Author: Timothy Peter Wiseman
Publisher: Liverpool University Press
ISBN:
Category : Drama
Languages : en
Pages : 246
Book Description
In this sequel to Historiography And Imagination (UEP 1994), Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends. The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.
Roman Drama and Roman History
Author: Timothy Peter Wiseman
Publisher: Liverpool University Press
ISBN:
Category : Drama
Languages : en
Pages : 246
Book Description
In this sequel to Historiography And Imagination (UEP 1994), Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends. The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.
Publisher: Liverpool University Press
ISBN:
Category : Drama
Languages : en
Pages : 246
Book Description
In this sequel to Historiography And Imagination (UEP 1994), Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends. The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.
Roman Theatre
Author: Timothy J. Moore
Publisher: Cambridge University Press
ISBN: 0521138183
Category : Juvenile Nonfiction
Languages : en
Pages : 185
Book Description
An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
Publisher: Cambridge University Press
ISBN: 0521138183
Category : Juvenile Nonfiction
Languages : en
Pages : 185
Book Description
An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
Roman Drama
Author: Gesine Manuwald
Publisher: Bristol Classical Press
ISBN: 9780715638699
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Roman drama is a genre of Latin literature that was influential both in the cultural life of the ancient Romans and in the European theatre tradition. Plays of Plautus, Terence and Seneca are still very well known today; yet there were numerous works by other poets besides, though they survive only in fragmentary form. On the basis of a selection of paradigmatic sample texts by a number of Roman dramatists, this anthology provides a stimulating overview of the entire literary genre, including its various subtypes (tragedy, praetexta, comedy, togata, mime) and its historical development. To make these texts accessible to a wide readership, new English translations (on facing pages) as well as introductions to the individual excerpts and to the general context have been included. A selection of relevant testimonia provides information about the cultural background to Roman drama and ancient views on this literary genre. Paradigmatic extracts from dramas written in England between the sixteenth and twentieth centuries illustrate the continuing influence of Roman plays. Thus this anthology conveniently documents the history of an interesting and exciting literary genre from its beginnings to the modern period.
Publisher: Bristol Classical Press
ISBN: 9780715638699
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Roman drama is a genre of Latin literature that was influential both in the cultural life of the ancient Romans and in the European theatre tradition. Plays of Plautus, Terence and Seneca are still very well known today; yet there were numerous works by other poets besides, though they survive only in fragmentary form. On the basis of a selection of paradigmatic sample texts by a number of Roman dramatists, this anthology provides a stimulating overview of the entire literary genre, including its various subtypes (tragedy, praetexta, comedy, togata, mime) and its historical development. To make these texts accessible to a wide readership, new English translations (on facing pages) as well as introductions to the individual excerpts and to the general context have been included. A selection of relevant testimonia provides information about the cultural background to Roman drama and ancient views on this literary genre. Paradigmatic extracts from dramas written in England between the sixteenth and twentieth centuries illustrate the continuing influence of Roman plays. Thus this anthology conveniently documents the history of an interesting and exciting literary genre from its beginnings to the modern period.
Roman Republican Theatre
Author: Gesine Manuwald
Publisher: Cambridge University Press
ISBN: 1139499742
Category : History
Languages : en
Pages : 403
Book Description
Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides a comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama.
Publisher: Cambridge University Press
ISBN: 1139499742
Category : History
Languages : en
Pages : 403
Book Description
Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides a comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama.
Roman Tragedy
Author: Anthony J. Boyle
Publisher: Routledge
ISBN: 1134696787
Category : Drama
Languages : en
Pages : 320
Book Description
The first detailed cultural and theatrical history of a major literary form, this landmark introduction examines Roman tragedy and its place at the centre of Rome’s cultural and political life. Analyzing the work of such names as Ennius, Pacuvius and Accius, as well as Seneca and his post-Neronian successors, Anthony J. Boyle delves into detailed discussion on every Roman tragedian whose work survives in substance today. Roman Tragedy examines: the history of Roman tragic techniques and conventions the history of generic form and change the debt that Rome owes to Greece, and text owes to text the birth, development and death of Roman tragedy in the context of the cities evolving, institutions, ideologies and political and social practices tragedy proper and the historical drama (fabula praetexta), which the Romans allied to tragedy. With parallel English translations of Latin quotations, this seminal work not only provides an invaluable resource for students of theatre, Roman political history and cultural history, but it is also accessible to all interested in the social dynamics of writing, spectacle, ideology and power.
