Author: AHMED. ACHRATI
Publisher:
ISBN: 9781527592131
Category : Rock paintings
Languages : en
Pages : 0
Book Description
It may be true, as Paul Valery said, that the painter "takes his body with him," but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and 'Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
Rock Art of the Qsur and 'Amour Mountains, Algeria
Author: AHMED. ACHRATI
Publisher:
ISBN: 9781527592131
Category : Rock paintings
Languages : en
Pages : 0
Book Description
It may be true, as Paul Valery said, that the painter "takes his body with him," but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and 'Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
Publisher:
ISBN: 9781527592131
Category : Rock paintings
Languages : en
Pages : 0
Book Description
It may be true, as Paul Valery said, that the painter "takes his body with him," but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and 'Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
Rock Art of the Qsur and 'Amour Mountains, Algeria
Author: Ahmed Achrati
Publisher: Cambridge Scholars Publishing
ISBN: 1527592146
Category : Art
Languages : en
Pages : 450
Book Description
It may be true, as Paul Valery said, that the painter “takes his body with him,” but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and ‘Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
Publisher: Cambridge Scholars Publishing
ISBN: 1527592146
Category : Art
Languages : en
Pages : 450
Book Description
It may be true, as Paul Valery said, that the painter “takes his body with him,” but it is almost certain that artists leave some of their bodies in their art. This book studies the embodied intentionality inscribed in the works of the artists of the Qsur and ‘Amour mountains in Algeria. It retraces the aesthetic gestures of these artists, revealing sounds they heard, tactile and kinesthetic interactions they experienced, and emotions they felt as they recorded the distress and pain of some animals. Combining naturalist style, skilful composition, and spatial features, these artists often gave their art the form of installation, where induced motion and parallactic flow create immersive experiences. Using continuous line technique, they created monumental objects and intricate labyrinthine forms.
Historical Dictionary of the Berbers (Imazighen)
Author: Hsain Ilahiane
Publisher: Rowman & Littlefield
ISBN: 1442281820
Category : History
Languages : en
Pages : 489
Book Description
Berbers, also known as Imazighen, are the ancient inhabitants of North Africa, but rarely have they formed an actual kingdom or separate nation state. Ranging anywhere between 15-50 million, depending on how they are classified, the Berbers have influenced the culture and religion of Roman North Africa and played key roles in the spread of Islam and its culture in North Africa, Spain, and Sub-Saharan Africa. Taken together, these dynamics have over time converted to redefine the field of Berber identity and its socio-political representations and symbols, making it an even more important issue in the 21st century. This second edition of Historical Dictionary of the Berbers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Berbers.
Publisher: Rowman & Littlefield
ISBN: 1442281820
Category : History
Languages : en
Pages : 489
Book Description
Berbers, also known as Imazighen, are the ancient inhabitants of North Africa, but rarely have they formed an actual kingdom or separate nation state. Ranging anywhere between 15-50 million, depending on how they are classified, the Berbers have influenced the culture and religion of Roman North Africa and played key roles in the spread of Islam and its culture in North Africa, Spain, and Sub-Saharan Africa. Taken together, these dynamics have over time converted to redefine the field of Berber identity and its socio-political representations and symbols, making it an even more important issue in the 21st century. This second edition of Historical Dictionary of the Berbers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Berbers.
Urbanisation and State Formation in the Ancient Sahara and Beyond
Author: Martin Sterry
Publisher: Cambridge University Press
ISBN: 1108494447
Category : History
Languages : en
Pages : 765
Book Description
This ground-breaking volume pushes back conventional dating of the earliest sedentarisation, urbanisation and state formation in the Sahara.
Publisher: Cambridge University Press
ISBN: 1108494447
Category : History
Languages : en
Pages : 765
Book Description
This ground-breaking volume pushes back conventional dating of the earliest sedentarisation, urbanisation and state formation in the Sahara.
The Kasbas of Southern Morocco
Author: Rom Landau
Publisher:
ISBN: 9780571091294
Category : Fortification
Languages : en
Pages : 184
Book Description
Publisher:
ISBN: 9780571091294
Category : Fortification
Languages : en
Pages : 184
Book Description
The Rock Art of Africa
Author: A.R. Willcox
Publisher: Routledge
ISBN: 1315515350
Category : Social Science
Languages : en
Pages : 392
Book Description
It has long been known that all forms of art – rock paintings, carvings and scribings, and also portable sculpture – are present at various locations throughout Africa. This book was the first inclusive survey and brings together in one volume accounts of African rock art which were previously scattered in scholarly monographs, journals and travellers’ tales. The range of the coverage is geophysically comprehensive, from the Atlas Mountains to the Cape of Good Hope. The art styles are set into a firm chronological framework, and are displayed against a background of human, physical and cultural evolution. Considerable discussion is also devoted to the varied purposes which the paintings and carvings served in the communities which produced them, looking at the differing interpretations fully and fairly. A fascinating collection of illustrations, some in colour, truly reflects the variety of forms in which African rock art is manifested. Originally published 1984.
