The Roerich Pact, Banner of Peace PDF Download

Author: Nicholas Roerich
Publisher:
ISBN:
Category : Art treasures in war
Languages : en
Pages : 204

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Author: Коллектив авторов
Publisher: Litres
ISBN: 5041133433
Category : Social Science
Languages : en
Pages : 242

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The exhibition is held in Shimla Art Gallery of the Lalit Kala Academi (National Academy of Art, New Delhi) and in the International Roerich Memorial Trust (the Roerichs’ Estate in Naggar) within the framework of the international exhibition project by the International Centre of the Roerichs and the International Roerichs’ Heritage Preservation Committee, initiated on April 2, 2012 at the UNESCO Headquarters in Paris with the support of the Ministry of Foreign Affairs of the Russian Federation.Выставка проходит в Галерее искусств в Шимле при Национальной академии изящных искусств (Академии Лалит Кала, Нью-Дели) и в Международном Мемориальном Тресте Рерихов (имение Рерихов в Наггаре) в рамках международного выставочного проекта Международного Центра Рерихов и Международного Комитета по сохранению наследия Рерихов при поддержке Министерства иностранных дел Российской Федерации, начатого 2 апреля 2012 года в штаб -квартире ЮНЕСКО в Париже

Author: Коллектив авторов
Publisher: Litres
ISBN: 5041133441
Category : Social Science
Languages : en
Pages : 172

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Across the world, we see cultural heritage under attack, from Mali to Iraq and Syria. Extremists vandalize museums and historic sites, forbid girls to go to school and kill members of the media – all symbols that embody freedom of thought and respect for cultural diversity. These assaults strike at the heart of human identity and endeavour.Signed in 1935, the Roerich Pact paved the way for landmark international legal instruments devoted to the protection of cultural property, both in peacetime and during war – including the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Confl ict and its two (1954 and 1999) Protocols. The UNESCO World Heritage Convention, adopted in 1972, builds on the spirit on the Pact. International criminal law has also made big strides in protecting cultural property. Under the Rome Statute of the International Criminal Court, intentionally directing attacks against buildings dedicated to education, art and science, as well as historic monuments, is a war crime in both international and in non-international armed confl ict.This exhibition pays tribute to the ground-breaking Roerich Pact and bears witness to our determination to take its spirit forward.

Author: Caroline Ehlert
Publisher: Martinus Nijhoff Publishers
ISBN: 9004257632
Category : Law
Languages : en
Pages : 266

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In Prosecuting the Destruction of Cultural Property in International Criminal Law Caroline Ehlert offers an analysis of treaty law protecting cultural property from destruction and foremost of the relevant provisions for prosecuting the destruction of cultural property in international criminal law. The wanton destruction of valuable cultural property during armed conflict as well as during peacetime is omnipresent. Therefore it is of the utmost importance to provide for provisions criminalising the destruction of cultural property and offering a basis for the prosecution of possible perpetrators.

Author: Kenneth Archer
Publisher: Parkstone International
ISBN: 1646999657
Category : Art
Languages : en
Pages : 165

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Nicholas Roerich, with his huge and versatile talent, is one of the most interesting creative minds of the early 20th century. He was born in Saint Petersburg in 1874 and died in Kulu Valley (India) in 1947. After studying law and attending the Academy of Art, Nicholas Roerich developed a passionate interest in archaeology, a contribution that was acknowledged when he became a lecturer at the Russian Archaeological Society in 1900. His extensive travels in Europe, Russia, Asia and especially India were a source of inspiration wholly original and unique (for more than 7000 paintings). Roerich was also the author of the Pact which bears his name and which was designed to protect the cultural heritage in time of war. Moreover, he wrote numerous books and collections of poetry.

Author: John McCannon
Publisher: University of Pittsburgh Press
ISBN: 0822989131
Category : Art
Languages : en
Pages : 872

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Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft. But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.” He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections. In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.

Author: Jonas Grimheden
Publisher: Martinus Nijhoff Publishers
ISBN: 9004151818
Category : Political Science
Languages : en
Pages : 409

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This volume illustrates the complex relationship between dissemination of human rights standards and their application in human rights law, and thus serves as a tribute to Melander's belief in and commitment to the dynamics of education in human rights law.

