Author: Barbara A. Murray
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639184
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Between 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him.
Restoration Shakespeare
Author: Barbara A. Murray
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639184
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Between 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639184
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Between 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him.
Performing Restoration Shakespeare
Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1009241249
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.
Publisher: Cambridge University Press
ISBN: 1009241249
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.
Reinventing Shakespeare
Author: Gary Taylor
Publisher:
ISBN: 9780099819707
Category : Great Britain
Languages : en
Pages : 461
Book Description
Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare.
Publisher:
ISBN: 9780099819707
Category : Great Britain
Languages : en
Pages : 461
Book Description
Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare.
English Drama
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1317871464
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
The most important period in the history of English drama is revealed in Alexander Leggatt's challenging account. The author considers English drama from the beginning of Shakespeare's career to the restoration of Charles II. Focusing on Shakespeare and the development of his art, he examines all his major contemporaries: Jonson, Middleton, Webster, Beaumont, Fletcher and Ford. He combines close analysis of specific plays with a broader look at trends within drama.
Publisher: Routledge
ISBN: 1317871464
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
The most important period in the history of English drama is revealed in Alexander Leggatt's challenging account. The author considers English drama from the beginning of Shakespeare's career to the restoration of Charles II. Focusing on Shakespeare and the development of his art, he examines all his major contemporaries: Jonson, Middleton, Webster, Beaumont, Fletcher and Ford. He combines close analysis of specific plays with a broader look at trends within drama.
A Short History of Shakespeare in Performance
Author: Richard Schoch
Publisher: Cambridge University Press
ISBN: 110878867X
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
Publisher: Cambridge University Press
ISBN: 110878867X
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
Shakespeare and Renaissance Literature before Heterosexuality
Author: R. Bach
Publisher: Springer
ISBN: 0230603637
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Shakespeare has been misread for centuries as having modern ideas about sex and gender.This book shows how in the Restoration and Eighteenth century, Shakespeare's plays and other Renaissance texts were adapted to make them conform to these modern ideas.Through readings of Shakespearean texts, including King Lear, Antony and Cleopatra, and Othello, and other Renaissance drama, the book reveals a sexual world before heterosexuality. Shakespeare and Renaissance Literature Before Heterosexuality shows how revisions and criticism of Renaissance drama contributed to the emergence of heterosexuality.It also shows how changing ideas about status, adultery, friendship, and race were factors in that emergence.
Publisher: Springer
ISBN: 0230603637
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Shakespeare has been misread for centuries as having modern ideas about sex and gender.This book shows how in the Restoration and Eighteenth century, Shakespeare's plays and other Renaissance texts were adapted to make them conform to these modern ideas.Through readings of Shakespearean texts, including King Lear, Antony and Cleopatra, and Othello, and other Renaissance drama, the book reveals a sexual world before heterosexuality. Shakespeare and Renaissance Literature Before Heterosexuality shows how revisions and criticism of Renaissance drama contributed to the emergence of heterosexuality.It also shows how changing ideas about status, adultery, friendship, and race were factors in that emergence.
Canonising Shakespeare
Author: Emma Depledge
Publisher: Cambridge University Press
ISBN: 1108670377
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.
Publisher: Cambridge University Press
ISBN: 1108670377
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.
Shakespeare's Rise to Cultural Prominence
Author: Emma Depledge
Publisher: Cambridge University Press
ISBN: 1108427103
Category : Drama
Languages : en
Pages : 267
Book Description
Argues that the Exclusion Crisis of 1678-82 should be considered the watershed moment in Shakespeare's authorial afterlife.
Publisher: Cambridge University Press
ISBN: 1108427103
Category : Drama
Languages : en
Pages : 267
Book Description
Argues that the Exclusion Crisis of 1678-82 should be considered the watershed moment in Shakespeare's authorial afterlife.
Shakespeare, In Fact
Author: Irvin Leigh Matus
Publisher: Courier Corporation
ISBN: 0486320790
Category : Drama
Languages : en
Pages : 339
Book Description
Virtuoso presentation of available evidence of the Bard's life. "Written with wit and panache, this erudite tome dismantles the arguments claiming that someone other than Shakespeare wrote his plays." — Publishers Weekly.
Publisher: Courier Corporation
ISBN: 0486320790
Category : Drama
Languages : en
Pages : 339
Book Description
Virtuoso presentation of available evidence of the Bard's life. "Written with wit and panache, this erudite tome dismantles the arguments claiming that someone other than Shakespeare wrote his plays." — Publishers Weekly.
Shakespeare, Music and Performance
Author: Bill Barclay
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303
Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303
Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.