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Author: John Ruskin Publisher: Oxford : Clarendon Press ISBN: Category : Art Languages : en Pages : 312
Book Description
"The letters Ruskin wrote home almost daily during his Italian tour of 1845 are here fully published for the first time. The tour had an immediate effect on the first two volumes of Modern Painters and marks the beginning of Ruskin's lifelong concern with Italian painting and with Italian Romanesque and Gothic architecture. The letters record the influences on him, his changing views and feelings, and are therefore an essential document for the understanding of his development as a critic. They also contribute a good deal of evidence toward the understanding of his enormously important relationship with his ageing parents. Not least important, the letters taken altogether make a delightful travel book, for they were written not only to inform, but to entertain"--Jacket.
Author: John Ruskin Publisher: Oxford : Clarendon Press ISBN: Category : Art Languages : en Pages : 312
Book Description
"The letters Ruskin wrote home almost daily during his Italian tour of 1845 are here fully published for the first time. The tour had an immediate effect on the first two volumes of Modern Painters and marks the beginning of Ruskin's lifelong concern with Italian painting and with Italian Romanesque and Gothic architecture. The letters record the influences on him, his changing views and feelings, and are therefore an essential document for the understanding of his development as a critic. They also contribute a good deal of evidence toward the understanding of his enormously important relationship with his ageing parents. Not least important, the letters taken altogether make a delightful travel book, for they were written not only to inform, but to entertain"--Jacket.
Author: Scott Wilcox Publisher: Hudson Hills ISBN: 9781555950712 Category : Art Languages : en Pages : 206
Book Description
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature. Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period. The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William HolmanHunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium. Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
Author: Stephen Kite Publisher: Routledge ISBN: 135157292X Category : Architecture Languages : en Pages : 231
Book Description
Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.
Author: Francis O'Gorman Publisher: The History Press ISBN: 0752474928 Category : History Languages : en Pages : 71
Book Description
John Ruskin was one of the greatest Victorian critics of art and society, but he was also preoccupied with politics, economics and education. This pocket-sized biography explores his influence on his own age and ours, examining his work, his relationships and his creative life.
Author: Sue Brown Publisher: OUP Oxford ISBN: 0191609870 Category : Literary Criticism Languages : en Pages : 432
Book Description
This biography of Joseph Severn (1793-1879), the best known but most controversial of Keats's friends, is based on a mass of newly discovered information, much of it still in private hands. Severn accompanied the dying Keats to Italy, nursed him in Rome and reported on his last weeks there in a famous series of moving letters. After Keats's death in relative obscurity, Severn pressed hard for an early biography and a more fitting memorial in the Protestant Cemetery in Rome. In the nineteenth century Severn's friendship with Keats was seen as a model of devoted masculine companionship and he was reburied by popular acclaim next to Keats in 1882. In the twentieth century, by contrast, he was denigrated as an unreliable, self-promoting witness. Sue Brown's book fills a major gap in studies of Keats and his circle. It reassesses Severn's character, friendship with Keats, and influence on the posthumous development of the poet's fame and provides new information on Keats's death. The significance of Severn's artistic career has previously been downplayed. This book offers the first full assessment of his work and of his turbulent spell as British Consul in Rome from 1860 to 1871. Keats was not Severn's only famous friend. For most of his adult life Severn was at the heart of the large, lively British community in Rome welcoming amongst others Gladstone, who became his most important patron, Ruskin, Walter Scott, Wordsworth, Turner, Samuel Palmer, David Wilkie, and many more. He maintained long friendships with Leigh Hunt, Mary Shelley, Charles Eastlake, Richard Monckton Milnes, amongst others, and enjoyed a rich family life.
Author: James S. Dearden Publisher: A&C Black ISBN: 9781841270463 Category : Philosophy Languages : en Pages : 306
Book Description
Despite professing a dislike of having his portrait taken, John Ruskin's footsteps were dogged by portrait painters, sculptors, caricaturists and photographers from the cradle to the grave and beyond. A thoroughly accessible book it lists and describes some 331likenesses made between 1822 and 1998. The three introductory chapters to this book survey Ruskin portraiture and the portraits, his general physical appearance througout his life, his hands, his mouth, his various illnesses and their effect on his appearance, his clothes, style of dress, size, tailors, their bills, etc. These opening chapters include many descriptions and reminiscences by Ruskin's friends and acquaintances, and those who portrayed him. The principal part of the book deals with the individual portraits, their history, where and why they were made, what Ruskin was doing at that time of his life and what his connection was with the artists in question. He was portrayed so regularly that this section is also effectively a potted Ruskin biography, based on the portraits. A 'catalogue raisonne' of the Ruskin portraits follows where the physical details of the works are listed, together with details of reproductions, exhibitions and provenance.
Author: Anne Hultzsch Publisher: Routledge ISBN: 1351575880 Category : Foreign Language Study Languages : en Pages : 259
Book Description
Does the way in which buildings are looked at, and made sense of, change over the course of time? How can we find out about this? By looking at a selection of travel writings spanning four centuries, Anne Hultzsch suggests that it is language, the description of architecture, which offers answers to such questions. The words authors use to transcribe what they see for the reader to re-imagine offer glimpses at modes of perception specific to one moment, place and person. Hultzsch constructs an intriguing patchwork of local and often fragmentary narratives discussing texts as diverse as the 17th-century diary of John Evelyn, Daniel Defoe's Robinson Crusoe (1719) and an 1855 art guide by Swiss art historian Jacob Burckhardt. Further authors considered include 17th-century collector John Bargrave, 18th-century novelist Tobias Smollett, poet Johann Wolfgang von Goethe, critic John Ruskin as well as the 20th-century architectural historian Nikolaus Pevsner. Anne Hultzsch teaches at the Bartlett School of Architecture, University College London.
Author: Robert Hewison Publisher: Routledge ISBN: 1317569296 Category : Art Languages : en Pages : 273
Book Description
The study of Ruskin’s work and influence is now a feature of several critical disciplines. New Approaches to Ruskin, first published in 1981, reflects this, gathering some of the most distinguished writers on Ruskin and joining them with others who have undertaken significant research in the field of Ruskin studies. The authors were all specially commissioned for this volume and were chosen to represent as wide a variety of approaches as possible to this key figure of nineteenth-century culture. This book is ideal for students of art history.
Author: Ruskin John Ruskin Publisher: Edinburgh University Press ISBN: 1474472230 Category : Art critics Languages : en Pages : 624
Book Description
Praeterita is perhaps the best-loved of all the fruits of Ruskin's many-sided and tormented genius. This exceptional biography - the first of Ruskin's works in the Whitehouse edition - simultaneously presents a deeply reflective portrait of an early 19th-century Protestant family - its genuine piety, its severities, its suffocating possessive affections - and the product (at once intellectually brilliant and emotionally damaged) of its educational system.
Author: John Ruskin
Author: John Ruskin
Author: John Ruskin
Author: Scott Wilcox
Author: Stephen Kite
Author: Francis O'Gorman
Author: Sue Brown
Author: James S. Dearden
Author: Anne Hultzsch
Author: Robert Hewison
Author: Ruskin John Ruskin