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Author: Dēmētrēs Tziovas Publisher: Oxford University Press, USA ISBN: 019967275X Category : History Languages : en Pages : 439
Book Description
Antiquity has often been perceived as the source of Greece's modern achievements, as well as its frustrations, with the continuity between ancient and modern Greek culture and the legacy of classical Greece in Europe dominating and shaping current perceptions of the classical past. By moving beyond the dominant perspectives on the Greek past, this edited volume shifts attention to the ways this past has been constructed, performed, (ab)used, Hellenized, canonized, and ultimately decolonized and re-imagined. For the contributors, re-imagining the past is an opportunity to critically examine and engage imaginatively with various approaches. Chapters explore both the role of antiquity in texts and established cultural practices and its popular, material and everyday uses, charting the transition in the study of the reception of antiquity in modern Greek culture from an emphasis on the continuity of the past to the recognition of its diversity. Incorporating a number of chapters which adopt a comparative perspective, the volume re-imagines Greek antiquity and invites the reader to look at the different uses and articulations of the past both in and outside Greece, ranging from literature to education, and from politics to photography.
Author: Giannēs Ritsos Publisher: ISBN: Category : Greek fiction, Modern Languages : en Pages : 380
Book Description
"This work of Ritsos, is it a novel with an emphatic question-mark added by the poet himself? Is it a 'roman fleuve' in the sense of Proust's 'Remembrance of Things Past?' Is it a wild prose-poetic fling in a 'sarcastic climate'? Or is it an autobiography of Greece's most human poet, whom Aragon hailed as the 'greatest poet of his time?' And what about the strange title? How are the established Orthodox saints, traditionally decorating the panels near the altar, how are they replaced by 'anonymous' human beings? -- everyday people from Ritsos' neighbourhood; members of his large family and simply inhabitants of Monemvasin; unassuming fellow-prisoners on exile islands and a closely-knit band of friends. All these 'anonymities' are skillfully counterpointed with the hero -- Ion -- and Ion's alter ego -- Ariostos -- and woven into a fascinating tapestry of reminiscences and reflections, vivid memories from childhood and adolescence, speculations on Greece's recent history, confessions bordering on psycho-analytical introspection, and, occasionally, surrealistic dreams. Ritsos' 'Iconostatis' is embellished with an almost Joycean richness of word, including outrageous puns, unprecedented, though ineffably 'poetic', erotica and miraculous flights of language.In the other two volumes, still to appear in English, Ritsos adds the finishing touches to his vast mosaic, bringing his visionary cycle full circle"--Publisher's description, vol. 1, back cover.
Author: Giannēs Ritsos Publisher: Princeton University Press ISBN: 0691019088 Category : Literary Collections Languages : en Pages : 266
Book Description
The celebrated modern Greek poet Yannis Ritsos follows such distinguished predecessors as C. P. Cavafy and George Seferis in a dramatic and symbolic expression of a tragic sense of life. The shorter poems gathered in this volume present what Ritsos calls "simple things" that turn out not to be simple at all. Here we find a world of subtle nuances, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous--but the poems also provide lyrical and idyllic interludes, along with cunning re-creations of Greek mythology and history. This collection of Ritsos's work--perhaps most of all those poems written while he was in forced exile under the dictatorship of the Colonels--testifies to his just place among the major European poets of this century. The distinguished translator of modern Greek poetry Edmund Keeley has chosen for this anthology selections from seven of Ritsos's volumes of shorter poems written between 1946 and 1975. Two of these volumes are represented here in English versions for the first time, two others have been translated only sporadically, and the remaining three were first published in a bilingual edition now out of print (Ritsos in Parentheses). The collection thus covers thirty years of a poetic career that is the most prolific, and among the most honored, in Greece's modern history.
Author: Yannis Ritsos Publisher: Princeton University Press ISBN: 1400870887 Category : Literary Criticism Languages : en Pages : 204
Book Description
Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos's poetry translated here—Parentheses, 1946-47, Parentheses, 1950-61, and The Distant, 1975—represent a thirty year poetic journey and a developing sensibility that link the poet's subtler perceptions at different moments of his maturity. In his introduction to the poems, and as an explanation of the book's title, Edmund Keeley writes: "The two signs of the parenthesis are like cupped hands facing each other across a distance, hands that are straining to come together, to achieve a meeting that would serve to reaffirm human contact between isolated presences; but though there are obvious gestures toward closing the gap between the hands, the gestures seem inevitably to fail, and the meeting never quite occurs." In terms of the development of Ritsos's poetic vision, the distance within the parenthesis is shorter in each of the two earlier volumes than in the most recent volume. There the space has become almost infinite, yet Ritsos's powerfully evocative if stark landscape reveals a stylistic purity that is the latest mark of his greatness. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Dēmētrēs Tziovas Publisher: Oxford University Press, USA ISBN: 019967275X Category : History Languages : en Pages : 439
Book Description
Antiquity has often been perceived as the source of Greece's modern achievements, as well as its frustrations, with the continuity between ancient and modern Greek culture and the legacy of classical Greece in Europe dominating and shaping current perceptions of the classical past. By moving beyond the dominant perspectives on the Greek past, this edited volume shifts attention to the ways this past has been constructed, performed, (ab)used, Hellenized, canonized, and ultimately decolonized and re-imagined. For the contributors, re-imagining the past is an opportunity to critically examine and engage imaginatively with various approaches. Chapters explore both the role of antiquity in texts and established cultural practices and its popular, material and everyday uses, charting the transition in the study of the reception of antiquity in modern Greek culture from an emphasis on the continuity of the past to the recognition of its diversity. Incorporating a number of chapters which adopt a comparative perspective, the volume re-imagines Greek antiquity and invites the reader to look at the different uses and articulations of the past both in and outside Greece, ranging from literature to education, and from politics to photography.
