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Author: Jaś Elsner Publisher: Cambridge University Press ISBN: 1108473075 Category : Art Languages : en Pages : 533
Book Description
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Author: Jaś Elsner Publisher: Cambridge University Press ISBN: 1108473075 Category : Art Languages : en Pages : 533
Book Description
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Author: Jaś Elsner Publisher: Oxford University Press, USA ISBN: 9780192842015 Category : Art Languages : en Pages : 344
Book Description
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
Author: Jaś Elsner Publisher: Oxford University Press ISBN: 019876863X Category : Art Languages : en Pages : 337
Book Description
A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.
Author: Clifford Ando Publisher: ISBN: Category : History Languages : en Pages : 424
Book Description
Historiography and method -- Religious institutions and religious authority -- Ritual and myth -- Theology -- Roman and alien -- Continuity and change from Republic to Empire.
Author: Nancy Lorraine Thompson Publisher: Metropolitan Museum of Art ISBN: 1588392228 Category : Art, Roman Languages : en Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Author: Valerie M. Warrior Publisher: Cambridge University Press ISBN: 1316264920 Category : History Languages : en Pages : 251
Book Description
Examining sites that are familiar to many modern tourists, Valerie Warrior avoids imposing a modern perspective on the topic by using the testimony of the ancient Romans to describe traditional Roman religion. The ancient testimony recreates the social and historical contexts in which Roman religion was practised. It shows, for example, how, when confronted with a foreign cult, official traditional religion accepted the new cult with suitable modifications. Basic difficulties, however, arose with regard to the monotheism of the Jews and Christianity. Carefully integrated with the text are visual representations of divination, prayer, and sacrifice as depicted on monuments, coins, and inscriptions from public buildings and homes throughout the Roman world. Also included are epitaphs and humble votive offerings that illustrate the piety of individuals, and that reveal the prevalence of magic and the occult in the spiritual lives of the ancient Romans.
Author: Martin Henig Publisher: British Archaeological Reports Oxford Limited ISBN: Category : Art Languages : en Pages : 242
Book Description
This volume contains a range of papers from a seminar held in Oxford in 2005. What did 'art' in its widest sense mean to 'them', the Romans, and what might it (or even should it), mean to us? The approach adopted avoids fashionable 'theory', mainly culled second-hand from the social sciences, and tries to engage directly with material culture.
Author: Jacob L. Mackey Publisher: Princeton University Press ISBN: 0691236534 Category : History Languages : en Pages : 496
Book Description
A groundbreaking reinterpretation that draws on cognitive theory to show that belief wasn’t absent from—but rather was at the heart of—Roman religion Belief and Cult argues that belief isn’t uniquely Christian but was central to ancient Roman religion. Drawing on cognitive theory, Jacob Mackey shows that despite having nothing to do with salvation or faith, belief underlay every aspect of Roman religious practices—emotions, individual and collective cult action, ritual norms, social reality, and social power. In doing so, he also offers a thorough argument for the importance of belief to other non-Christian religions. At the individual level, the book argues, belief played an indispensable role in the genesis of cult action and religious emotion. However, belief also had a collective dimension. The cognitive theory of Shared Intentionality shows how beliefs may be shared among individuals, accounting for the existence of written, unwritten, or even unspoken ritual norms. Shared beliefs permitted the choreography of collective cult action and gave cult acts their social meanings. The book also elucidates the role of shared belief in creating and maintaining Roman social reality. Shared belief allowed the Romans to endow agents, actions, and artifacts with socio-religious status and power. In a deep sense, no man could count as an augur and no act of animal slaughter as a successful offering to the gods, unless Romans collectively shared appropriate beliefs about these things. Closely examining augury, prayer, the religious enculturation of children, and the Romans’ own theories of cognition and cult, Belief and Cult promises to revolutionize the understanding of Roman religion by demonstrating that none of its features makes sense without Roman belief.
Author: Harriet I. Flower Publisher: Cambridge University Press ISBN: 1107032245 Category : History Languages : en Pages : 519
Book Description
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
Author: Jaś Elsner
Author: Jaś Elsner
Author: Jaś Elsner
Author: Jaś Elsner
Author: Clifford Ando
Author: Nancy Lorraine Thompson
Author: Valerie M. Warrior
Author: Martin Henig
Author: Jacob L. Mackey
Author: Harriet I. Flower
Author: Peter Stewart