Author: Oscar George SonneckPublisher:
ISBN:
Category : Hail Columbia (Song).
Languages : en
Pages : 268
Book Description
Report on "The Star-Spangled Banner," "Hail Columbia," "America," "Yankee Doodle"
Author: Oscar George SonneckPublisher:
ISBN:
Category : Hail Columbia (Song).
Languages : en
Pages : 268
Book Description
The Nation
Author: Star-Spangled Banner
Author: Marc FerrisPublisher: JHU Press
ISBN: 1421415186
Category : History
Languages : en
Pages : 327
Book Description
" In September, 2014, Baltimore and the United States will mark the bicentennial of the event that inspired "The Star-Spangled Banner." But Francis Scott Key's poem, set to a British drinking song, has not always been our anthem, nor even especially popular. Aiming at a broad readership, Ferris examines the history of the song through the generations that followed the War of 1812, the kinds of Americans who rallied behind the song, and the successful lobbying effort that in 1933 convinced Congress to adopt the music and four stanzas as our official national anthem. Since then many citizens have called for its replacement with something less warlike; people quarrel over its apparent militarism and also difficulty level. Politically, Ferris finds, the song has an interesting and somewhat tortured story. Are we the only nation on earth with a controversial national anthem?"--Provided by publisher.
Dwight's Journal of Music
Author: Musical Messenger
Author: Musical Observer
Author: New York Weekly Review
Author: Making the March King
Author: Patrick WarfieldPublisher: University of Illinois Press
ISBN: 0252095073
Category : Biography & Autobiography
Languages : en
Pages : 361
Book Description
John Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains how the March King came to be by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.
Music of the Fourth of July
Author: James R. HeintzePublisher: McFarland
ISBN:
Category : History
Languages : en
Pages : 446
Book Description
In this, the first comprehensive study of the music of the Fourth of July, information on notable Independence Day compositions and performances is presented chronologically from 1777 through 2008. The book demonstrates the remarkable significance of music in Fourth of July celebrations. Noteworthy topics and occasions include music at the White House; music by immigrant and ethnic groups; dedications of statues and monuments; symphonies and philharmonic orchestras; the centennial and bicentennial; world's fairs; music in prisons, circuses, and amusement parks; and many others.
Author: