Author: Wendy C. Nielsen
Publisher: Rowman & Littlefield
ISBN: 1611494303
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
Women Warriors in Romantic Drama
Victor Hugo and the Romantic Drama
Author: Albert W. Halsall
Publisher: University of Toronto Press
ISBN: 9780802043221
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
In this book, Albert W. Halsall presents the first complete treatment in English of Hugo's plays - a history, plot summary, and detailed analysis of all the dramas, from Cromwel and Torquemada to the juvenilia and the epic melodrama Les Burgraves.
Publisher: University of Toronto Press
ISBN: 9780802043221
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
In this book, Albert W. Halsall presents the first complete treatment in English of Hugo's plays - a history, plot summary, and detailed analysis of all the dramas, from Cromwel and Torquemada to the juvenilia and the epic melodrama Les Burgraves.
Romantic Drama
Author: Frederick Burwick
Publisher: Cambridge University Press
ISBN: 0521889677
Category : Drama
Languages : en
Pages : 355
Book Description
This book examines the radical changes in drama during the Romantic period, tracing how these changes affected theatre performance, acting, and audience.
Publisher: Cambridge University Press
ISBN: 0521889677
Category : Drama
Languages : en
Pages : 355
Book Description
This book examines the radical changes in drama during the Romantic period, tracing how these changes affected theatre performance, acting, and audience.
Romantic Drama
Author: Gerald Ernest Paul Gillespie
Publisher: John Benjamins Publishing
ISBN: 9027234418
Category : Literary Criticism
Languages : en
Pages : 533
Book Description
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Publisher: John Benjamins Publishing
ISBN: 9027234418
Category : Literary Criticism
Languages : en
Pages : 533
Book Description
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
The Broadview Anthology of Romantic Drama
Author: Jeffrey N. Cox
Publisher: Broadview Press
ISBN: 1551112981
Category : Drama
Languages : en
Pages : 457
Book Description
The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on “closet dramas” rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge’s Remorse, Percy Shelley’s The Cenci, and Lord Byron’s Sardanapalus) and important plays by women dramatists (Hannah Cowley’s A Bold Stroke for a Husband, Elizabeth Inchbald’s Every One Has His Fault, and Joanna Baillie’s Orra). It also provides a selection of popular theatrical genres—from melodrama and pantomime to hippodrama and parody—most popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published. The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated.
Publisher: Broadview Press
ISBN: 1551112981
Category : Drama
Languages : en
Pages : 457
Book Description
The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on “closet dramas” rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge’s Remorse, Percy Shelley’s The Cenci, and Lord Byron’s Sardanapalus) and important plays by women dramatists (Hannah Cowley’s A Bold Stroke for a Husband, Elizabeth Inchbald’s Every One Has His Fault, and Joanna Baillie’s Orra). It also provides a selection of popular theatrical genres—from melodrama and pantomime to hippodrama and parody—most popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published. The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated.
Women's Romantic Theatre and Drama
Author: Lilla Maria Crisafulli
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655770
Category : Literary Collections
Languages : en
Pages : 308
Book Description
Bringing together leading British, North American, and Italian critics, this collection makes a crucial intervention in the reclamation of women's theatrical activities during the Romantic period. As they examine key figures like Elizabeth Inchbald, Joanna Baillie, Elizabeth Vestris, and Jane Scott, the contributors take up topics such as women's history plays, ethics and sexuality, the politics of drama and performance, and the role of women as managers and producers.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655770
Category : Literary Collections
Languages : en
Pages : 308
Book Description
Bringing together leading British, North American, and Italian critics, this collection makes a crucial intervention in the reclamation of women's theatrical activities during the Romantic period. As they examine key figures like Elizabeth Inchbald, Joanna Baillie, Elizabeth Vestris, and Jane Scott, the contributors take up topics such as women's history plays, ethics and sexuality, the politics of drama and performance, and the role of women as managers and producers.
Character Sketches of Romance, Fiction and the Drama
Author: E. Cobham Brewer
Publisher: BoD – Books on Demand
ISBN: 3734093228
Category : Fiction
Languages : en
Pages : 582
Book Description
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
Publisher: BoD – Books on Demand
ISBN: 3734093228
Category : Fiction
Languages : en
Pages : 582
Book Description
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
The Banks of the Hudson. A Romantic Drama, in Three Acts
Women's Romantic Theatre and Drama
Author: Keir Elam
Publisher: Routledge
ISBN: 1351871188
Category : Literary Criticism
Languages : en
Pages : 409
Book Description
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Publisher: Routledge
ISBN: 1351871188
Category : Literary Criticism
Languages : en
Pages : 409
Book Description
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Here for the Drama
Author: Kate Bromley
Publisher: Harlequin
ISBN: 0369702158
Category : Fiction
Languages : en
Pages : 356
Book Description
It wouldn’t be the theater without a few theatrics… Becoming a famous playwright is all Winnie ever dreamed about. For now, though, she'll have to settle for assisting the celebrated, sharp-witted feminist playwright Juliette Brassard. When an experimental theater company in London, England, decides to stage Juliette's most renowned play, The Lights of Trafalgar, Winnie and Juliette pack their bags and hop across the pond. But the trip goes sideways faster than you can say "tea and crumpets." Juliette stubbornly butts heads with the play's director and Winnie is left stage-managing their relationship. Meanwhile, Winnie's own work seems to have stalled, and though Juliette keeps promising to read it, she always has some vague reason why she can't. Then, Juliette's nephew, Liam, enters stage left. He's handsome, he's smart, he is devastatingly British…and his family ties to Juliette pose a serious problem, forcing Winnie to keep their burgeoning relationship on the down-low. What could go wrong? Balancing a production seemingly headed for disaster, a secret romance and the sweetest, most rambunctious rescue dog, will Winnie save the play, make her own dreams come true and find love along the way—or will the slings and arrows of outrageous fortune get the best of her? Don't miss Kate Bromley's next delightful rom-com, Ciao for Now—coming June 2023!
Publisher: Harlequin
ISBN: 0369702158
Category : Fiction
Languages : en
Pages : 356
Book Description
It wouldn’t be the theater without a few theatrics… Becoming a famous playwright is all Winnie ever dreamed about. For now, though, she'll have to settle for assisting the celebrated, sharp-witted feminist playwright Juliette Brassard. When an experimental theater company in London, England, decides to stage Juliette's most renowned play, The Lights of Trafalgar, Winnie and Juliette pack their bags and hop across the pond. But the trip goes sideways faster than you can say "tea and crumpets." Juliette stubbornly butts heads with the play's director and Winnie is left stage-managing their relationship. Meanwhile, Winnie's own work seems to have stalled, and though Juliette keeps promising to read it, she always has some vague reason why she can't. Then, Juliette's nephew, Liam, enters stage left. He's handsome, he's smart, he is devastatingly British…and his family ties to Juliette pose a serious problem, forcing Winnie to keep their burgeoning relationship on the down-low. What could go wrong? Balancing a production seemingly headed for disaster, a secret romance and the sweetest, most rambunctious rescue dog, will Winnie save the play, make her own dreams come true and find love along the way—or will the slings and arrows of outrageous fortune get the best of her? Don't miss Kate Bromley's next delightful rom-com, Ciao for Now—coming June 2023!