Author: John O'Brian
Publisher: University of Chicago Press
ISBN: 9780226616261
Category : Art
Languages : en
Pages : 322
Book Description
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Ruthless Hedonism
Author: John O'Brian
Publisher: University of Chicago Press
ISBN: 9780226616261
Category : Art
Languages : en
Pages : 322
Book Description
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Publisher: University of Chicago Press
ISBN: 9780226616261
Category : Art
Languages : en
Pages : 322
Book Description
AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Matisse’s Poets
Author: Kathryn Brown
Publisher: Bloomsbury Publishing USA
ISBN: 1501326848
Category : Art
Languages : en
Pages : 594
Book Description
Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that the livre d'artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
Publisher: Bloomsbury Publishing USA
ISBN: 1501326848
Category : Art
Languages : en
Pages : 594
Book Description
Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that the livre d'artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
The Dynamics of Advertising
Author: Jackie Botterill
Publisher: Routledge
ISBN: 1134434936
Category : Business & Economics
Languages : en
Pages : 300
Book Description
The authors suggest that advertisments, while important in our daily emotional self-management, are far more closely linked to the pragmatics of everyday life than their symbolic richness might suggest. Recent trends in advertisment content point to an important shift in our relationship to goods that reflects an increasing preoccupation with risk management.
Publisher: Routledge
ISBN: 1134434936
Category : Business & Economics
Languages : en
Pages : 300
Book Description
The authors suggest that advertisments, while important in our daily emotional self-management, are far more closely linked to the pragmatics of everyday life than their symbolic richness might suggest. Recent trends in advertisment content point to an important shift in our relationship to goods that reflects an increasing preoccupation with risk management.
The Collected Essays and Criticism, Volume 2
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226924742
Category : Art
Languages : en
Pages : 375
Book Description
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Publisher: University of Chicago Press
ISBN: 0226924742
Category : Art
Languages : en
Pages : 375
Book Description
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Partisan Canons
Author: Anna Brzyski
Publisher: Duke University Press
ISBN: 9780822390374
Category : Art
Languages : en
Pages : 380
Book Description
Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change. Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history. Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos
Publisher: Duke University Press
ISBN: 9780822390374
Category : Art
Languages : en
Pages : 380
Book Description
Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change. Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history. Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos
Fashion Cultures Revisited
Author: Stella Bruzzi
Publisher: Routledge
ISBN: 1136474730
Category : Social Science
Languages : en
Pages : 443
Book Description
Following on from the ground-breaking collection Fashion Cultures, this second anthology, Fashion Cultures Revisited, contains 26 newly commissioned chapters exploring fashion culture from the start of the new millennium to the present day. The book is divided into six parts, each discussing different aspects of fashion culture: Shopping, spaces and globalisation Changing imagery, changing media Altered landscapes, new modes of production Icons and their legacies Contestation, compliance, feminisms Making masculinities Fashion Cultures Revisited explores every facet of contemporary fashion culture and the associated spheres of photography, magazines and television, and shopping .Consequently it is an ideal companion to those interested in fashion studies, cultural studies, art, film, fashion history, sociology and gender studies.
Publisher: Routledge
ISBN: 1136474730
Category : Social Science
Languages : en
Pages : 443
Book Description
Following on from the ground-breaking collection Fashion Cultures, this second anthology, Fashion Cultures Revisited, contains 26 newly commissioned chapters exploring fashion culture from the start of the new millennium to the present day. The book is divided into six parts, each discussing different aspects of fashion culture: Shopping, spaces and globalisation Changing imagery, changing media Altered landscapes, new modes of production Icons and their legacies Contestation, compliance, feminisms Making masculinities Fashion Cultures Revisited explores every facet of contemporary fashion culture and the associated spheres of photography, magazines and television, and shopping .Consequently it is an ideal companion to those interested in fashion studies, cultural studies, art, film, fashion history, sociology and gender studies.
