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Author: Nicholas Meihuizen Publisher: Cambridge Scholars Publishing ISBN: 1527577562 Category : Religion Languages : en Pages : 468
Book Description
This book offers detailed readings of relevant works by Blake, Shelley and Keats, to bring together what is loosely termed as Hermetic tradition, British Romantic poetry and responses to the present crises regarding our life on the planet, including those linked to the notion of posthumanism. This conjunction of forces, so to speak, points beyond the boundaries erected by general sociological complacency and the acceptance of humankind as the centre of existence on Earth, to affirm the value of the non-human world and the possibilities inherent in an awareness of its subtler manifestations. Although the idea of spiritual agency might stretch the bounds of credulity, for centuries the inspired imagination has been considered daemonic; that is, it brings to artists and poets (and certain scientists, indeed) a sense of heightened consciousness, seemingly from beyond the self. Whatever causality may be at play here, it is clear that instances of an exalted outlook on life exist in abundance in the poetry of Blake, Shelley and Keats. The present book explores them and their implications.
Author: Nicholas Meihuizen Publisher: Cambridge Scholars Publishing ISBN: 1527577562 Category : Religion Languages : en Pages : 468
Book Description
This book offers detailed readings of relevant works by Blake, Shelley and Keats, to bring together what is loosely termed as Hermetic tradition, British Romantic poetry and responses to the present crises regarding our life on the planet, including those linked to the notion of posthumanism. This conjunction of forces, so to speak, points beyond the boundaries erected by general sociological complacency and the acceptance of humankind as the centre of existence on Earth, to affirm the value of the non-human world and the possibilities inherent in an awareness of its subtler manifestations. Although the idea of spiritual agency might stretch the bounds of credulity, for centuries the inspired imagination has been considered daemonic; that is, it brings to artists and poets (and certain scientists, indeed) a sense of heightened consciousness, seemingly from beyond the self. Whatever causality may be at play here, it is clear that instances of an exalted outlook on life exist in abundance in the poetry of Blake, Shelley and Keats. The present book explores them and their implications.
Author: Thomas Weiskel Publisher: JHU Press ISBN: 1421436159 Category : Literary Criticism Languages : en Pages : 273
Book Description
Originally published in 1976. In The Romantic Sublime Thomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience—or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation.
Author: Domhnall Mitchell Publisher: Bloomsbury Publishing ISBN: 1441138986 Category : Literary Criticism Languages : en Pages : 665
Book Description
Emily Dickinson's poetry is known and read worldwide but to date there have been no studies of her reception and influence outside America. This collection of essays brings together international research on her reception abroad including translations, circulation and the responses of private and professional readers to her poetry in different countries. The contributors address key translations of individual poems and lyric sequences; Dickinson's influence on other writers, poets and culture more broadly; biographical constructions of Dickinson as a poet; the political cultural and linguistic contexts of translations; and adaptations into other media. It will appeal to all those interested in the international reception of Dickinson and nineteenth-century American literature more widely.
Author: Jeffrey N. Cox Publisher: Cambridge University Press ISBN: 9780521604239 Category : Literary Criticism Languages : en Pages : 304
Book Description
Jeffrey N. Cox refines our conception of 'second generation' Romanticism by placing it within the circle of writers around Leigh Hunt that came to be known as the 'Cockney School'. Offering a theory of the group as a key site for cultural production, Cox challenges the traditional image of the Romantic poet as an isolated figure by recreating the social nature of the work of Shelley, Keats, Hunt, Hazlitt, Byron, and others, as they engaged in literary contests, wrote poems celebrating one another, and worked collaboratively on journals and other projects. Cox also recovers the work of neglected writers such as John Hamilton Reynolds, Horace Smith, and Cornelius Webb as part of the rich social and cultural context of Hunt's circle. This book not only demonstrates convincingly that a 'Cockney School' existed, but shows that it was committed to putting literature in the service of social, cultural, and political reform.
Author: D. Higgins Publisher: Palgrave Macmillan ISBN: 9780230224858 Category : Literary Criticism Languages : en Pages : 0
Book Description
Romanticism is taught at universities across the globe and is considered integral to the study of British and European literature. This book, written by leading academics, presents innovative, practical approaches to teaching traditional and newer aspects of the curriculum and is essential to anyone teaching Romanticism at university level.
Author: Harold BLOOM Publisher: Harvard University Press ISBN: 0674023102 Category : Literary Criticism Languages : en Pages : 218
Book Description
Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. Table of Contents: 1. The Hebrew Bible 2. From Homer to Dante 3. Shakespeare 4. Milton 5. Enlightenment and Romanticism 6. Freud and Beyond Reviews of this book: Bloom's puissance is not entirely his own; for some of it, he is indebted to Nietzsche, Freud, Schopenhauer, Gershom Scholem, and other masters. But enough of it is his own to constitute a distinctive form of splendor. --Denis Donoghue, New York Review of Books Reviews of this book: The wit, the eclecticism and the gripping paradoxes...the force of [Bloom's] intellect carries the reader from pinnacle to pinnacle, showing a new spiritual landscape from each. --Roger Scruton, Washington Times Reviews of this book: In some ways the wildest of the wild men (and women), in some ways the most traditional of the traditionalists, Harold Bloom remains serene amid the turbulence--much of it caused by him. He stands dauntless, a party of one, as thrilling to behold up on the high wire as he is (at times) throttling to read on the page...From this strong critic dealing with these strong poets comes a potent mix of insight. --Mark Feeney, Boston Globe
Author: Jonathan Wordsworth Publisher: Penguin UK ISBN: 0141905654 Category : Poetry Languages : en Pages : 1048
Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Author: Nicholas Meihuizen
Author: Nicholas Meihuizen
Author: NICHOLAS. MEIHUIZEN
Author: Thomas Weiskel
Author: Domhnall Mitchell
Author: Jeffrey N. Cox
Author: D. Higgins
Author: Hoxie Neale Fairchild
Author: Nancy Moore Goslee
Author: Harold BLOOM
Author: Jonathan Wordsworth