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Author: Rafael Schacter Publisher: Routledge ISBN: 1317085000 Category : Architecture Languages : en Pages : 315
Book Description
Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Author: Rafael Schacter Publisher: Routledge ISBN: 1317085000 Category : Architecture Languages : en Pages : 315
Book Description
Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Author: Dr Rafael Schacter Publisher: Ashgate Publishing, Ltd. ISBN: 1472410009 Category : Architecture Languages : en Pages : 313
Book Description
Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Author: Sonia Puttock Publisher: BAR British Series ISBN: Category : Health & Fitness Languages : en Pages : 154
Book Description
An investigation of the cultural and ritual significance behind the placing of personal ornaments in certain contexts, notably temples, shrines and burials.
Author: Judith Vicary Swisher Publisher: ISBN: 9780976409809 Category : Juvenile Nonfiction Languages : en Pages : 36
Book Description
Christopher and Noelle almost lose one of their favorite ornaments when it remains hidden in the Christmas tree branches and is thrown out with the old tree.
Author: I Gede Astra Wesnawa Publisher: European Alliance for Innovation ISBN: 1631903772 Category : Law Languages : en Pages : 605
Book Description
The rise of technology and ease of spread of information has facilitated the diaspora of new ideas in the community. The penetration of new ideology and new values challenges the status quo of value and morality in our community. While this can be seen as an opportunity to evolve as a nation, the introduction of radical and separatism brings chaos to the community. This issue is not only experienced in Indonesia but also in the whole world. The needs for a solution and academic forum to discuss this postmodernity in society bring us to the The 4th International Conference on Law, Education and Social Sciences (ICLSSE) 2022. This conference is an international forum to disseminate knowledge and research development among researchers, scholars, professionals, and those interested in research interests in Law and Social Sciences and Social Education. This conference was organized by the Faculty of Law and Social Sciences, Universitas Pendidikan Ganesha. The theme of this fourth conference is "Race, Ethnicity, and Nationalism in Postmodern Society: Opportunities and Challenges".
Author: Richard G Lesure Publisher: Cotsen Institute of Archaeology Press ISBN: 1950446204 Category : History Languages : en Pages : 672
Book Description
Paso de la Amada, an archaeological site in the Soconusco region of the Pacific coast of Mexico, was among the earliest sedentary, ceramic-using villages of Mesoamerica. With an occupation that extended across 140 ha in 1600 BC, it was also one of the largest communities of its era. First settled around 1900 BC, the site was abandoned 600 years later during what appears to have been a period of local political turmoil. The decline of Paso de la Amada corresponded with a rupture in local traditions of material culture and local adoption of the Early Olmec style. Stylistically, the material culture of Paso de la Amada corresponds predominantly to the pre-Olmec Mokaya tradition. Excavations at the site have revealed significant earthen constructions from as early as 1700 BC. Those include the earliest known Mesoamerican ball court and traces of a series of high-status residences. This monograph reports on large-scale excavations in Mounds 1, 12, and 32, as well as soundings in other locations. The volume covers all aspects of excavations and artifacts and includes three lengthy interpretive chapters dealing with the main research questions, which concern subsistence, social inequality, and the organizational history of the site.
Author: Michael Tawa Publisher: Cambridge Scholars Publishing ISBN: 1527551903 Category : Architecture Languages : en Pages : 295
Book Description
Theorising the Project aims to explore a thematic approach to architectural design. It conceptualises the design process in a general sense through seven key phases: developing a thematic framework and a line of inquiry to situate the project; investigating the project brief and mapping the project site to unravel potential themes and questions; situating technology as a formative condition for design; analysing precedents from the arts, literature and architecture to elaborate implications for design and considering representation as equally constitutive of the design undertaking. Key themes which are unpacked using extensive etymologies and metaphorical associations include theory, mapping, the makeshift, potentiality and agency. The concepts of assemblage and emergence are developed to contextualise the design process and architectural settings as enabling infrastructures for thinking and practice. The book contends that design is a matter of setting up strategic and productive thematic assemblages that are not directed to the translation or formal expression of meaning, but to the framing of strategic and enabling conditions for emergent sense realised within the existential and material conditions of architecture. Succinct analyses of precedents across several disciplines are used to foreground tectonic and compositional characteristics with adaptational capacity for space, time, materiality and architectural narrative. The thematic framework of the book engages theoretical material by Giorgio Agamben, Gilles Deleuze, Martin Heidegger, Francois Jullien, Manuel De Landa and Jean-Luc Nancy. Illustrated with drawings and photographs by the author, the book will be of interest to practitioners and students of art, design and the built environment who wish to expand the foundational premises for design, widen the creative scope of their practice and exploit the thematic and metaphorical capacities of their project work.
Author: Rafael Schacter
Author: Rafael Schacter
Author: Dr Rafael Schacter
Author: Sonia Puttock
Author: Denis Robert McNamara
Author: Judith Vicary Swisher
Author: I Gede Astra Wesnawa
Author: Eva Wilson
Author: Gillett J. Ottaway
Author: Richard G Lesure
Author: Michael Tawa