Author: Коллектив авторов
Publisher: Litres
ISBN: 5041147906
Category : Art
Languages : en
Pages : 62

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The International Centre-Museum named after Nicholas Roerich (ICR) with a status of a public cultural enlightening centre was founded by the initiative of Svetoslav, the younger son of Helena and Nicholas Roerich. In 1990, Svetoslav Roerich transferred the invaluable heritage of his parents from India to Russia on the condition that a public Museum was to be established in Moscow. The management of the future Museum was entrusted to his good friend Lyudmila Shaposhnikova – a writer and specialist in Indian culture, who was appointed by Svetoslav as his trustee. Due to Shaposhnikova’s efforts and with support from the famous diplomat Yuli Vorontsov and sponsor Boris Bulochnik, Svetoslav’s will was fulfilled. The public Museum in Moscow became the second museum in the world founded by a member of the great family, the first one founded by Nicholas and Helena Roerich in New York.

Author: Jacqueline Decter
Publisher: Simon and Schuster
ISBN: 1644118009
Category : Art
Languages : en
Pages : 230

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A fully illustrated biography of mystic, artist, and explorer Nicholas Roerich • Includes 88 color plates showcasing the variety of Roerich’s artistic talent, from breathtaking Himalayan landscapes to set and costume designs, most notably for Stravinsky’s The Rite of Spring • Examines Roerich’s profound love for folk traditions of Russia, India, and Tibet and his spiritual quests across the Himalayan Mountains in search of beauty and the lost paradise of Shambala • Reveals how Roerich’s life and work significantly influenced the development of modern art and culture Nicholas Roerich (1874–1947) was a Russian artist, writer, archaeologist, explorer, mystic, theosophist, and peacemaker who left a rich legacy of nearly 7,000 visionary paintings and 30 books on the mystic East. Twice nominated for the Nobel Peace Prize due to the Roerich Peace Pact—a remarkable treaty signed by President Roosevelt that sought to preserve cultural monuments during times of war—Roerich had a profound love for folk traditions of Russia, India, and Tibet, especially legends of lost cities and paradise. Together with his wife and two sons, from the 1890s into the 1930s, Roerich embarked on a number of spiritual quests through India, the Gobi Desert, the Altai and Kunlun Mountains, Mongolia, and Tibet, crisscrossing the Himalayan Mountains many times before settling in Kulu, India, in the shadows of the great mountain range. Through his explorations throughout the world and the immersive art he created during those travels, he was seeking the grains of spiritual truth behind the legends of paradise lost, including during his pilgrimages in search of Shambala. Revealing the mystical world of Nicholas Roerich in stunning full color, Jacqueline Decter invites us to witness Roerich’s far-reaching vision and dedication to beauty across the full scope of his inspiring life and artistic career. This new hardcover edition features Decter’s translations of many Russian texts into English as well as 88 color plates showcasing the variety of Roerich’s artistic talent, from breathtaking Himalayan landscapes and spiritual themes to set and costume designs, most notably for Stravinsky’s The Rite of Spring. A celebration of Roerich as both visionary artist and visionary explorer, this fully illustrated biography illuminates a man whose life and work significantly influenced the development of modern art and culture.

Author: Francesco Francioni
Publisher: Oxford University Press
ISBN: 0192603701
Category : Law
Languages : en
Pages : 1089

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Book Description
This Handbook provides a cutting edge study of the fast developing field of international law on the protection of cultural heritage by taking stock of the recent developments and of the core concepts and current challenges. The legal protection of cultural heritage has come under renewed focus from the international community and states since the 1990s. This is evidenced by the adoption of a range of international instruments. Countries are also enacting cultural heritage legislation or overhauling existing laws within their own national territory. Contributions address the protection of immovable and movable, tangible and intangible cultural heritage in peacetime and in the event of armed conflict as well as the interaction between specific regimes of cultural heritage protection with other fields of international law, including international criminal law, human rights and humanitarian law, environmental law, international trade, investments, and intellectual property. The last part of the Handbook covers diverse regional systems of heritage protection.