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Author: Evgeny Dobrenko Publisher: Cambridge University Press ISBN: 1316425207 Category : Literary Criticism Languages : en Pages : 319
Book Description
Russian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.
Author: Evgeny Dobrenko Publisher: Cambridge University Press ISBN: 1316425207 Category : Literary Criticism Languages : en Pages : 319
Book Description
Russian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.
Author: Ewa M. Thompson Publisher: John Benjamins Publishing ISBN: 9027222134 Category : Literary Criticism Languages : en Pages : 233
Book Description
In Gorbachev's Russia and outside of it the strength and scope of Russian nationalism is currently a subject of strenuous scholarly debate. The many and varied forms national ideology takes in Russian literature are the subject of this collection of essays. Over the past two hundred years Russians have used their literature to express both conformist and nonconformist views on the relationship between the individual and society and on Russian national destiny. Pushkin, Dostoevsky, Grossman, Tvardovsky, Rasputin, Zinovyev and others have taken diverse stands in regard to Russian nationalism, and their points of view are explored in this book. Several chapters offer suggestive overviews of nationalism's role in literature. The influence of Stalinist mentality on nationalism is also explored, as are the overt expressions of nationalist sentiments in the conditions of Gorbachev's glasnost. This book offers a rare insight into the present Soviet Russian literary scene, and it will help refocus future studies of Russian literature.
Author: Andrew Kahn Publisher: Oxford University Press ISBN: 0192549537 Category : Literary Criticism Languages : en Pages : 1202
Book Description
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author: Katharine Hodgson Publisher: ISBN: 9781787079021 Category : Canon (Literature) Languages : en Pages : 520
Book Description
The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground and émigré literary works presented an opportunity to reappraise «official» Soviet literature and re-evaluate twentieth-century Russian literature as a whole. This book explores changes to the poetry canon - an instrument for maintaining individual and collective memory - to show how cultural memory has informed the evolution of post-Soviet Russian identity. It examines how concerns over identity are shaping the canon, and in which directions, and analyses the interrelationship between national identity (whether ethnic, imperial, or civic) and attempts to revise the canon. This study situates the discussion of national identity within the cultural field and in the context of canon formation as a complex expression of aesthetic, political, and institutional factors. It encompasses a period of far-reaching upheaval in Russia and reveals the tension between a desire for change and a longing for stability that was expressed by attempts to reshape the literary canon and, by doing so, to create a new twentieth-century past and the foundations of a new identity for the nation.
Author: Katharine Hodgson Publisher: Open Book Publishers ISBN: 1783740906 Category : Literary Criticism Languages : en Pages : 313
Book Description
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Author: Rosalind J. Marsh Publisher: Peter Lang ISBN: 9783039110698 Category : History Languages : en Pages : 598
Book Description
"The aim of this book is to explore some of the main pre-occupations of literature, culture and criticism dealing with historical themes in post-Soviet Russia, focusing mainly on literature in the years 1991 to 2006." --introd.
Author: Norman N. Shneidman Publisher: University of Toronto Press ISBN: 1442656085 Category : Literary Criticism Languages : en Pages : 220
Book Description
Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought. N.N. Shneidman, in the tradition of his previous volumes – Soviet Literature in the 1970s; Soviet Literature in the 1980s; Russian Literature, 1988-1994 – investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convincingly that literary activity in Russia continues to be dynamic and vibrant. The future development of Russian literature may depend on general economic, political, and social factors, but a new generation of talented writers is fast moving past older forms of ideology and embracing new ways of thinking about Russia.
Author: Evgeny Dobrenko
Author: Evgeny Dobrenko
Author: Evgeny Dobrenko
Author: Evgeniĭ Aleksandrovich Dobrenko
Author: Ewa M. Thompson
Author: Andrew Kahn
Author: Katharine Hodgson
Author: Deming Brown
Author: Katharine Hodgson
Author: Rosalind J. Marsh
Author: Norman N. Shneidman