Author: Ebenezer Wake COOK
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
Book Description
Retrogression in Art and the Suicide of the Royal Academy. Part the Second. The Coming Renaissance, Etc. [With Plates.].
Retrogression in Art, and the Suicide of the Royal Academy
Author: E. Wake Cook
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 276
Book Description
The Modernity of English Art, 1914-30
Author: David Peters Corbett
Publisher: Manchester University Press
ISBN: 9780719037337
Category : Art
Languages : en
Pages : 260
Book Description
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Publisher: Manchester University Press
ISBN: 9780719037337
Category : Art
Languages : en
Pages : 260
Book Description
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Retrogession in Art and the Suicide of the Royal Academy
The Studio
British Art and the First World War, 1914–1924
Author: James Fox
Publisher: Cambridge University Press
ISBN: 1316368912
Category : History
Languages : en
Pages : 259
Book Description
The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.
Publisher: Cambridge University Press
ISBN: 1316368912
Category : History
Languages : en
Pages : 259
Book Description
The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.
Art for the Nation
Author: Brandon Taylor
Publisher: Manchester University Press
ISBN: 9780719054532
Category : Art
Languages : en
Pages : 346
Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Publisher: Manchester University Press
ISBN: 9780719054532
Category : Art
Languages : en
Pages : 346
Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Bulletin of the New York Public Library
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1042
Book Description
Includes its Report, 1896-19 .
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1042
Book Description
Includes its Report, 1896-19 .