Author: Gosudarstvenny I Istoricheski I Muze I
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Russian Icons, 14th-16th Centuries
Author: Gosudarstvenny I Istoricheski I Muze I
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Russian Icons, 14th - 16th Centuries
Author: Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia)
Publisher:
ISBN:
Category : Icons, Russian
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Icons, Russian
Languages : en
Pages :
Book Description
Icons
Author: Olga A. Polyakova
Publisher: Artis
ISBN: 9781908126092
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
Publisher: Artis
ISBN: 9781908126092
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
Icon and Devotion
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
The Russian Icon
Author: Gerolʹd Ivanovich Vzdornov
Publisher:
ISBN: 0814624529
Category : Art
Languages : en
Pages : 402
Book Description
"This volume provides the history of Russian icon painting from its origins to the beginning of the sixteenth century. Viktor Lazarev deliberately followed these chronological limits, since the "Golden Age" of icon painting in Russia was the fourteenth and fifteenth centuries, after which followed a rapid decline." "In a clear and intelligible form, using extensive scholarly material, Lazarev describes the birth of the Russian national painting on wood plate, the technique and aesthetics of Russian icons, the main schools of icon painting, and discusses the work of significant artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN: 0814624529
Category : Art
Languages : en
Pages : 402
Book Description
"This volume provides the history of Russian icon painting from its origins to the beginning of the sixteenth century. Viktor Lazarev deliberately followed these chronological limits, since the "Golden Age" of icon painting in Russia was the fourteenth and fifteenth centuries, after which followed a rapid decline." "In a clear and intelligible form, using extensive scholarly material, Lazarev describes the birth of the Russian national painting on wood plate, the technique and aesthetics of Russian icons, the main schools of icon painting, and discusses the work of significant artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Alter Icons
Author: Jefferson J. A. Gatrall
Publisher: Penn State Press
ISBN: 027103677X
Category : Art
Languages : en
Pages : 304
Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Publisher: Penn State Press
ISBN: 027103677X
Category : Art
Languages : en
Pages : 304
Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Hesychasm and Art
Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Russian icons
Author: Philipp Schweinfurth
Publisher: Рипол Классик
ISBN: 588149458X
Category : History
Languages : en
Pages : 59
Book Description
Книга отличается доступным изложением материала, четко структурированным текстом, выделением ключевых понятий. Основана на обширном, во многом документальном материале, и рассчитана на специалистов и широкий круг читателей
Publisher: Рипол Классик
ISBN: 588149458X
Category : History
Languages : en
Pages : 59
Book Description
Книга отличается доступным изложением материала, четко структурированным текстом, выделением ключевых понятий. Основана на обширном, во многом документальном материале, и рассчитана на специалистов и широкий круг читателей
Praying with Icons
Author: Jim Forest
Publisher: Orbis Books
ISBN: 160833077X
Category : Icons
Languages : en
Pages : 336
Book Description
Publisher: Orbis Books
ISBN: 160833077X
Category : Icons
Languages : en
Pages : 336
Book Description
Portraits of Old Russia
Author: Donald Ostrowski
Publisher: Routledge
ISBN: 1317462378
Category : Social Science
Languages : en
Pages : 363
Book Description
This book introduces readers to a little-known place and time in world history – early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) – by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.
Publisher: Routledge
ISBN: 1317462378
Category : Social Science
Languages : en
Pages : 363
Book Description
This book introduces readers to a little-known place and time in world history – early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) – by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.