Rituals and Music in Europe PDF Download

Author: Daniel Burgos
Publisher: Springer Nature
ISBN: 3031544315
Category :
Languages : en
Pages : 235

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Author: Wojtek Jezierski
Publisher: Brepols Publishers
ISBN: 9782503554723
Category : Europe
Languages : en
Pages : 0

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Book Description
This multidisciplinary volume draws together contributions from history, archaeology, and the history of religion to offer an in-depth examination of political ritual and its performative and transformative potential across Continental Europe and Scandinavia. Covering the period between c. 650 and 1350, this work takes a theoretical, textual, and practical approach to the study of political ritual, and explores the connections between, and changing functions of, key rituals such as assemblies, feasts, and religious confrontations between pagans and Christians. Taking as a central premise the fact that rituals were not only successful political instruments used to create and maintain order, but were also a hazardous game in which intended strategies could fail, the papers within this volume demonstrate that the outcomes of feasts or court meetings were often highly unpredictable, and a friendly atmosphere could quickly change into a violent clash. By emphasising the conflict-ridden and unpredictable nature of ritual acts, the articles add crucial insights into the meanings, (ab)uses, and interpretations of performances in the Middle Ages. In doing so, they demonstrate that rituals, far from being mere representations of power, also constituted an important mechanism through which the political and religious order could be challenged and transformed.

Author: Edward Muir
Publisher: Cambridge University Press
ISBN: 9780521841535
Category : History
Languages : en
Pages : 344

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The comprehensive 2005 study of rituals in early modern Europe argues that between about 1400 and 1700 a revolution in ritual theory took place that utterly transformed concepts about time, the body, and the presence of spiritual forces in the world. Edward Muir draws on extensive historical research to emphasize the persistence of traditional Christian ritual practices even as educated elites attempted to privilege reason over passion, textual interpretation over ritual action, and moral rectitude over gaining access to supernatural powers. Edward Muir discusses wide ranging themes such as rites of passage, carnivalesque festivity, the rise of manners, Protestant and Catholic Reformations, the alleged anti-Christian rituals of Jews and witches. This edition examines the impact on the European understanding of ritual from the discoveries of new civilizations in the Americas and missionary efforts in China and adds more material about rituals peculiar to women.

Author: Keith Howard
Publisher: Semar Publishers Srl
ISBN: 887778086X
Category : Music
Languages : en
Pages : 181

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Cultural Writing. Published through Muske, whose purpose is to research, recover, document and conserve the world's ethnomusicological heritage and to disseminate it across a wide audience, the papers in MUSIC AND RITUAL "were first prepared for a panel...at the 2005 annual conference of the British Forum for Ethnomusicology....At the conference, it seemed timely to return to how performance informs, illustrates and interpenetrates ritual, without setting a clear, narrow, agenda in our call for papers...[These papers] explore questions raised by the performance of music and movement, and their interrelationships, in artistic practice beyond the European art and popular music canons"--from the Introduction by Keith Howard.

Author: International Council for Traditional Music. Study group on music and dance in Southeastern Europe. Symposium
Publisher:
ISBN: 9789540001234
Category :
Languages : en
Pages : 312

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Author: Jeremy Boissevain
Publisher: Routledge
ISBN: 9780415079570
Category : Social Science
Languages : en
Pages : 204

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Author: Elaine Stratton Hild
Publisher: Oxford University Press
ISBN: 0197685919
Category : Music
Languages : en
Pages : 241

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"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--

Author: E. William Monter
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 200

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Author: Frankie Stefan Nowicki
Publisher:
ISBN:
Category : Council of Florence
Languages : en
Pages : 656

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"The Counil of Florence (1438-1439) was one of the greatest attempts at reunification of the East and West of Christendom. While theological and political discussions were taking place, the attendees of this Council engaged in a high level of cultural interaction during which both the Western hosts and Eastern guests performed rituals. These religious and civic rituals were often enhanced through the use of music. These rituals and the use of music therein were the ultimate public displays of cultural diversity and identity. This study argues that the experience of music and ritual assumed a central role in the Council."--Abstract, leaf iii.

Author: Ifeoma C.K. Nwankwo
Publisher: University of Michigan Press
ISBN: 0472027476
Category : Music
Languages : en
Pages : 278

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"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic." ---Joseph Roach, Sterling Professor of Theater, Yale University "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors." ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry