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Author: Svetlana Alpers Publisher: Princeton University Press ISBN: 0691222614 Category : Art Languages : en Pages : 416
Book Description
A magisterial study of celebrated photographer Walker Evans Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Author: Svetlana Alpers Publisher: Princeton University Press ISBN: 0691222614 Category : Art Languages : en Pages : 416
Book Description
A magisterial study of celebrated photographer Walker Evans Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Author: Edward J. Blum Publisher: Univ of North Carolina Press ISBN: 0807835722 Category : Religion Languages : en Pages : 354
Book Description
Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.
Author: Charles W. Dunn Publisher: Rowman & Littlefield Publishers ISBN: 1442222794 Category : History Languages : en Pages : 175
Book Description
American Exceptionalism provokes intense debates culturally, economically, politically, and socially. This collection, edited by Charles W. Dunn of Regent University's Robertson School of Government, brings together analysis of the idea's origins, history and future. Contributors include: Hadley Arkes, Michael Barone, James W. Ceasar, Charles W. Dunn, Daniel L. Dreisbach, T. David Gordon, Steven Hayward, Hugh Heclo, Marvin J. Kolkertsma, William Kristol, and George H. Nash. While many now argue against the policies and ideology of American Exceptionalism as antiquated and expired, the authors collected here make the bold claim that a closer reading of our own history reveals that there is still an exceptional aspect of American thought, identity and government worth advancing and protecting. It will be the challenge of the coming American generations to both refine and examine what we mean when we call America "exceptional," and this book provides readers a first step towards a necessary understanding of the exceptional purpose, progress and promise of the United States of America.
Author: Ashton D. Trice Publisher: McFarland ISBN: 0786410973 Category : Performing Arts Languages : en Pages : 244
Book Description
This book is a discussion of 75 of the most popular films in America from 1921 through 1999 and the changes that have taken place in how masculinity is portrayed in the movies over that period of time. Traditionally in popular films, men have met challenging tasks, but what they accomplish and how successful they are have been drastically changed since the early 1920s. Prior to World War II, men were most often presented within the context of a family. After the war, men were presented as concerned with issues beyond their immediate families, and after 1970, they were portrayed as being overwhelmed by their situations. Recently, popular films have tended to focus on the relationships between men. This work documents these changes over eight decades, using the movies as vehicles to illustrate the major transformations.
Author: Susan L. Mizruchi Publisher: W. W. Norton & Company ISBN: 0393244261 Category : Biography & Autobiography Languages : en Pages : 431
Book Description
A Financial Times Best Book of the Year "Brando’s Smile returns us to the power of his greatest performances." —Dan Chiasson, New York Review of Books When people think about Marlon Brando they think of the movie star, the hunk, the scandals. Here, Susan L. Mizruchi—who gained unprecedented access to Brando’s letters, audiotapes, revised screenplays, and books—reveals the complex man whose intelligence belies the high-school dropout. She shows how Brando’s embrace of foreign cultures and social outsiders led to his brilliant performances in unusual roles to test himself and to foster empathy in his audience.
Author: Lopamudra Basu Publisher: Lexington Books ISBN: 1498558259 Category : Literary Criticism Languages : en Pages : 209
Book Description
Ayad Akhtar, the American Nation, and Its Others After 9/11: Homeland Insecurity examines playwright and novelist Ayad Akhtar’s contributions to multiple genres including film and theatre. This book situates Akhtar’s oeuvre within the social and political context of post-9/11 American culture, marked by the creation of the Homeland Security State and the racialization of Muslims, Arabs, and South Asians. It departs from many traditional studies of 9/11 literature by challenging the binary of victim and perpetrator and examining the continuing impact of the event on questions of American nationalism and belonging. Tracing a literary genealogy for Akhtar, it explores a broad range of issues represented in Akhtar’s works such as globalization, the decline of American industry, terrorism, torture, generational conflicts, interracial love, gender and violence, the conflict between secular and religious values—all issues which affect American nationalism both within and outside the nation’s borders, and shape the lives of South Asian American Muslims. Employing the lenses of trauma studies, transnational feminism, postcolonial theory, and performance studies, this book is attentive to the controversial reception of Akhtar’s works and the paucity of authentic representation of Muslim Americans. It combines literary interpretations of Akhtar’s works with sociological analysis of post-9/11 racial formation, a personal interview with Akhtar, and observations of plays and post-play discussions.
Author: Patrick Lucanio Publisher: McFarland ISBN: 9780786412334 Category : Social Science Languages : en Pages : 274
Book Description
Science and technology had a significant influence on American culture and thought in the years immediately following World War II. The new wonders of science and the threat of the Soviet Union as a powerful new enemy made science fiction a popular genre in radio, television, and film. Mutant creatures spawned by radioactive energy and intergalactic dictators unleashing horrific weapons upon Earth were characteristic of science fiction at the time and served as warnings to the very real dangers posed by the atomic age. This work examines science and science fiction in American culture beginning in the year World War II ended and going to 1962, the year of John Glenn's orbital flight and the Cuban Missile Crisis. The radio work of Arch Oboler and the significance of his "Rocket from Manhattan," which aired only one month after the dropping of the first atomic bomb and asked serious questions about the use of atomic energy, are examined. Other topics are the conflict between the free world and the Communist world in the context of science fiction plot lines, the dangers of science as shown in films like Godzilla, Them!, The Day the Earth Stood Still, and radio and television programs, the flying saucer phenomenon and the treatment of such stories in the media (with special attention given to the 1956 documentary UFO), the changing and more positive depictions of scientists, television programs like Flash Gordon and Space Patrol, the shift in the balance of world power due to the successful launching of Sputnik I by the Russians in 1957, the "end of the world" theme in science fiction, and the American journey into space.
Author: Svetlana Alpers
Author: Svetlana Alpers
Author: Edward J. Blum
Author: Charles W. Dunn
Author: Ashton D. Trice
Author: Susan L. Mizruchi
Author: Terry Ramsaye
Author: Ivy Press
Author: 
Author: Lopamudra Basu
Author: Patrick Lucanio