Richard Wagner's Essays on Conducting PDF Download

Author: Chris Walton
Publisher:
ISBN: 9781800101890
Category : Conducting
Languages : en
Pages :

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Author: Jean-Jacques Nattiez
Publisher: Yale University Press
ISBN: 9780300057188
Category : Music
Languages : en
Pages : 238

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This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.

Author: Richard Wagner
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 146

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Author: Richard Wagner
Publisher: Courier Corporation
ISBN: 0486259323
Category : Music
Languages : en
Pages : 129

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Wagner initiated the Romantic image of the conductor as a fiery, omniscient dictator of the podium. This work collects his eloquent essays on role of the conductor, musical interpretation, and many other topics. Originally printed in 1887, it remains an exciting and valid resource for the modern reader.

Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 138

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Author: Francis Hueffer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354

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Author: Thomas S. Grey
Publisher: Princeton University Press
ISBN: 1400831784
Category : Music
Languages : en
Pages : 560

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Book Description
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297661
Category : Music
Languages : en
Pages : 452

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Book Description
Musical genius, polemicist, explosive personality-that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in Judaism in Music and Other Essays were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music, " which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser, " written while he was in political exile; "On Musical Criticism, " an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.

Author: Anton Seidl
Publisher: Parrot Press
ISBN: 0987155660
Category : Music
Languages : en
Pages : 29

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A facsimile of the first, illustrated, edition of Seidl's essay "On Conducting" published in 1895. Seidl is the only one of Wagner's conductors to have written in detail about the way the composer's works should be performed. Along with Wagner's own tract "On Conducting" (1869), Seidl's essay is of great importance.