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Author: Richard Hayman Publisher: Bloomsbury Publishing ISBN: 1784422959 Category : Architecture Languages : en Pages : 84
Book Description
The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.
Author: Richard Hayman Publisher: Bloomsbury Publishing ISBN: 1784422959 Category : Architecture Languages : en Pages : 84
Book Description
The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.
Author: Richard Hayman Publisher: Bloomsbury Publishing ISBN: 1784422967 Category : Architecture Languages : en Pages : 65
Book Description
The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.
Author: Spike Bucklow Publisher: Boydell & Brewer ISBN: 178327123X Category : Architecture Languages : en Pages : 362
Book Description
Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.
Author: Michael Calder Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501517856 Category : History Languages : en Pages : 410
Book Description
With little scholarly attention having been given to the late medieval iconography that features on rood screens in the southwest of England, the significance of the figures painted at Berry Pomeroy has long been underappreciated. The unlocking of their meaning by the author has led to the discovery of a unique iconographic program. The gestures adopted by many of these figures belong to a common visual culture in the art and drama of the medieval church. The iconography, which reflects a Gothic Mannerist style of the early sixteenth century, displays a marked theatricality giving expression to the mysteries of the faith in the form of a drama. The narrative recorded has notable similarities to that found in a dramatic trilogy which was once performed in Cornwall called the Ordinalia. This book makes an important contribution to scholarship in the genre of mysticism in art and to our understanding of popular devotional practices on the eve of the Reformation.
Author: Jacqueline E. Jung Publisher: Cambridge University Press ISBN: 1107022959 Category : Architecture Languages : en Pages : 303
Book Description
This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
Author: Audrey Baker Publisher: Archetype Publications ISBN: 9781904982692 Category : Arte cristiano Languages : en Pages : 0
Book Description
The art of East Anglia was pre-eminent during the late thirteenth and the first half of the fourteenth century. Wooden screens with painted panels were one of the most essential fittings of late pre-Reformation churches, serving both to protect the high altar and to define the division between the chancel and the nave and aisles. Whereas very few screens dating from the thirteenth and fourteenth centuries survive, the extant fifteenth-century rood-screen paintings in East Anglia form the largest body of late mediaeval painting to be found in England. Details of more than a thousand panels from over one hundred screens are listed, described and in many cases illustrated in this volume, accompanied by commentaries on their design, techniques and materials used in their making and who paid for them.
Author: Harry Mount Publisher: Viking ISBN: 9780670919147 Category : England Languages : en Pages : 0
Book Description
Harry Mount's How England Made the English: From Why We Drive on the Left to Why We Don't Talk to Our Neighbours is packed with astonishing facts and wonderful stories. Q. Why are English train seats so narrow? A. It's all the Romans' fault. The first Victorian trains were built to the same width as horse-drawn wagons; and they were designed to fit the ruts left in the roads by Roman chariots. For readers of Paxman's The English, Bryson's Notes on a Small Island and Fox's Watching the English, this intriguing and witty book explains how our national characteristics - our sense of humour, our hobbies, our favourite foods and our behaviour with the opposite sex - are all defined by our nation's extraordinary geography, geology, climate and weather. You will learn how we would be as freezing cold as Siberia without the Gulf Stream; why we drive on the left-hand side of the road; why the Midlands became the home of the British curry. It identifies the materials that make England, too: the faint pink Aberdeen granite of kerbstones; that precise English mix of air temperature, smell and light that hits you the moment you touch down at Heathrow. Praise for Harry Mount: 'Highly readable, encyclopeadic, marvellous, illuminating. Mount portrays England via dextrous excavations of its geography, geology, history and weather' Independent 'Fascinating. Mount's an intelligent, funny and always interesting companion' Daily Mail 'Charming and nerdily fact-stuffed' Guardian Harry Mount is the author of Amo, Amas, Amat and All That, his best-selling book on Latin, and A Lust for Window Sills - A Guide to British Buildings. A journalist for many newspapers and magazines, he has been a New York correspondent and a leader writer for the Daily Telegraph. He studied classics and history at Oxford, and architectural history at the Courtauld Institute. He lives in north London
Author: Eamon Duffy Publisher: Yale University Press ISBN: 030026514X Category : Religion Languages : en Pages : 785
Book Description
This prize-winning account of the pre-Reformation church recreates lay people’s experience of religion, showing that late-medieval Catholicism was neither decadent nor decayed, but a strong and vigorous tradition. For this edition, Duffy has written a new introduction reflecting on recent developments in our understanding of the period. “A mighty and momentous book: a book to be read and re-read, pondered and revered; a subtle, profound book written with passion and eloquence, and with masterly control.”—J. J. Scarisbrick, The Tablet “Revisionist history at its most imaginative and exciting. . . . [An] astonishing and magnificent piece of work.”—Edward T. Oakes, Commonweal “A magnificent scholarly achievement, a compelling read, and not a page too long to defend a thesis which will provoke passionate debate.”—Patricia Morison, Financial Times “Deeply imaginative, movingly written, and splendidly illustrated.”—Maurice Keen, New York Review of Books Winner of the Longman-History Today Book of the Year Award
Author: Richard Hayman
Author: Richard Hayman
Author: Richard Hayman
Author: Spike Bucklow
Author: Michael Calder
Author: Augustus Welby Northmore Pugin
Author: Jacqueline E. Jung
Author: Richard Suggett
Author: Audrey Baker
Author: Harry Mount
Author: Eamon Duffy