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Author: Ralf Vogel Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110394243 Category : Language Arts & Disciplines Languages : en Pages : 261
Book Description
The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, there was no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.
Author: Ralf Vogel Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110394243 Category : Language Arts & Disciplines Languages : en Pages : 261
Book Description
The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, there was no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.
Author: Ralf Vogel Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110378094 Category : Language Arts & Disciplines Languages : en Pages : 318
Book Description
The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, there was no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.
Author: Aniruddh D. Patel Publisher: Oxford University Press ISBN: 019989017X Category : Medical Languages : en Pages : 526
Book Description
In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities. Winner of the 2008 ASCAP Deems Taylor Award.
Author: Patrick Rebuschat Publisher: OUP Oxford ISBN: 0191625507 Category : Psychology Languages : en Pages : 357
Book Description
The past 15 years have witnessed an increasing interest in the comparative study of language and music as cognitive systems. Language and music are uniquely human traits, so it is not surprising that this interest spans practically all branches of cognitive science, including psychology, computer science, linguistics, cognitive neuroscience, and education. Underlying the study of language and music is the assumption that the comparison of these two domains can shed light on the structural and functional properties of each, while also serving as a test case for theories of how the mind and, ultimately, the brain work. This book presents an interdisciplinary study of language and music, bringing together a team of leading specialists across these fields. The volume is structured around four core areas in which the study of music and language has been particularly fruitful: (i) structural comparisons, (ii) evolution, (iii) learning and processing, and (iv) neuroscience. As such it provides a snapshot of the different research strands that have focused on language and music, identifying current trends and methodologies that have been (or could be) applied to the study of both domains, and outlining future research directions. This volume is valuable in promoting the investigation of language and music by fostering interdisciplinary discussion and collaboration. With an ever increasing interest in both music cognition and language, this book will be valuable for students and researchers of psychology, linguistics, neuroscience, and musicology.
Author: M. Carmen Fonseca-Mora Publisher: Cambridge Scholars Publishing ISBN: 1443813621 Category : Language Arts & Disciplines Languages : en Pages : 201
Book Description
Melodies, Rhythm and Cognition in Foreign Language Learning is a collection of essays reflecting on the relationship between language and music, two unique, innate human capacities. This book provides a clear explanation of the centrality of melodies and rhythm to foreign language learning acquisition. The interplay between language music brings to applied linguists inquiries into the nature and function of speech melodies, the role of prosody and the descriptions of rhythmical patterns in verbal behaviour. Musical students seem to be better equipped for language learning, although melodies and rhythm can benefit all types of students at any age. In fact, in this book melodies and rhythm are considered to be a springboard for the enhancement of the learning of foreign languages.
Author: Ole Schützler Publisher: Cambridge University Press ISBN: 1108603483 Category : Language Arts & Disciplines Languages : en Pages : 375
Book Description
Corpus linguistics continues to be a vibrant methodology applied across highly diverse fields of research in the language sciences. With the current steep rise in corpus sizes, computational power, statistical literacy and multi-purpose software tools, and inspired by neighbouring disciplines, approaches have diversified to an extent that calls for an intensification of the accompanying critical debate. Bringing together a team of leading experts, this book follows a unique design, comparing advanced methods and approaches current in corpus linguistics, to stimulate reflective evaluation and discussion. Each chapter explores the strengths and weaknesses of different datasets and techniques, presenting a case study and allowing readers to gauge methodological options in practice. Contributions also provide suggestions for further reading, and data and analysis scripts are included in an online appendix. This is an important and timely volume, and will be essential reading for any linguist interested in corpus-linguistic approaches to variation and change.
Author: Andrea Ravignani Publisher: Frontiers Media SA ISBN: 2889455009 Category : Languages : en Pages : 391
Book Description
Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes’ long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of “rhythmicity” as an evolved behavior.
Author: Julia Schlüter Publisher: Walter de Gruyter ISBN: 3110219263 Category : Language Arts & Disciplines Languages : en Pages : 409
Book Description
This groundbreaking book highlights a phonological preference, the Principle of Rhythmic Alternation, as a factor in grammatical variation and change in English from the early modern period to the present. Though frequently overlooked in earlier research, the phonetically motivated avoidance of adjacent stresses is shown to exert an influence on a wide variety of phenomena in morphology and syntax. Based on in-depth analyses of extensive electronic databases, the book presents 20 exemplary studies from different structural categories. Among them are much-debated as well as novel issues, including the double comparative worser, 'predicative only' a- adjectives, variant past participles, the placement of the degree modifier quite, the order of conjuncts in binomials, the negation of attributive adjectives and sentence adverbs, variable adverbial marking, the use or omission of the infinitive marker, and the a- prefix before - ing forms. The studies provide qualitative and quantitative evidence of the importance of rhythmic alternation in synchronic variation as well as diachronic change, without neglecting interactions with a set of competing functional tendencies. Thus, the book contributes essential aspects to the description and explanation of the phenomena considered, calling for a fundamental revision of current thinking about the interface between phonology and morphosyntax. In addition, the empirical findings are brought to bear on theoretical discussions of more general interest, yielding a critical assessment of the merits and limitations of two nonmodular linguistic theories: Optimality Theory and spreading activation models. The latter type is developed into a comprehensive conception integrating functional factors such as the Principle of Rhythmic Alternation in an overarching framework for language variation and change. The wide range of subject areas covered makes the volume essential reading and a source of inspiration for linguists with interests as diverse as the phonology-morphosyntax interface, English grammar, the history of English, functional linguistics, Optimality Theory, as well as neuro- and psycholinguistics.
Author: Ralf Vogel
Author: Ralf Vogel
Author: Ralf Vogel
Author: Aniruddh D. Patel
Author: Patrick Rebuschat
Author: M. Carmen Fonseca-Mora
Author: Ole Schützler
Author: Andrea Ravignani
Author: Charles-Etienne Benoit
Author: Stefanie Peykarjou
Author: Julia Schlüter