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Author: Anthony Hobson Publisher: Cambridge University Press ISBN: 9780521651295 Category : Antiques & Collectibles Languages : en Pages : 38
Book Description
This book, first published in 1999, studies and compares two sixteenth-century libraries. Jean Grolier's was a bibliophilic 'cabinet' of fine books; Diego Hurtado de Mendoza's was a much larger and more scholarly collection; a full catalogue is provided for the first time. Both men were greatly influenced by experience of Italy. Grolier has been called 'the Prince of Bibliophiles'; the books he commissioned have long been famous. This is the first full account of his life for eighty years. Hurtado de Mendoza was a poet, historian, Greek scholar and Arabist. He served as the Emperor's Ambassador in Venice (1540-6), to the Council of Trent (1545-6), and to the Pope (1547-52). In Venice he set out to form for Spain a collection of Greek manuscripts to rival that being formed for France by Francis I's agents. Anthony Hobson's text is complemented by ninety-one illustrations, several thematic indexes, eleven appendices and a bibliography.
Author: Anthony Hobson Publisher: Cambridge University Press ISBN: 9780521651295 Category : Antiques & Collectibles Languages : en Pages : 38
Book Description
This book, first published in 1999, studies and compares two sixteenth-century libraries. Jean Grolier's was a bibliophilic 'cabinet' of fine books; Diego Hurtado de Mendoza's was a much larger and more scholarly collection; a full catalogue is provided for the first time. Both men were greatly influenced by experience of Italy. Grolier has been called 'the Prince of Bibliophiles'; the books he commissioned have long been famous. This is the first full account of his life for eighty years. Hurtado de Mendoza was a poet, historian, Greek scholar and Arabist. He served as the Emperor's Ambassador in Venice (1540-6), to the Council of Trent (1545-6), and to the Pope (1547-52). In Venice he set out to form for Spain a collection of Greek manuscripts to rival that being formed for France by Francis I's agents. Anthony Hobson's text is complemented by ninety-one illustrations, several thematic indexes, eleven appendices and a bibliography.
Author: Jeffrey Todd Knight Publisher: University of Pennsylvania Press ISBN: 0812245075 Category : Antiques & Collectibles Languages : en Pages : 289
Book Description
Jeffrey Todd Knight excavates the culture of book collecting and compiling in early modern England, examining how the pervasive practice of mixing texts, authors, and genres into single bindings defined Renaissance ways of thinking and writing.
Author: Julius von Schlosser Publisher: Getty Research Institute ISBN: 160606679X Category : Art Languages : en Pages : 246
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Author: Leah R. Clark Publisher: ISBN: 1108427723 Category : Antiques & Collectibles Languages : en Pages : 351
Book Description
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
Author: Yvonne Hackenbroch Publisher: Editions Assouline ISBN: 9781614282037 Category : Art Languages : en Pages : 200
Book Description
Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of horizons, from the Old World to the New. This volume overflows with luxurious imagery expressing the boundless creativity and spirit of the Age of the Renaissance. Yvonne Hackenbroch relates the tales of the jewels, the artists, and the patrons who commissioned them.
Author: Rosa Maria Piccione Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110577089 Category : Literary Criticism Languages : en Pages : 411
Book Description
What does writing Greek books mean at the height of the Cinquecento in Venice? The present volume provides fascinating insights into Greek-language book production at a time when printed books were already at a rather advanced stage of development with regards to requests, purchases and exchanges of books; copying and borrowing practices; relations among intellectuals and with institutions, and much more. Based on the investigation into selected institutional and private libraries – in particular the book collection of Gabriel Severos, guide of the Greek Confraternity in Venice – the authors present new pertinent evidence from Renaissance books and documents, discuss methodological questions, and propose innovative research perspectives for a sociocultural approach to book histories.
Author: William H. Sherman Publisher: University of Pennsylvania Press ISBN: 0812203445 Category : Literary Criticism Languages : en Pages : 283
Book Description
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
Author: Rebecca Zorach Publisher: University of Chicago Library ISBN: 9780943056371 Category : Architecture Languages : en Pages : 0
Book Description
In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints--of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens--evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. Collections of these prints came to be known as the Speculum Romanae Magnificentiae, the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's Speculum Romanae Magnificentiae, the largest collection of its kind in the world, The Virtual Tourist in Renaissance Rome places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers--"virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.
Author: Anthony Hobson
Author: Anthony Hobson
Author: 
Author: Jeffrey Todd Knight
Author: Julius von Schlosser
Author: Leah R. Clark
Author: Yvonne Hackenbroch
Author: 
Author: Rosa Maria Piccione
Author: William H. Sherman
Author: Rebecca Zorach