Publisher: Routledge
ISBN: 1315515350
Category : Social Science
Languages : en
Pages : 392
Book Description
It has long been known that all forms of art – rock paintings, carvings and scribings, and also portable sculpture – are present at various locations throughout Africa. This book was the first inclusive survey and brings together in one volume accounts of African rock art which were previously scattered in scholarly monographs, journals and travellers’ tales. The range of the coverage is geophysically comprehensive, from the Atlas Mountains to the Cape of Good Hope. The art styles are set into a firm chronological framework, and are displayed against a background of human, physical and cultural evolution. Considerable discussion is also devoted to the varied purposes which the paintings and carvings served in the communities which produced them, looking at the differing interpretations fully and fairly. A fascinating collection of illustrations, some in colour, truly reflects the variety of forms in which African rock art is manifested. Originally published 1984.
Historical Dictionary of the Peoples of the Southeast Asian Massif
Author: Jean Michaud
Publisher: Rowman & Littlefield
ISBN: 1442272791
Category : History
Languages : en
Pages : 595
Book Description
Dwelling in the highland areas of Northeast India, Bangladesh, Southwest China, Taiwan, Burma (Myanmar), Thailand, Cambodia, Vietnam, Laos, and Peninsular Malaysia are hundreds of “peoples”. Together their population adds up to 100 million, more than most of the countries they live in. Yet in each of these countries, they are regarded as minorities. This second edition of Historical Dictionary of the Peoples of the Southeast Asian Massif contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on about 300 groups, the ten countries they live in, their historical figures, and their salient political, economic, social, cultural and religious aspects. This book is an excellent access point for students, researchers, and anyone wanting to know more.
Publisher: Rowman & Littlefield
ISBN: 1442272791
Category : History
Languages : en
Pages : 595
Book Description
Dwelling in the highland areas of Northeast India, Bangladesh, Southwest China, Taiwan, Burma (Myanmar), Thailand, Cambodia, Vietnam, Laos, and Peninsular Malaysia are hundreds of “peoples”. Together their population adds up to 100 million, more than most of the countries they live in. Yet in each of these countries, they are regarded as minorities. This second edition of Historical Dictionary of the Peoples of the Southeast Asian Massif contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on about 300 groups, the ten countries they live in, their historical figures, and their salient political, economic, social, cultural and religious aspects. This book is an excellent access point for students, researchers, and anyone wanting to know more.
Round Heads
Author: Jitka Soukopova
Publisher: Cambridge Scholars Publishing
ISBN: 1443845795
Category : Art
Languages : en
Pages : 191
Book Description
The Central Sahara is considered the greatest “museum” of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains. Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period. Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Publisher: Cambridge Scholars Publishing
ISBN: 1443845795
Category : Art
Languages : en
Pages : 191
Book Description
The Central Sahara is considered the greatest “museum” of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains. Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period. Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Ethnicities, Community Making, and Agrarian Change
Author: Hsain Ilahiane
Publisher: University Press of America
ISBN: 9780761828761
Category : Philosophy
Languages : en
Pages : 250
Book Description
This ethnography studies how, when, and under what circumstances culture change occurs. It is author Hsain Ilahiane's conviction that culture change directly affects resource use and community building processes. This study investigates the relationship between ethnicity and agricultural production at the household level, as well as the result of recent ethnic transformations in the restructuring of patterns of land access and social mobility within ethnically stratified communities. Ilahiane focuses specifically on the intensive farming systems of Morocco's Ziz Oasis, a 250 km long expanse watered by the Ziz River. Surrounded by Saharan desert, the valley houses a dense, rapidly grown, and ethnically diverse population of Arabs, Berbers, and Haratine (blacks). The author employs a varied body of data collected during fieldwork, including ethnographic accounts, oral histories and colonial archival records, and socio-economic and ecological findings based on a household questionnaire strategy.
Publisher: University Press of America
ISBN: 9780761828761
Category : Philosophy
Languages : en
Pages : 250
Book Description
This ethnography studies how, when, and under what circumstances culture change occurs. It is author Hsain Ilahiane's conviction that culture change directly affects resource use and community building processes. This study investigates the relationship between ethnicity and agricultural production at the household level, as well as the result of recent ethnic transformations in the restructuring of patterns of land access and social mobility within ethnically stratified communities. Ilahiane focuses specifically on the intensive farming systems of Morocco's Ziz Oasis, a 250 km long expanse watered by the Ziz River. Surrounded by Saharan desert, the valley houses a dense, rapidly grown, and ethnically diverse population of Arabs, Berbers, and Haratine (blacks). The author employs a varied body of data collected during fieldwork, including ethnographic accounts, oral histories and colonial archival records, and socio-economic and ecological findings based on a household questionnaire strategy.
Preservation of Rock Art
Author: Jacques Brunet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Number nine in the monograph series of Occasional Australian Rock Art Research Association (AURA) Publications. Contains the proceedings of symposia G and H of the Second AURA Congress in 1992 with contributions by 56 authors on rock art management and preservation. Suited for those involved in the physical preservation or conservation of rock art, or in the ethics and techniques of site management and in the presentation of public rock art sites.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Number nine in the monograph series of Occasional Australian Rock Art Research Association (AURA) Publications. Contains the proceedings of symposia G and H of the Second AURA Congress in 1992 with contributions by 56 authors on rock art management and preservation. Suited for those involved in the physical preservation or conservation of rock art, or in the ethics and techniques of site management and in the presentation of public rock art sites.