Robert Wight and the Botanical Drawings of Rungiah & Govindoo: Botanical drawings by Rungiah & Govindoo: the Wight collection PDF Download

Author: Henry J. Noltie
Publisher:
ISBN:
Category : Botanical illustration
Languages : en
Pages : 220

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Author: Henry J. Noltie
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 100

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Author: Henry J. Noltie
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 228

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Author: Joydeep Sen
Publisher: University of Pittsburgh Press
ISBN: 0822981653
Category : Science
Languages : en
Pages : 277

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Indian scientific achievements in the early twentieth century are well known, with a number of heralded individuals making globally recognized strides in the field of astrophysics. Covering the period from the foundation of the Asiatick Society in 1784 to the establishment of the Indian Association for the Cultivation of Science in 1876, Sen explores the relationship between Indian astronomers and the colonial British. He shows that from the mid-nineteenth century, Indians were not passive receivers of European knowledge, but active participants in modern scientific observational astronomy.

Author: David Mabberley
Publisher: Bloomsbury Publishing
ISBN: 1350259357
Category : History
Languages : en
Pages : 257

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A Cultural History of Plants in the Nineteenth Century covers the period from 1800 to 1920, a time of astonishing growth in industrialization, urbanization, migration, population growth, colonial possessions, and developments in scientific knowledge. As European modes of civilization and cultivation were exported worldwide, botanical study was revolutionized – through the work of Charles Darwin and many others – and the new science of biology was born, based on cells, nuclei and molecules. As Darwinism took hold, plants came to be seen as a way of thinking about the connectivity of nature and life itself. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. David Mabberley is Emeritus Fellow at Wadham College, University of Oxford, UK; Emeritus Professor at the University of Leiden, The Netherlands; and Adjunct Professor at Macquarie University, Australia. Volume 5 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.

Author: Roger Jeffery
Publisher: Routledge
ISBN: 1000556611
Category : History
Languages : en
Pages : 235

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Roger Jeffery in this book has brought together 10 original, well-researched and well-written essays which bring to life the presence of India in the capital city of Scotland, Edinburgh. On the surface Edinburgh is a purely Scottish city: its ‘India’ past is not easily visible. Yet, from the late 17th century onwards, many of Edinburgh’s young men and women were drawn to India. The city received back money and knowledge, sculpture and paintings, botanical specimens and even skulls! Colonel James Skinner, well-known for establishing Skinner’s Horse, brought his sons to Edinburgh for their schooling. Though Sir Walter Scott visited India only in his imagination (and tried to stop his own sons going there) he crafted a dashing India tale involving Tipu Sultan. The money from India helped create Edinburgh’s New Town, Edinburgh’s internationally-renowned schools (whose former pupils careers ranged from tea-planters to Viceroys) and people who came to Edinburgh from India established Edinburgh’s second women’s medical college. There are many such hidden stories of Edinburgh’s India connections. In this path-breaking book they are brought to life, using novel approaches to look at Edinburgh’s past, to see it as an imperial city, a city for which India held a special place. Focusing on the interactions between individual lives, social networks and financial, material, cultural and social flows, leading experts from Edinburgh’s history provide fascinating detail on how Edinburgh’s links to India were formed and transformed. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

Author: Lachlan Fleetwood
Publisher: Cambridge University Press
ISBN: 100927564X
Category : Science
Languages : en
Pages : 307

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When, how, and why did the Himalaya become the highest mountains in the world? In 1800, Chimborazo in South America was believed to be the world's highest mountain, only succeeded by Mount Everest in 1856. Science on the Roof of the World tells the story of this shift, and the scientific, imaginative, and political remaking needed to fit the Himalaya into a new global scientific and environmental order. Lachlan Fleetwood traces untold stories of scientific measurement and collecting, indigenous labour and expertise, and frontier-making to provide the first comprehensive account of the East India Company's imperial entanglements with the Himalaya. To make the Himalaya knowable and globally comparable, he demonstrates that it was necessary to erase both dependence on indigenous networks and scientific uncertainties, offering an innovative way of understanding science's global history, and showing how geographical features like mountains can serve as scales for new histories of empire.

Author: Henry J. Noltie
Publisher: Gantner Publishing
ISBN:
Category : Science
Languages : en
Pages : 600

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Deals with the Botany of Robert Wight an early botanistdoing work in the orient. Important for Botany Libraries.

Author: V. Damodaran
Publisher: Springer
ISBN: 1137427272
Category : Science
Languages : en
Pages : 303

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This book is the first to explore the deep and lasting impacts of the largest colonial trading company, the British East India Company on the natural environment. The contributors – drawn from a wide range of academic disciplines - illuminate the relationship between colonial capital and the changing environment between 1600 and 1857.

Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691209111
Category : Art
Languages : en
Pages : 232

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A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.