his career. Bekker's demands for a 'practical ethics' led to his criticisms of metaphysically grounded approaches to aesthetics, and his ethical views are put into further relief in a sketch of the development of his music phenomenology in the 1920s. Nielsen unravels the complex intersections between Bekker's ethics and his opera aesthetics in connection with his practice as an Intendant at the Wiesbaden State Theatre (1927–1932), offering a critical reading of an opera staged during his tenure: Hugo Herrmann’s Vasantasena (1930). Further works are considered in light of the theoretical framework underpinning the book, inspired by several intersections between ethics and aesthetics encountered in Bekker's work.