Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
Early Renaissance Architecture in England
Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
The Story of Renaissance Architecture
Author: Sonia Servida
Publisher: Prestel Publishing
ISBN: 9783791345970
Category : Architecture, Renaissance
Languages : en
Pages : 0
Book Description
"This volume features the Renaissance period's most important architects, buildings and cities, interior and exterior photographs, detailed images, drawings and plans. This book offers a general introduction to the period and discusses the primary characteristics of the style, along with commonly used techniques and materials. The Renaissance began in fifteenth-century Italy as an attempt to review Rome's Golden Age. Some ot the most recognizable Renaissance structures featured here are the Palais de Fontainebleau in France, the Ducal Palace of Urbino in Italy and St Peter's Basilica in Vatican City"--Back cover.
Publisher: Prestel Publishing
ISBN: 9783791345970
Category : Architecture, Renaissance
Languages : en
Pages : 0
Book Description
"This volume features the Renaissance period's most important architects, buildings and cities, interior and exterior photographs, detailed images, drawings and plans. This book offers a general introduction to the period and discusses the primary characteristics of the style, along with commonly used techniques and materials. The Renaissance began in fifteenth-century Italy as an attempt to review Rome's Golden Age. Some ot the most recognizable Renaissance structures featured here are the Palais de Fontainebleau in France, the Ducal Palace of Urbino in Italy and St Peter's Basilica in Vatican City"--Back cover.
Architecture of the Renaissance in England
Author: John Alfred Gotch
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
Book Description
A Short History of Renaissance Architecture in England 1500-1800
Author: Reginald Blomfield
Publisher: BoD – Books on Demand
ISBN: 336823062X
Category : Fiction
Languages : en
Pages : 394
Book Description
Reprint of the original, first published in 1907.
Publisher: BoD – Books on Demand
ISBN: 336823062X
Category : Fiction
Languages : en
Pages : 394
Book Description
Reprint of the original, first published in 1907.
Renaissance Gothic
Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Inigo
Author: Michael Leapman
Publisher: Headline Book Pub Limited
ISBN: 9780755310036
Category : Architecture
Languages : en
Pages : 414
Book Description
Best known for the Banqueting House in Whitehall, architect Inigo Jones was also a theatre designer and traveller. A difficult, troubled man he revolutionised British architecture by introducing the classical forms he had discovered on his journeys to Italy. Originally published: 2003.
Publisher: Headline Book Pub Limited
ISBN: 9780755310036
Category : Architecture
Languages : en
Pages : 414
Book Description
Best known for the Banqueting House in Whitehall, architect Inigo Jones was also a theatre designer and traveller. A difficult, troubled man he revolutionised British architecture by introducing the classical forms he had discovered on his journeys to Italy. Originally published: 2003.
Building for England
Author: Adrian Green
Publisher: Durham Medieval and Renaissanc
ISBN: 9780888448637
Category : Architecture
Languages : en
Pages : 0
Book Description
"John Cosin (1595-1672) was a leading cleric in seventeenth-century England who rode the changing tides of preference under James I and Charles I, exile during the Interregnum, becoming Bishop of Durham at the Restoration. Inspired by the architecture of Dr. Caius at his undergraduate college in Cambridge, Cosin was encouraged to value the architecture of the English Church by his patron Richard Neile. Under Bishop Neile, Cosin became a prebend of Durham Cathedral and Rector of Brancepeth in the Bishopric of Durham during the 1620s, as well as Master of Peterhouse and Vice Chancellor at Cambridge University during the 1630s. Cosin spent the years 1643 to 1659 in exile in Paris before returning to become Bishop of Durham in 1660 till his death in 1672. Cosin was actively involved in church architecture, fulfilling the "beauty of holiness" agenda of the English Arminian clergy, from the 1620s through to the 1670s."--
Publisher: Durham Medieval and Renaissanc
ISBN: 9780888448637
Category : Architecture
Languages : en
Pages : 0
Book Description
"John Cosin (1595-1672) was a leading cleric in seventeenth-century England who rode the changing tides of preference under James I and Charles I, exile during the Interregnum, becoming Bishop of Durham at the Restoration. Inspired by the architecture of Dr. Caius at his undergraduate college in Cambridge, Cosin was encouraged to value the architecture of the English Church by his patron Richard Neile. Under Bishop Neile, Cosin became a prebend of Durham Cathedral and Rector of Brancepeth in the Bishopric of Durham during the 1620s, as well as Master of Peterhouse and Vice Chancellor at Cambridge University during the 1630s. Cosin spent the years 1643 to 1659 in exile in Paris before returning to become Bishop of Durham in 1660 till his death in 1672. Cosin was actively involved in church architecture, fulfilling the "beauty of holiness" agenda of the English Arminian clergy, from the 1620s through to the 1670s."--
Literature and Architecture in Early Modern England
Author: Anne M. Myers
Publisher: JHU Press
ISBN: 1421408007
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Publisher: JHU Press
ISBN: 1421408007
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Architecture and the Senses in the Italian Renaissance
Author: David Karmon
Publisher: Cambridge University Press
ISBN: 1108808476
Category : Art
Languages : en
Pages : 490
Book Description
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Publisher: Cambridge University Press
ISBN: 1108808476
Category : Art
Languages : en
Pages : 490
Book Description
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Victorian Perceptions of Renaissance Architecture
Author: Katherine Wheeler
Publisher: Routledge
ISBN: 1351537768
Category : Art
Languages : en
Pages : 207
Book Description
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.
Publisher: Routledge
ISBN: 1351537768
Category : Art
Languages : en
Pages : 207
Book Description
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.