Renaissance Acting Editions: The Tragedie of Othello, the Moore of Venice [Othello, the Moor of Venice] PDF Download
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Author: William Shakespeare Publisher: Demitra Papadinis ISBN: Category : Drama Languages : en Pages : 292
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Author: William Shakespeare Publisher: Demitra Papadinis ISBN: Category : Drama Languages : en Pages : 292
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Author: Hannibal Hamlin Publisher: Cambridge University Press ISBN: 1107172594 Category : Drama Languages : en Pages : 331
Book Description
A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.
Author: Jeffrey Kahan Publisher: Routledge ISBN: 1135973652 Category : Literary Criticism Languages : en Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: Jack D'Amico Publisher: University Press of Florida ISBN: 9780813010687 Category : Literary Criticism Languages : en Pages : 243
Book Description
D'Amico writes that when he lived in Lebanon and Morocco he taught plays such as Othello to students who, no doubt, would have been considered Moors by Shakespeare's contemporaries. His experience as an outsider trying to understand another culture shapes this work about the boundaries of perception set by race, religion and custom and about the boundaries of the imagination.
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Author: William Shakespeare![Renaissance Acting Editions: The Tragedie of Othello, the Moore of Venice [Othello, the Moor of Venice] PDF](https://books.google.com/books/content/images/frontcover/ZJKq0KpAiR4C?fife=w80-h100)
Author: William Shakespeare
Author: 
Author: Frederick Wilse Bateson
Author: Arthur James Wells
Author: New York Public Library. Research Libraries
Author: F.W. Bateson
Author: Hannibal Hamlin
Author: Clara Longworth comtesse de Chambrun
Author: Jeffrey Kahan
Author: Jack D'Amico