Author: Giannēs Ritsos Publisher: ISBN: Category : Greek fiction, Modern Languages : en Pages : 268
Book Description
"This work of Ritsos, is it a novel with an emphatic question-mark added by the poet himself? Is it a 'roman fleuve' in the sense of Proust's 'Remembrance of Things Past?' Is it a wild prose-poetic fling in a 'sarcastic climate'? Or is it an autobiography of Greece's most human poet, whom Aragon hailed as the 'greatest poet of his time?' And what about the strange title? How are the established Orthodox saints, traditionally decorating the panels near the altar, how are they replaced by 'anonymous' human beings? -- everyday people from Ritsos' neighbourhood; members of his large family and simply inhabitants of Monemvasin; unassuming fellow-prisoners on exile islands and a closely-knit band of friends. All these 'anonymities' are skillfully counterpointed with the hero -- Ion -- and Ion's alter ego -- Ariostos -- and woven into a fascinating tapestry of reminiscences and reflections, vivid memories from childhood and adolescence, speculations on Greece's recent history, confessions bordering on psycho-analytical introspection, and, occasionally, surrealistic dreams. Ritsos' 'Iconostatis' is embellished with an almost Joycean richness of word, including outrageous puns, unprecedented, though ineffably 'poetic', erotica and miraculous flights of language. In the other two volumes, still to appear in English, Ritsos adds the finishing touches to his vast mosaic, bringing his visionary cycle full circle"--Publisher's description, vol. 1, back cover
Author: Giannēs Ritsos Publisher: ISBN: Category : Greek fiction, Modern Languages : en Pages : 340
Book Description
"This work of Ritsos, is it a novel with an emphatic question-mark added by the poet himself? Is it a 'roman fleuve' in the sense of Proust's 'Remembrance of Things Past?' Is it a wild prose-poetic fling in a 'sarcastic climate'? Or is it an autobiography of Greece's most human poet, whom Aragon hailed as the 'greatest poet of his time?' And what about the strange title? How are the established Orthodox saints, traditionally decorating the panels near the altar, how are they replaced by 'anonymous' human beings? -- everyday people from Ritsos' neighbourhood; members of his large family and simply inhabitants of Monemvasin; unassuming fellow-prisoners on exile islands and a closely-knit band of friends. All these 'anonymities' are skillfully counterpointed with the hero -- Ion -- and Ion's alter ego -- Ariostos -- and woven into a fascinating tapestry of reminiscences and reflections, vivid memories from childhood and adolescence, speculations on Greece's recent history, confessions bordering on psycho-analytical introspection, and, occasionally, surrealistic dreams. Ritsos' 'Iconostatis' is embellished with an almost Joycean richness of word, including outrageous puns, unprecedented, though ineffably 'poetic', erotica and miraculous flights of language. In the other two volumes, still to appear in English, Ritsos adds the finishing touches to his vast mosaic, bringing his visionary cycle full circle"--Publisher's description, vol. 1, back cover
Author: Jane E. Everson Publisher: Boydell & Brewer ISBN: 1843846713 Category : Italian literature Languages : en Pages : 409
Book Description
An exploration of the many depictions of Charlemagne in the Italian tradition of chivalric narratives in verse and prose. Chivalric tales and narratives concerning Charlemagne were composed and circulated in Italy from the early fourteenth to the mid-sixteenth century (and indeed subsequently flourished in forms of popular theatre which continue today). But are they history or fiction? Myth or fact? Cultural memory or deliberate appropriation? Elite culture or popular entertainment? Oral or written, performed or read? This book explores the many depictions of the Emperor in the Italian tradition of chivalric narratives in verse and prose. Beginning in the age of Dante with the earliest tales composed for Italians in the hybrid language of Franco-Italian, which draw inspiration from the French tradition of Charlemagne narratives, the volume considers the compositions of anonymous reciters of cantari and the prose versions of the Florentine Andrea da Barberino, before discussing the major literary contributions to the genre by Luigi Pulci, Matteo Maria Boiardo and Ludovico Ariosto. The focus throughout is on the ways in which the portrait of Charlemagne, seen as both Emperor and King of France, is persistently ambiguous, affected by the contemporary political situation and historical events such as invasion and warfare. He emerges through these texts in myriad guises, from positive and admirable to negative and despised.
Author: Dēmētrēs Tziovas
Author: Giannēs Ritsos
Author: Giannēs Ritsos
Author: Yannis Ritsos
Author: Dēmētrēs Tziovas
Author: 
Author: Giannēs Ritsos
Author: 
Author: John Lehmann
Author: Giannēs Ritsos
Author: Jane E. Everson