Author:
Publisher:
ISBN:
Category : South Australia
Languages : en
Pages : 1384
Book Description
South Australian Year Book
International Who's who in Music and Musicians' Directory
Author: David M. Cummings
Publisher: Psychology Press
ISBN: 0948875534
Category : Composers
Languages : en
Pages : 878
Book Description
Publisher: Psychology Press
ISBN: 0948875534
Category : Composers
Languages : en
Pages : 878
Book Description
South Australian Yearbook
Festival!
Author: Derek Whitelock
Publisher:
ISBN:
Category : Adelaide Festival
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Adelaide Festival
Languages : en
Pages : 264
Book Description
The World of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
International music studies.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
International music studies.
The Bulletin
The Oxford Companion to Australian Music
Author: Warren Arthur Bebbington
Publisher: Melbourne : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 696
Book Description
The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.
Publisher: Melbourne : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 696
Book Description
The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.