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Author: Mark Minett Publisher: Oxford University Press, USA ISBN: 019752382X Category : Performing Arts Languages : en Pages : 401
Book Description
Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H, Brewster McCloud, McCabe & Mrs. Miller, Images, The Long Goodbye, Thieves Like Us, California Split, and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema. Its findings and approach hold important implications for the study of cinematic authorship. Largely avoiding thematic exegesis, it employs an historical poetics approach, robust functionalist frameworks, archival research, and formal and statistical analysis to demystify the essential features of the standard account of Altman's filmmaking history and profile-lax narrative form, heavy reliance on the zoom, sound design replete with overlapping dialogue, improvisational infidelity to the screenplay, and a desire to subvert based in his time in the training grounds of industrial filmmaking and filmed television. The book provides a clear example of how a filmmaker might work collaboratively and pragmatically within and across media institutions to elaborate upon their sanctioned practices and aims. We misunderstand Altman's work, and the creative work of Hollywood filmmakers in general, when we insist on describing innovation as opposition to institutional norms and on describing those norms as simply assimilating innovation.
Author: Mark Minett Publisher: Oxford University Press, USA ISBN: 019752382X Category : Performing Arts Languages : en Pages : 401
Book Description
Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H, Brewster McCloud, McCabe & Mrs. Miller, Images, The Long Goodbye, Thieves Like Us, California Split, and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema. Its findings and approach hold important implications for the study of cinematic authorship. Largely avoiding thematic exegesis, it employs an historical poetics approach, robust functionalist frameworks, archival research, and formal and statistical analysis to demystify the essential features of the standard account of Altman's filmmaking history and profile-lax narrative form, heavy reliance on the zoom, sound design replete with overlapping dialogue, improvisational infidelity to the screenplay, and a desire to subvert based in his time in the training grounds of industrial filmmaking and filmed television. The book provides a clear example of how a filmmaker might work collaboratively and pragmatically within and across media institutions to elaborate upon their sanctioned practices and aims. We misunderstand Altman's work, and the creative work of Hollywood filmmakers in general, when we insist on describing innovation as opposition to institutional norms and on describing those norms as simply assimilating innovation.
Author: Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
This dissertation seeks to provide a more accurate understanding of director Robert Altman's early 1970s films, from M*A*S*H (1970) to Nashville (1975), and in doing so attempts to clarify the disputed relationship between Altman, whose work is often characterized as oppositional art cinema, and the norms of classical Hollywood filmmaking. To address this question the dissertation applies a methodology that requires close analysis of the moment-by-moment details of Altman's films that in places utilizes a quantitative approach. This provides a remedy to scholarship and critical work on Altman's films of the early 1970s that tends to claim too much while describing too little. The dissertation also relies on archival resources to support its account, including production and pre-production documents. This approach is employed within the larger project of historical poetics and in coordination with a problem/solution model of artistic endeavor, in which filmmakers act as rational agents setting goals and pursuing strategies meant to effect definable aims. The dissertation's first four chapters focus on key aspects of Altman's biographical legend: his approach to narrative, his use of the zoom, his employment of overlapping dialogue, and his use, or misuse, of the pre-production script. This reexamination finds that rather than characterizing Altman's filmmaking approach as oppositional art cinema, it is best understood as elaborative and amplificatory, expanding upon classical Hollywood storytelling practices in the service of authorially expressive, realist, and aesthetic motivations. The final chapter re-describes Altman's time in the "training grounds" of industrial filmmaking and filmed television prior to his move to feature filmmaking in the late 1960s. In doing so it employs the methodology of the previous chapters while also finding evidence to support and extend their findings. Altman's early career shows how a binary opposition between institutional norms and radical opposition fails to capture the manner in which maverick auteurs might shift the dominant filmmaking paradigm through the accumulation of more incremental, and perhaps more sustainable, innovations.
