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Author: Amy Nelson Publisher: Penn State Press ISBN: 9780271023694 Category : History Languages : en Pages : 354
Book Description
"Music for the Revolution examines musicians' responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties." --book jacket.
Author: Russell Shorto Publisher: W. W. Norton & Company ISBN: 0393245551 Category : History Languages : en Pages : 687
Book Description
“An engaging piece of historical detective work and narrative craft.” —Chicago Tribune At a time when America’s founding principles are being debated as never before, Russell Shorto looks back to the era in which those principles were forged. In Revolution Song, Shorto weaves the lives of six people into a seamless narrative that casts fresh light on the range of experience in colonial America on the cusp of revolution. The result is a brilliant defense of American values with a compelling message: the American Revolution is still being fought today, and its ideals are worth defending.
Author: Guntis Šmidchens Publisher: University of Washington Press ISBN: 0295804890 Category : History Languages : en Pages : 457
Book Description
The Power of Song shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic “Singing Revolution.” When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent political action. More than 110 choral, rock, and folk songs are translated and interpreted in poetic, cultural, and historical context. Watch the trailer: http://www.youtube.com/watch?v=Gh7vFFjK0rc
Author: Alan Bradshaw Publisher: Advertising Revolution ISBN: 1912248220 Category : Social Science Languages : en Pages : 118
Book Description
In 1987, Nike released their new sixty-second commercial for Air shoes„and changed the face of the advertising industry. Set to the song ñRevolutionî by the Beatles, the commercial was the first and only advert ever to feature an original recording of the Fab Four. It sparked a chain of events that would transform the art of branding, the sanctity of pop music, the perception of advertisers in popular culture, and John LennonÍs place in the leftist imagination. Advertising Revolution traces the song ñRevolutionî from its origins in the social turmoil of the Sixties, through its controversial use in the Nike ad, to its status today as a right-wing anthem and part of Donald TrumpÍs campaign set list. Along the way, the book unfolds the story of how we came to think of Nike as the big bad wolf of soulless corporations, and how the Beatles got their name as the quintessential musicians of independent integrity. To what degree are each of these reputations deserved? How ruthlessly cynical was the process behind the Nike ad? And how wholesomely uncommercial was John LennonÍs writing of the song? Throughout the book, Alan Bradshaw and Linda Scott complicate our notions of commercialism and fandom, making the case for a reading of advertisements that takes into account the many overlapping intentions behind what we see onscreen. Challenging the narratives of the evil-genius ad conglomerate and the pure-intentioned artist, they argue that we can only begin to read adverts productively when we strip away the industryÍs mysticism and approach advertisers and artists alike as real, flawed, differentiated human beings.
Author: Amy Nelson Publisher: Penn State Press ISBN: 9780271023694 Category : History Languages : en Pages : 354
Book Description
"Music for the Revolution examines musicians' responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties." --book jacket.
Author: Laura Mason Publisher: Cornell University Press ISBN: 9780801432330 Category : History Languages : en Pages : 304
Book Description
Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance.
Author: Barbara Mittler Publisher: BRILL ISBN: 1684175186 Category : Art Languages : en Pages : 511
Book Description
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art—music, stage works, prints and posters, comics, and literature—from the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China. Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.
Author: Xing Lu Publisher: Univ of South Carolina Press ISBN: 9781570035432 Category : China Languages : en Pages : 316
Book Description
Now known to the Chinese as the "ten years of chaos," the Chinese Cultural Revolution (1966-1976) brought death to thousands and persecution to millions. Xing Lu identifies the rhetorical features and explores the persuasive effects of political language and symbolic practices during the period. She examines how leaders of the Communist Party enacted a rhetoric in political contexts to legitimize power and violence and to dehumanize a group of people identified as class enemies.
Author: Tuo Wang Publisher: Lexington Books ISBN: 0739192914 Category : Political Science Languages : en Pages : 185
Book Description
The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people’s everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people’s eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary people’s radical revolutionary behavior. In addition, this book examines the audience’s reaction to Jiang Qing’s court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how people’s performances of their everyday life functioned as mechanisms of social control.
Author: Amy Nelson
Author: Russell Shorto
Author: Morgan/Rae Hoog/Growing Field Books
Author: Guntis Šmidchens
Author: Alan Bradshaw
Author: Amy Nelson
Author: Laura Mason
Author: Samuel Eben Barney
Author: Barbara Mittler
Author: Xing Lu
Author: Tuo Wang