Publisher: Routledge
ISBN: 1134696787
Category : Drama
Languages : en
Pages : 320
Book Description
The first detailed cultural and theatrical history of a major literary form, this landmark introduction examines Roman tragedy and its place at the centre of Rome’s cultural and political life. Analyzing the work of such names as Ennius, Pacuvius and Accius, as well as Seneca and his post-Neronian successors, Anthony J. Boyle delves into detailed discussion on every Roman tragedian whose work survives in substance today. Roman Tragedy examines: the history of Roman tragic techniques and conventions the history of generic form and change the debt that Rome owes to Greece, and text owes to text the birth, development and death of Roman tragedy in the context of the cities evolving, institutions, ideologies and political and social practices tragedy proper and the historical drama (fabula praetexta), which the Romans allied to tragedy. With parallel English translations of Latin quotations, this seminal work not only provides an invaluable resource for students of theatre, Roman political history and cultural history, but it is also accessible to all interested in the social dynamics of writing, spectacle, ideology and power.
Performance in Greek and Roman Theatre
Author: George Harrison
Publisher: BRILL
ISBN: 9004245456
Category : Literary Criticism
Languages : en
Pages : 601
Book Description
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
Publisher: BRILL
ISBN: 9004245456
Category : Literary Criticism
Languages : en
Pages : 601
Book Description
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
The Roman Audience
Author: Timothy Peter Wiseman
Publisher: Oxford University Press, USA
ISBN: 0198718357
Category : History
Languages : en
Pages : 342
Book Description
In an ambitious overview of a thousand years of history, from the formation of the city-state of Rome to the establishment of a fully Christian culture, T. P. Wiseman examines the evidence for the oral delivery of Roman 'literature' to mass public audiences.
Publisher: Oxford University Press, USA
ISBN: 0198718357
Category : History
Languages : en
Pages : 342
Book Description
In an ambitious overview of a thousand years of history, from the formation of the city-state of Rome to the establishment of a fully Christian culture, T. P. Wiseman examines the evidence for the oral delivery of Roman 'literature' to mass public audiences.
Historiography and Imagination
Author: Timothy Peter Wiseman
Publisher: University of Exeter Press
ISBN: 9780859894227
Category : History
Languages : en
Pages : 188
Book Description
This work focuses on some of the more unfamiliar aspects of the Roman experience, where the historian needs not just knowledge but also imagination. It expores how the Romans made sense of their past and how people today can understand that history, despite the inadequate evidence for early Rome and the Republic. All Latin and Greek source material is translated. The first essay in this collection was the Ronald Syme Lecture for 1993; "The Origins of Roman Historiography" argues that dramatic performances at the public games were the medium through which the Romans in the "pre-literary" period made sense of their own past.
Publisher: University of Exeter Press
ISBN: 9780859894227
Category : History
Languages : en
Pages : 188
Book Description
This work focuses on some of the more unfamiliar aspects of the Roman experience, where the historian needs not just knowledge but also imagination. It expores how the Romans made sense of their past and how people today can understand that history, despite the inadequate evidence for early Rome and the Republic. All Latin and Greek source material is translated. The first essay in this collection was the Ronald Syme Lecture for 1993; "The Origins of Roman Historiography" argues that dramatic performances at the public games were the medium through which the Romans in the "pre-literary" period made sense of their own past.
Theater and Spectacle in the Art of the Roman Empire
Author: Katherine M. D. Dunbabin
Publisher:
ISBN: 9780801454059
Category : Art and society
Languages : en
Pages : 0
Book Description
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events. Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
Publisher:
ISBN: 9780801454059
Category : Art and society
Languages : en
Pages : 0
Book Description
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events. Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
The Cambridge Companion to Greek and Roman Theatre
Author: Marianne McDonald
Publisher: Cambridge University Press
ISBN: 1139827251
Category : Drama
Languages : en
Pages :
Book Description
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
Publisher: Cambridge University Press
ISBN: 1139827251
Category : Drama
Languages : en
Pages :
Book Description
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.