Author: Mitchell Zuckoff Publisher: Vintage ISBN: 0307273350 Category : Performing Arts Languages : en Pages : 578
Book Description
Robert Altman—visionary director, hard-partying hedonist, eccentric family man, Hollywood legend—comes roaring to life in this rollicking oral biography. After an all-American boyhood in Kansas City, a stint flying bombers in World War II, and jobs ranging from dog tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with M*A*S*H. He reinvented American filmmaking, and went on to produce such masterpieces as McCabe & Mrs. Miller, Nashville, The Player, Short Cuts, and Gosford Park. In Robert Altman, Mitchell Zuckoff has woven together Altman’s final interviews; an incredible cast of voices including Meryl Streep, Warren Beatty, Paul Newman, among scores of others; and contemporary reviews and news accounts into a riveting tale of an extraordinary life.
Author: Mitchell Zuckoff Publisher: Knopf ISBN: 9780307267689 Category : Biography & Autobiography Languages : en Pages : 560
Book Description
Draws on the perspectives of family members, colleagues, and actors to assess the director's life and artistic achievements, discussing such topics as his womanizing reputation, his heart transplant, and the creation of his films.
Author: Randy Olson Publisher: ISBN: 9780615872384 Category : Critical thinking Languages : en Pages : 284
Book Description
The power and importance of storytelling is now widely accepted, but this book goes further to focus on storymaking. CONNECTION brings together a former scientist, a story consultant, and an improv actor to give you the critical thinking of science combined with a century of Hollywood knowledge in the creation and shaping of stories. The material is relevant to lawyers, politicians, public health workers, educators, activists-- everyone. In today's "Twitterfied" world, CONNECTION provides the narrative tools for effective communication.
Author: Matthew Luhn Publisher: Morgan James Publishing ISBN: 1642790214 Category : Business & Economics Languages : en Pages : 135
Book Description
How to use the principles of Pixar-style storytelling to meet the needs of entrepreneurs, marketers, and business-minded storytellers of all stripes. Pixar movies have transfixed viewers around the world and stirred a hunger in creative and corporate realms to adopt new and more impactful ways of telling stories. Former Pixar and The Simpsons animator and story artist Matthew Luhn translates his two and half decades of storytelling techniques and concepts to the CEOs, advertisers, marketers, and creatives in the business world and beyond. A combination of Luhn’s personal stories and storytelling insights, The Best Story Wins retells the “Hero’s Journey” story building methods through the lens of the Pixar films to help business minds embrace the power of storytelling for themselves! “Award-winning Pixar storyteller, artist, and writer Matthew Luhn has a message for CEOs, marketers, and business professionals: to capture your audience’s attention, you need to hook them with a great story.” —Seattlepi.com
Author: Michael Tolkin Publisher: Grove/Atlantic, Inc. ISBN: 080219639X Category : Performing Arts Languages : en Pages : 227
Book Description
Three film scripts, including an Academy Award nominee, from the man described as an “Antonioni with a sense of humor” (The New Yorker). From his earliest works to the Emmy-nominated Showtime limited series Escape at Dannemora, Michael Tolkin is known as one of the industry’s biggest talents—and sharpest satirists. This volume contains three of his acclaimed screenplays. The Player, about the twisted world of Hollywood, was directed by Robert Altman and starred Tim Robbins and Greta Scacchi. It won an Edgar Award for Best Motion Picture Screenplay and has been hailed as “one of the smartest, funniest, most penetrating movies about moviemaking ever made” (Vanity Fair). The Rapture explores the emotionally intense, surreal world of Christian fundamentalism. The Los Angeles Times called it “a nervy, unsettling, edgy piece of work, that most audacious of cinematic ventures, a film of theological ideas, intent on looking into what we believe and why we believe it, determined, even eager, to explore the issues of heaven, hell, and the hereafter.” And The New Age tells the story of a young couple’s fall from financial grace and their quest for spirituality in a world defined by materialism.