Spiritual Moderns
Author: Erika Doss
Publisher: University of Chicago Press
ISBN: 0226820912
Category : Art
Languages : en
Pages : 348
Book Description
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Publisher: University of Chicago Press
ISBN: 0226820912
Category : Art
Languages : en
Pages : 348
Book Description
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Human Values: the Tagorean Panorama
Author: Chakraborty S K
Publisher: New Age International
ISBN: 9788122405248
Category : Brahmanism
Languages : en
Pages : 406
Book Description
``Rabindranath Tagores Epic Life Spanned The Last Four Decades Of The 19Th Century And The First Four Of The 20Th. Possibly The Most Versatile Aesthetic Genius India Has Produced, He Was A School Dropout Who Became In 1913 The First Asian To Be Awarded The Nobel Prize For Literature For English Translations Of His Own Poems, Gitanjali(``Offerings Of Song``).But The Fine Arts Were Not His Sole Concern. Tagore Was Deeply Involved In The Swadeshi And Freedom Movements. The Appellative``Mahatma``By Which Gandhi Is Known World-Wide Was Given To Him By His Respected Mentor Tagore. Whom He Addressed As``Gurudev``. Subhas Bose And Nehru Had Profound Admiration For Him. In Protest Against The Jalianwala Bagh Atrocities He Relinquished The Knighthood Conferred Upon Him By The British Government.He Was A Pioneer In Experimenting With Grassroots Co-Operatives For Rural Reconstruction. Aworid-Wide Traveller, He Conceived Of A Universal University (Vishva Bharati) At Shantiniketan As A Meeting Ground Of The Best Of The East And The West To Develop The Complete Man. Tagore Is The Only Poet Whose Compositions Have Been Chosen By Two Countries As Their National Anthems: India Andbangladesh.``
Publisher: New Age International
ISBN: 9788122405248
Category : Brahmanism
Languages : en
Pages : 406
Book Description
``Rabindranath Tagores Epic Life Spanned The Last Four Decades Of The 19Th Century And The First Four Of The 20Th. Possibly The Most Versatile Aesthetic Genius India Has Produced, He Was A School Dropout Who Became In 1913 The First Asian To Be Awarded The Nobel Prize For Literature For English Translations Of His Own Poems, Gitanjali(``Offerings Of Song``).But The Fine Arts Were Not His Sole Concern. Tagore Was Deeply Involved In The Swadeshi And Freedom Movements. The Appellative``Mahatma``By Which Gandhi Is Known World-Wide Was Given To Him By His Respected Mentor Tagore. Whom He Addressed As``Gurudev``. Subhas Bose And Nehru Had Profound Admiration For Him. In Protest Against The Jalianwala Bagh Atrocities He Relinquished The Knighthood Conferred Upon Him By The British Government.He Was A Pioneer In Experimenting With Grassroots Co-Operatives For Rural Reconstruction. Aworid-Wide Traveller, He Conceived Of A Universal University (Vishva Bharati) At Shantiniketan As A Meeting Ground Of The Best Of The East And The West To Develop The Complete Man. Tagore Is The Only Poet Whose Compositions Have Been Chosen By Two Countries As Their National Anthems: India Andbangladesh.``
Museum Skepticism
Author: David Carrier
Publisher: Duke University Press
ISBN: 9780822336945
Category : Art
Languages : en
Pages : 334
Book Description
DIVProminent art historian looks at the birth of the art museum and contemplates its future as a public institution./div
Publisher: Duke University Press
ISBN: 9780822336945
Category : Art
Languages : en
Pages : 334
Book Description
DIVProminent art historian looks at the birth of the art museum and contemplates its future as a public institution./div
Painting outside the Lines
Author: David W. Galenson
Publisher: Harvard University Press
ISBN: 0674037472
Category : Art
Languages : en
Pages : 270
Book Description
In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.
Publisher: Harvard University Press
ISBN: 0674037472
Category : Art
Languages : en
Pages : 270
Book Description
In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.