Author: Maria Teresa Micaela Prendergast
Publisher: Kent State University Press
ISBN: 9780873386449
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Explores why some early modern writers put their masculine literary authority at risk by writing from the perspective of femininity and effeminacy. The text argues that such work promoted alternatives to the dominant patriarchal aesthetics by celebrating unruly female and effeminate male bodies.
Renaissance Fantasies
Author: Maria Teresa Micaela Prendergast
Publisher: Kent State University Press
ISBN: 9780873386449
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Explores why some early modern writers put their masculine literary authority at risk by writing from the perspective of femininity and effeminacy. The text argues that such work promoted alternatives to the dominant patriarchal aesthetics by celebrating unruly female and effeminate male bodies.
Publisher: Kent State University Press
ISBN: 9780873386449
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Explores why some early modern writers put their masculine literary authority at risk by writing from the perspective of femininity and effeminacy. The text argues that such work promoted alternatives to the dominant patriarchal aesthetics by celebrating unruly female and effeminate male bodies.
Faith and Fantasy in the Renaissance
Author: Olga Zorzi Pugliese
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
Fantasies of music in nostalgic medievalism
Author: Helen Dell
Publisher: Manchester University Press
ISBN: 1526173948
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
In the period between the Second World War and the present, there has been an extraordinary rise in the production of medievalist fantasy literature and film. This has been accompanied by the revival, performance and invention of medieval music. In this enterprise modern fantasies of the Middle Ages have exercised great influence. Fantasies of music in nostalgic medievalism shows how music, medievalism and nostalgia have been woven together in the fantasies of writers and readers, musicians, musicologists, directors and listeners, film-makers and film-goers. This book studies the ways in which three fields of creative activity inspired by the medieval – musical performance, literature, cinema and their reception – have worked together to produce and sustain, for some, the fantasy of a long-lost, long-mourned paradisal home.
Publisher: Manchester University Press
ISBN: 1526173948
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
In the period between the Second World War and the present, there has been an extraordinary rise in the production of medievalist fantasy literature and film. This has been accompanied by the revival, performance and invention of medieval music. In this enterprise modern fantasies of the Middle Ages have exercised great influence. Fantasies of music in nostalgic medievalism shows how music, medievalism and nostalgia have been woven together in the fantasies of writers and readers, musicians, musicologists, directors and listeners, film-makers and film-goers. This book studies the ways in which three fields of creative activity inspired by the medieval – musical performance, literature, cinema and their reception – have worked together to produce and sustain, for some, the fantasy of a long-lost, long-mourned paradisal home.
Medieval Fantasy as Performance
Author: Michael A. Cramer
Publisher: Rowman & Littlefield
ISBN: 0810869950
Category : Civilization, Medieval
Languages : en
Pages : 230
Book Description
In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be "medieval." Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval "king game," a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.
Publisher: Rowman & Littlefield
ISBN: 0810869950
Category : Civilization, Medieval
Languages : en
Pages : 230
Book Description
In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be "medieval." Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval "king game," a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.
Nuclear Madness
Author: Ira Chernus
Publisher: State University of New York Press
ISBN: 0791498913
Category : Religion
Languages : en
Pages : 350
Book Description
This book builds on Robert Jay Lifton's theory of psychic numbing, and takes madness as a guiding metaphor. It shows that public perceptions of the Bomb are a kaleidoscope of ever-changing ideas and images. Recent changes in public awareness only signal new symptoms of this public madness, symptoms unwittingly fostered by the antinuclear movement. Since the newest nuclear images follow the same psychological pattern as their predecessors, they are likely to lead us deeper into nuclear madness. Chernus offers new interpretations of four major theorists int the psychology of religion—Paul Tillich, R.D. Laing, Mircea Eliade, and James Hillman—to trace the roots of nuclear madness back to the onset of modernity, when the West gained technological mastery at the price of losing religious imagination and ontological security. The author develops an interpretation of Lifton's own thought as an ontological and religious psychology. Drawing on the work of Eliade and Hillman, he goes on to suggest that madness reflects a repressed desire to transform life by opening up the floodgates of imagination. A conscious cultivation of the play of imagination can lead the way through madness to sanity and peace. But, imagination can only respond to the nuclear threat if it is acted out in a new brand of peace activism that blends pragmatic politics with psychological and religious transformation.
