Author:
Publisher: Samuel French, Inc.
ISBN: 9780573614934
Category : American wit and humor
Languages : en
Pages : 72
Book Description
Rowan and Martin's Laugh-in
Rowan and Martin's Laugh-In
Author: Ken Feil
Publisher: Wayne State University Press
ISBN: 0814338232
Category : Performing Arts
Languages : en
Pages : 197
Book Description
Examines the reception, formal strategies, production history, and ideological underpinnings of the groundbreaking comedy-variety show Rowan and Martin’s Laugh-In. The highest-rated network program during its first three seasons, comedy-variety show Rowan and Martin's Laugh-In(NBC, 1968–1973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds—old and young, square and hip, black and white, straight and queer—watched Laugh-In, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In Rowan and Martin's Laugh-In,author Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases "sock it to me," "look that up in your Funk'n'Wagnalls," and "here comes the judge" became part of pop culture history. In four chapters, Feil explores Laugh-In's newness, sophisticated style, irreverence, and broad appeal. First, he considers the show's indulgence of "bad taste" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishment's investment in containing such defiant delights. Feil considers Laugh-In's camp, otherness, and "open secrets" as well as the show's conflicted positions on the "private" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly "nellie" men all filled Laugh-In's routine roster, embodied by cast members Goldie Hawn, Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, Laugh-In reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation. In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that Laugh-In's intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at Rowan and Martin's Laugh-In.
Publisher: Wayne State University Press
ISBN: 0814338232
Category : Performing Arts
Languages : en
Pages : 197
Book Description
Examines the reception, formal strategies, production history, and ideological underpinnings of the groundbreaking comedy-variety show Rowan and Martin’s Laugh-In. The highest-rated network program during its first three seasons, comedy-variety show Rowan and Martin's Laugh-In(NBC, 1968–1973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds—old and young, square and hip, black and white, straight and queer—watched Laugh-In, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In Rowan and Martin's Laugh-In,author Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases "sock it to me," "look that up in your Funk'n'Wagnalls," and "here comes the judge" became part of pop culture history. In four chapters, Feil explores Laugh-In's newness, sophisticated style, irreverence, and broad appeal. First, he considers the show's indulgence of "bad taste" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishment's investment in containing such defiant delights. Feil considers Laugh-In's camp, otherness, and "open secrets" as well as the show's conflicted positions on the "private" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly "nellie" men all filled Laugh-In's routine roster, embodied by cast members Goldie Hawn, Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, Laugh-In reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation. In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that Laugh-In's intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at Rowan and Martin's Laugh-In.
Rowan and Martin's Laugh-in Presents
Author: James E. Brodhead
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 159
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 159
Book Description
A Friendship
Author: Dan Rowan
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Rowan & Martin Laugh-in
Author: United States. Federal Bureau of Investigation
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Comedians
Author: Kliph Nesteroff
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190863
Category : Performing Arts
Languages : en
Pages : 460
Book Description
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190863
Category : Performing Arts
Languages : en
Pages : 460
Book Description
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal
Rowan and Martin's Laugh-In
Author: Dan Rowan
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 70
Book Description
Laughing on the Outside, Crying on the Inside
Author: Judy Carne
Publisher: PaperJacks
ISBN: 9780770104948
Category : Actors
Languages : en
Pages : 272
Book Description
Publisher: PaperJacks
ISBN: 9780770104948
Category : Actors
Languages : en
Pages : 272
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
Book Description
We Killed
Author: Yael Kohen
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.