Publisher: State University of New York Press
ISBN: 0791498913
Category : Religion
Languages : en
Pages : 350
Book Description
This book builds on Robert Jay Lifton's theory of psychic numbing, and takes madness as a guiding metaphor. It shows that public perceptions of the Bomb are a kaleidoscope of ever-changing ideas and images. Recent changes in public awareness only signal new symptoms of this public madness, symptoms unwittingly fostered by the antinuclear movement. Since the newest nuclear images follow the same psychological pattern as their predecessors, they are likely to lead us deeper into nuclear madness. Chernus offers new interpretations of four major theorists int the psychology of religion—Paul Tillich, R.D. Laing, Mircea Eliade, and James Hillman—to trace the roots of nuclear madness back to the onset of modernity, when the West gained technological mastery at the price of losing religious imagination and ontological security. The author develops an interpretation of Lifton's own thought as an ontological and religious psychology. Drawing on the work of Eliade and Hillman, he goes on to suggest that madness reflects a repressed desire to transform life by opening up the floodgates of imagination. A conscious cultivation of the play of imagination can lead the way through madness to sanity and peace. But, imagination can only respond to the nuclear threat if it is acted out in a new brand of peace activism that blends pragmatic politics with psychological and religious transformation.
Strictly Fantasy
Author: Gerald Nachtwey
Publisher: McFarland
ISBN: 1476675716
Category : Games & Activities
Languages : en
Pages : 200
Book Description
Role-playing games seemed to appear of nowhere in the early 1970s and have been a quiet but steady presence in American culture ever since. This new look at the hobby searches for the historical origins of role-playing games deep in the imaginative worlds of Western culture. It looks at the earliest fantasy stories from the nineteenth and twentieth centuries, at the fans--both readers and writers--who wanted to bring them to life, at the Midwestern landscape and the middle-class households that were the hobby's birthplace, and at the struggle to find meaning and identity amidst cultural conflicts that drove many people into these communities of play. This book also addresses race, religion, gender, fandom, and the place these games have within American capitalism. All the paths of this journey are connected by the very quality that has made fantasy role-playing so powerful: it binds the limitless imagination into a "strict" framework of rules. Far from being an accidental offshoot of marginalized fan communities, role-playing games' ability to hold contradictions in dynamic, creative tension made them a necessary and central product of the twentieth century.
Publisher: McFarland
ISBN: 1476675716
Category : Games & Activities
Languages : en
Pages : 200
Book Description
Role-playing games seemed to appear of nowhere in the early 1970s and have been a quiet but steady presence in American culture ever since. This new look at the hobby searches for the historical origins of role-playing games deep in the imaginative worlds of Western culture. It looks at the earliest fantasy stories from the nineteenth and twentieth centuries, at the fans--both readers and writers--who wanted to bring them to life, at the Midwestern landscape and the middle-class households that were the hobby's birthplace, and at the struggle to find meaning and identity amidst cultural conflicts that drove many people into these communities of play. This book also addresses race, religion, gender, fandom, and the place these games have within American capitalism. All the paths of this journey are connected by the very quality that has made fantasy role-playing so powerful: it binds the limitless imagination into a "strict" framework of rules. Far from being an accidental offshoot of marginalized fan communities, role-playing games' ability to hold contradictions in dynamic, creative tension made them a necessary and central product of the twentieth century.
The Italian Renaissance Imagery of Inspiration
Author: Maria Ruvoldt
Publisher: Cambridge University Press
ISBN: 9780521821605
Category : Art
Languages : en
Pages : 266
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521821605
Category : Art
Languages : en
Pages : 266
Book Description
Publisher Description
Fantasies of Female Evil
Author: Cristina León Alfar
Publisher: University of Delaware Press
ISBN: 9780874137811
Category : Drama
Languages : en
Pages : 266
Book Description
Focuses on Romeo and Juliet, King Lear, Macbeth, Antony and Cleopatra, and The winter's tale. UkBU.
Publisher: University of Delaware Press
ISBN: 9780874137811
Category : Drama
Languages : en
Pages : 266
Book Description
Focuses on Romeo and Juliet, King Lear, Macbeth, Antony and Cleopatra, and The winter's tale. UkBU.
The English Renaissance in Popular Culture
Author: G. Semenza
Publisher: Springer
ISBN: 0230106447
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
Publisher: Springer
ISBN: 0230106447
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
Imagination and Fantasy in the Middle Ages and Early Modern Time
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311069378X
Category : History
Languages : en
Pages : 716
Book Description
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311069378X
Category : History
Languages : en
Pages : 716
Book Description
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.